Summary

A successful look at the myth of the werewolf, in this case associated with a coming of age and a love story of a teenager in a town in the French Pyrenees, with the realism, dryness and social notes typical of French terror and a moving result.

Review

Teddy is a teenager who lives in a French town in the Pyrenees area. From the moment he is bitten by something hidden in the woods, his behavior begins to change.

Teddy hasn't finished school, he's dating a girl who's about to finish high school, he loves satanic rock, he lives with a strange uncle and he has an amazing job. Outside of all this, he is a simple and impulsive boy who lacks a social life.

The film by Ludovic and Zoran Boukherma (critic's award at the Sitges Festival 2020 and part of the official selection for the Cannes Film Festival) brings their perspective on the myth of the werewolf, framing it in a coming of age and a story of love, enhanced by notes on class, work, on medical knowledge and cultural differences, notes never underlined, but rather arise spontaneously from history; Teddy and his entourage have something of Bruno Dumont's Hors Satan.

The story develops a successful narrative crescendo, generally staying within a realistic register that includes everyday episodes (including sexual ones) that in this context take on enormous tension and others that are very simple but put the viewer to the test. The directors know how to resort to ellipses and off-screen with solvency, to which is added a certain humor that emerges from the small-town dynamics. And when it comes to solving situations, the film shows the characteristic dryness of French terror, which does not prevent them from being moving.

Anthony Bajon (absolute protagonist) composes very well a lonely Teddy who generates empathy in the viewer. And I left for the end a special mention for the remarkable soundtrack by Amaury Chabauty, which contributes opportunely and enormously to the climates created in the film.

If you agree to eat a woman, usually there is some innuendo involved in that lingo. And there is a scene that while not graphic in its nude depiction of the people involved, is quite intense in the going down department. Having said that, the movie has its roots in the horror genre and has some neat ideas to work with.

Yes you will able to tell where this is heading and that's ok. Because the actors really help make this quite the experience. It is slow but it works overall. Good effects too.

Here is another movie I really wanted to like but ended up disappointed in. My problem with "Teddy" is that they focused too much on the more mundane details of this guy's life. It was marketed as a horror movie, but it feels more like a drama most of the time--almost a soap opera, in fact. It just happens to have one sequence where some violent things happen, but it just didn't feel rewarding enough to sit through everything else. It was well made--it looks nice, it is well performed--I just didn't think there was much to the story.