After reading the two reviews here, I was hopeful this would be good. Unfortunately, what I was subjected to was a bunch of clichés and a film that got progressively worse.

First, a little synopsis. A couple move in to an apartment building in order to put the traumatic loss of their child behind them and get their life back on track. Instead, their lives spiral out of control as strange events keep happening.

I've often wondered why the always reliable Teri Polo was always confined to supporting roles. Now I know. Polo stars as Bryn, who can't get over feelings of loss and guilt and she telegraphs and amplifies pretty much every emotion of her character. She's... regrettably bad. The direction and writing by Michael Stokes sure does not help but really, it's inexcusable.

David Rees Snell (a.k.a. that wooden actor who played the quiet of the four detectives in "The Shield) is her co-lead as the husband. Again, a cliché character of the husband courageously trying prevent his couple from sinking and repressing his emotions in the process (probably better that way, as the actor wouldn't be able to show any).

Oh, there's also the cliché sister. She's a hot babe with some of the worse lines and characterization I have seen in a while. Flashing her breasts to the movers one moment, and the next reciting platitudes disguised as pearls of wisdom the next. It's really painful.

Anyways, from the moment they move in, we meet a cast of weird characters. The tenants all have their little quirks and again, the characterization is awful, particularly when the whole plot is taken into account. This movie, mark my words, will have zero replay value because of the various plot holes, many of which are caused by the awful acting on display.

Speaking of the plot, this is your fairly typical ghost story, which means nowadays plot twists that don't really make much sense. These could have made for a watchable film in the hand of a competent director but unfortunately, it's not the case here. As things escalate and the weird happenings become more common, we are subjected to some of the worse makeup effects seen since the 90s. I literally paused and wondered if I was watching a horror movie or a comedy.

There are hundreds of horror movies you should watch but Beacon is not one of them, I would think. Unless you're a hardcore fan of the genre.

THE HAUNTING AT THE BEACON is a very ordinary ghost story about a grieving family who move into a new and haunted home. The scares are diluted and way too much of the screen time is taken up with lame dialogue, but I suppose as haunted house films go it could be worse. At least the film-makers avoid the usual clichés for the most part, but at the same time they deliver a film in which nothing really happens.

Teri Polo and her on-screen husband play some dull-beyond-belief characters who don't deserve a movie to themselves because they hold zero interest. The only face who raises a smile is that of genre legend Michael Ironside, but sadly he gets very little screen time playing one of a number of cops. One of the notable scare sequences at the climax of the movie makes use of some special effects that had me laugh out loud rather than scared; they look like they belong in an old episode of the MONSTERS TV show rather than a supposedly serious horror flick...

The photographer Bryn (Teri Polo) and the astronomer Paul Shaw (David Rees Snell) moves to a small, but cozy one bedroom apartment in the Beacon Apartments in Texas to rebuild their lives. Three years ago, in Halloween, Bryn neglected attention to their son Danny that disappeared, apparently drown in a lake nearby a carnival. Bryn tried to commit suicide and Paul sacrificed his career to support her. In the relocation, the couple is helped by Bryn's sister Christina Wade (Marnette Patterson) that befriends the next door neighbor Will "Ty" Tyler (Nick Sowell). Paul finds a job in the local university and shares his office with the eccentric anthropologist Simon Valencia (Jonny Cruz). Along the days, Bryn has visions and nightmares with a ghostly boy and she decides to investigate how he died and seeks out his father James Nash (Kevin Scott Keating). Meanwhile Paul helps the decadent actress Vanessa Carver (Elaine Hendrix) but does not tell details to his wife. When Bryn discovers that James is also dead, she realizes that she had contacted ghosts in the building and tells Professor Simon, trying to find how to communicate with her diseased son. However, after his research, Simon finds the truth about the Beacon Apartments.

"The Beacon" is a well-constructed horror movie with a great story that recalled me the scary "The Sentinel" (1977). The excellent Teri Polo shines in the dramatic role of a grieving suicidal mother with guilty complex. This is the type of feature based on good direction, screenplay and performances, and the make-up and special effects are effective and used only when necessary. The plot point is totally unexpected, the story is very well resolved and the melancholic music score is wonderful. In the end, the refreshing "The Beacon" was a great surprise that startles and one of the best horror movies that I have seen this year. My vote is eight.

Title (Brazil): "Visões" ("Visions")