This film I suggest, after many decades of Tarzanophilia, came nearer to capturing the ideal Tarzan than has any other such effort. In the MGM B/W version, geared for mental twelve-year-olds as they admittedly were, Johnny Weissmuller was saddled from the outset with a civilization-bred wife, then a child, short-word speech patterns, a lack of mental training and a great difficulty at freeing himself long enough to become involved in interesting adventures or important ones. In "Tarzan's Greatest Adventure", Sy Weintraub's color attempt to create a new and more Burroughsian Tarzan, as Edgar Rice Burroughs had envisioned the "ape man" in his intelligent fantasy series of novels caused him to introduce many changes. In this film Tarzan, played by attractive Gordon Scott, speaks English, has a thoughtful and trained mind, and is respected and deferred to by the local British officials because of his jungle lore and standing with everyone in the area. When a bandit gang invades the territory and murders several men in order to steal dynamite for use in a diamond stealing scheme, Tarzan believes he alone can prevent further murders such as they have just done and that only he can and must stop Slade, a ruthless escaped convict and psychopathic murderer, from becoming a great danger to everyone in his realm. This is not altruism on his part; he knows the man and knows Slade can never rest while Tarzan is alive, and vice versa. He goes after him, and ends up saddled with a spoiled and lovely pilot, with whom he shares a romance and the dangers of a truly great adventure. As Slade's criminal gang quarrel among themselves and try to stay ahead of Tarzan, whom they nearly manage to kill, he is saved by the pilot and finally overcomes and kills the last of them, Slade. Then the pilot has to go back to her world and Tarzan to his. In the very fine small cast the director, John Guillermin, got good performances from such stalwarts as Anthony Quayle, Sean Connery, Niall MacGinnis, Al Mulock and Scilla Gabel. The credit for the very expensive-looking production go to the director, as well as to cinematographer Edward Scaife and art director-production designer Michael Stringer. Music was supplied by Douglas Gamley. The film to me has a jungle look about it that borders on being rather stylish; such exciting scenes as the raid staged by Slade's men, the scenes on the boat by which he and his group proceed upriver, the plane crash that brings the pilot into Tarzan's life, her theft from the group of medicine to help him, and the deaths of the criminals one-by-one are very-well photographed and staged. This is a very good film, with its only drawback the apparently needless introduction into its villain, Slade, of a psychological preference for adventitious killing over even crimes committed for a simple purpose of theft. But overall, this was a very successful adventure, unusually-bright, attractive and well-presented. Connery is charismatic as an annoying type, Gabel very good in a thankless part, and Quayle and MacGinnis powerful as career criminals. Sara Shane was attractive, and as Tarzan, Gordon Scott proved to be a first-rate athlete and a serviceable leading man. A worthy and imaginative recasting of the Tarzan image on film.

Scar-faced Anthony Quayle (as Slade) and his cut-throat crew are in Africa looking to get rich on diamonds, which doesn't sit well with loin-clothed lord of the jungle Gordon Scott (as Tarzan). Beautiful Sara Shane (as Angie) crashes the scene, gets rescues by Mr. Scott and chased by a lion. All of this sounds like the usual fare, but there is a rub. With new producer Sy Weintraub taking over, the "Tarzan" franchise decided to become more adult in orientation. In an early scene, Scott symbolically bids farewell to his adorable chimp "Cheta" before going on to face real danger...

Parents who sat with their kids for the "Tarzan" films must have been squirming in their seats as "Tarzan's Greatest Adventure" presented increasingly realistic scenes of violence. Drama teachers could be proud as Scott and his guest stars, including sexy while clothed Sean Connery (as O'Bannion),are given opportunities to do some real acting, too. The inserted animals are still a stock footage nuisance, and it's easy to over-praise this film in context, but keep watching as the exciting ending may be the series' best. Scott had good reason to give a "Tarzan" shout-out.

******* Tarzan's Greatest Adventure (7/8/59) John Guillermin ~ Gordon Scott, Anthony Quayle, Sara Shane, Sean Connery

The fifth in the series of Gordon Scott-starring Tarzan films and a fun little programmer for the fans – although those looking for anything other than a straightforward, surprise-free action/adventure will be disappointed. TARZAN'S GREATEST ADVENTURE sets out with a horrible crime, and for the rest of the film has Tarzan on the track of those who committed the said crime, gradually whittling their numbers down one by one. The action scenes are a lot of fun, especially the clifftop climax.

This is obviously a film aimed at the kids, because the characters are paper-thin. Introductions are kept to a minimum and loyalties are sketched in purely black-and-white turns. Indeed, the only actor who gives what can be called a real performance is Anthony Quayle, playing the big villain who has some kind of a grudge against our jungle-dwelling hero. Gordon Scott, well-oiled in this role by now, is likable and athletic, the only qualities that are really required for playing the titular hero.

The supporting cast is more interesting than you'd expect in a typical B-movie. The fat German bad guy is played by Niall MacGinnis, the nasty black wizard from NIGHT OF THE DEMON, while another of the crooks is played by a pre-fame Sean Connery (displaying the kind of screen presence that led him on to burn up the screen as Bond). Yet another bad guy, Al Mulock, appeared in a series of spaghetti westerns before committing suicide while filming ONCE UPON A TIME IN THE WEST. Sara Shane is the blonde pin-up love interest, although I preferred the bad girl, played by Italian temptress Scilla Gabel (MILL OF THE STONE WOMEN). Director John Guillermin later found fame with his classic disaster movie, THE TOWERING INFERNO. Not bad resumes for most of the actors appearing in this!