A beautiful, nefarious senior female SS officer/doctor (Macha Magall) creates a genetic, mutant human Beast (half man/half beast). The Beast is a rapacious, squat, mongoloid sex fiend which she uses to torture and molest female prisoners while the Nazis watch.
This film really has no redeeming qualities. A knockoff of "Ilsa", it tries to up the ante with more torture, nudity and general excess. Arguably, it succeeds in this attempt, but that does not make it a better movie. Director Luigi Batzella offers nothing interesting, and even has to pad the 86 minutes with footage from another of his films, "When the Bell Tolls".
Salvatore Baccaro (the "beast" of the title) has the perfect body for a character actor. He was in Dario Argento's little-seen "Five Days", s well as "Deep Red". Though his role in this film is reprehensible, this is really the fault of the script an those involved... in fairness to Baccaro, he is spot-on as far as being a crazed beat goes, so well played.
Plot summary
With World War II nearing its end, the Aryan geneticist and frigid lieutenant of the SS, Fräulein Ellen Kratsch, gives her all to create the latest secret weapon of the Third Reich. And, as the Nazis comb the villages scattered in the mountainous region of Canavese in Italy for surviving Partisan movements, unheard-of chemicals transform perverse Dr Kratsch's caged specimen into a brutal, sex-crazed abomination attracted by the scent of intense fear. Now, to mark a turn of the tide in the war, Dr Kratsch will not hesitate to provide her precious hybrid with fresh batches of helpless naked women. Is there an escape from the clutches of the savage beast in heat?
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All-Around Bad Movie
I'M GOING TO MAKE YOU TALK
This is another film restored by Full Moon and part of their grindhouse series. The opening visual restoration looked good, but the audio sounded like it was under water. The audio improves as the visuals grow worse. During the closing days of WWII, a local facility (not really a camp) is experimenting to make a master race. Unfortunately all they managed to create was one lone ape-man, or rape-man. This part of the plot needed some help. Local villagers are rounded up and abused because there was no camp.
Most of the film was boring war scenes, interrupted by rape and torture porn. And by torture porn there was a scene that could have come from "Blood Sucking Freaks." I would recommend Ilsa films instead, i.e. ones that haven't been edited to eliminate nudity below the waist. Good luck finding them. There is also "Stalag 69" an adult film starring Angelique Pettyjohn (One of Kirk's Star Trek women) which you will have trouble finding.
Guide: Sex, rape, FF nudity male and female. Also titled "Horrifying Experiments of S.S. Last Days" and "The Beast in Heat."
Nice'n'gross chunk of Italian Nazisploitation trash
Depraved and sadistic Nazi scientist Dr. Ellen Kratsch (excellently played with lip-smacking wicked relish by the lovely Macha Magall) creates a brutish sex-crazed Neatherthal subhuman beast (hysterically portrayed with slobbering grunting gusto by tubby wonder Salvatore Baccaro) who rapes and eats beautiful young women who get tossed in its cage. Meanwhile, a guerrilla army of dedicated freedom fighters try to liberate Northern Italy from the cruel tyranny of the Third Reich. Writer/director Luigi Batzella scrupulously covers all the supremely seamy and revolting exploitation bases: plentiful tasty female nudity (several guys show their stuff as well),an unsparingly mean and sordid tone, savage animalistic rape (the beasts rips out one hapless victim's pubic hair and devours it by the handful!),truly vile and hateful Nazi villains, vicious, kinky, and excruciatingly graphic torture set pieces that include a gal having her stomach chewed open by rats, another chick having her fingernails yanked out with pliers, a horny male prisoner getting castrated by a topless Krastch, and, in the gloriously tasteless highlight, a little baby is tossed up in the air and heartlessly blown away by the loathsome Nazi swine; and an uncompromisingly gloomy ending. The lousy dubbing, cruddy (far from) special effects (the chintzy Tonka Toy plastic bomber plane in particular in is uproariously shoddy),Ugo Brunelli's crude cinematography, liberal use of obvious poor quality stock footage, Giuliano Sorgin's redundant shuddery synthesizer score, and the clumsily staged action scenes further add to this lovably appalling atrocity's considerable grimy charm. Entertaining low-grade junk.