In Australia at the turn of the 19th century a part aboriginal man Jimmie, is torn between two different cultures. One being the traditions of his people and the other is adopting the white customs. Though, the racism he confronts from his white employers, he finds it unbearable trying to fit in and commits a massacre on a white family.

This is an adaptation of Thomas Kelly's stimulating novel of the same title. That's actually based on real events. Director Fred Schepisi vision of the story is totally stunning in capturing the detail of the Australian landscape and the friction between two cultures, with such confronting and stirring context and some downright absorbing and strong performances.

The look of the film is incredibly impressive. A boldly effectual music score of emotion captures the harsh bushland and gritty desert landscape beautifully. The film is tremendously well shot, with it holding such a noble aurora. The main leads were excellent and potent in their roles, especially the marvellous Tommy Lewis as Jimmie Blacksmith. As well there were some effective supporting roles from some well known Australian faces.

The violence is brutal; it comes across as uncomfortable to view at times. Especially the scene involving Jimmie in a fist of rage hacking up some young white girls as the injured mother watches. The violence is supposed to be shocking and it comes across as truly powerful in evoking the tension of racism that is fuelled between the Europeans and Aboriginals. The racism is so vivid and it has some fairly shattering dialogue and scenes of confrontations. The drama is a very heated one, especially the further along the film goes. Though, it doesn't try to twist the side of things giving each their own good and bad traits of the two cultures. We feel sympathy for Jimmie because of his treatment, but not pity because of what he has done, but he has become.

The tone of the story is fairly bleak, explicit and uneasy. Though, the emotional effect is never pushed onto you or forced in any way. You just become compelled in the characters and the story, which just sucks you right into the situation at hand. As we see one culture dying because of disease and alcohol and another one being forced upon those. Jimmie is caught between the two ways of life, as he was brought up in his childhood through a white European couple. He can see that his people are losing their identity, him being one. While, he has a stint in doing white customs and achieving his dreams of a job, marriage and own house, but still his treated real badly and at times humiliated by his bosses, in a society that he will never be accepted in. This causes the down ward spiral for Jimmie, as he can't take any more of it.

Like some fellow users had typed, this is one depressing film that will stir up some emotion towards the material and characters. It's a tense and fearless look into racism.

It comes across as one grand epic and a very good one too.

This film from 1978 as directed by Fred Schipisi of SIX DEGREES fame and of Thomas Keneally's book - he wrote SCHINDLER'S LIST - is a grim and disturbing depiction set during colonial 19th century Australia of a young Aboriginal man's descent into frustrated violence against his white English landowner masters. It becomes a really brutal film with explicit axe murders, especially against young girls and older women, and it is this visually distressing depiction that ultimately alienated the cinema audience. Jimmy's humiliation and cruel treatment is equally explicit and it is a relentless string of unhappy experiences by his inhumane 'boss' that ultimately causes him to crack - and hack. As a novel it is all in the mind of the reader but as a cinemascope color film, the 'running amok with an axe' sequences make any crowd want to run from the cinema. It was not seen on TV in Australia for almost 20 years and it is not likely to be either without most of the violence cut out, thus blunting the heavy handed message and the ultimate impact. Like poor Jimmy himself, the film version is in no man's land either. Past all that, it is a well made film and with an excellent cast; but very tough going. It fits well into a series of very sharply observed Australian films depicting the British colonial mind and its misunderstanding or cruelty towards Aboriginies: JEDDA in 1956, WALKABOUT in 1970, this film in 1978, RABBIT PROOF FENCE in 2001 and THE TRACKER in 2003. Each and every one are unique and excellent in their story. This one however, is the most violent which does derail its message. White urban Australia run amok is hilarious in a 1966 comedy THEY'RE A WEIRD MOB or demented boozy antics in THE ADVENTURES OF BARRY MCKENZIE in 1972... and alarmingly, horrifyingly realistic, soaked in beer bullets fists and dead kangaroos blood in Ted Kotcheff's superb 1971 drama OUTBACK. See the lot! It is a head-shaking but enlightening string of films, especially if seen in chronological order....like we all did! (may explain why our film makers in the 90s made musicals)

THE CHANT OF JIMMIE BLACKSMITH is well regarded as one of the best Aussie movies of all time by those who've seen it and having just watched it for the first time I'm inclined to agree. It's a searing, realistic indictment of the prejudice and racism meted out to Aborigines by whites in turn-of-the-20th-century Australia, but the surprising thing is just how well it's handled: make no mistake, this is mature and literate filmmaking despite the controversy of the subject matter. The fine direction is complemented by a perfect array of performances, not least from the leads, and there are moments here among the most powerful and shocking of all cinema.