Gene Wilder and Richard Pryor were a great comedy duo. Not all their few collaborations were great, but 'Silver Streak' and 'Stir Crazy' very much were very good, particularly the former. One thing that 'Stir Crazy' improves on than 'Silver Streak' is that Wilder and Pryor get equal screen time and work stronger as a double act.

'Stir Crazy's' second half isn't as good as the first half, a case of the first half being great but the second half having moments but not living up to the promise seen before. The elaborate escape scene stands out well, but generally the second half does suffer from a lack of laughs, which the first half had aplenty, the momentum isn't as snappy and the more serious tone jars a little.

That's pretty much it for the flaws though. 'Stir Crazy' is one of their more visually beautiful films, the setting is great and like a character of its own and there is some truly beautiful and clever photography at the start and in the first half.

Much of the script is hilarious and clever, and avoids being noisy or immature. Pryor's chicken scene is unforgettable, and there is some clever lampooning of prison clichés. The story is slightly contrived at times in the second half but very rarely gets tedious. Sidney Poitier is a surprising choice for director but does a very capable job.

Wilder is both funny and endearing and avoids mugging too much or clowning around. Pryor with more screen time than 'Silver Streak' equal to that of Wilder, works incredibly well with Wilder and while he is the less understated of the two he's not abrasive or annoying.

Overall, uneven but very enjoyable. 8/10 Bethany Cox

Skip Donahue (Gene Wilder) is a playwright. Harry Monroe (Richard Pryor) is an actor. They are unsuccessful best friends in NYC. After both getting fired, Skip is tired of the city and convinces Harry to move out to the west coast. Their van breaks down and they take jobs as mascots at a bank. Bank robbers steal their mascot outfits to rob the bank. Skip and Harry are arrested for the robbery and sent to prison for 125 years.

Gene Wilder going crazy in prison is hilarious. That's the best scene in the movie. However it flattens out and loses some of the comedic tone. It's too bad. It becomes a bit too serious about an escape attempt and a rodeo contest. I still love the Gene Wilder and Richard Pryor pairing. They are one of the best comedic duo of all times. They do some really fun back and forth in this one. However there isn't a single laugh in the last section of the movie.

It takes a visit to middle America for two jaded New Yorkers (Gene Wilder and Richard Pryor) to figure out. They are framed for a bank robbery, end up in prison, and plot to escape while performing in the warden's rodeo, a supposed fund raiser where the profits end up going in his pocket rather than to make life for those behind bars a bit better. Like the much later rodeo, this is a comedy about showing country folk that just because someone comes from an urban jungle, doesn't mean they can't handle a wild ride on a bucking bull. In this case, it's Gene Wilder, who amazes everybody around him with his ability to remain afloat no matter what messy situation he gets into, while Pryor is playing an updated version of Stepin Fetchit minus the stereotypes.

This is an enjoyably funny popcorn film with the two stars supported by the lovely Jobeth Williams as the attorney determined to prove their innocence and George Stanford Brown as a flamboyant gay prisoner who actually shows heart underneath his pansy exterior. An interracial buddy type "Road" movie, this was the second of three pairings for Pryor and Wilder, each of whose brand of comedy flatters the others. This is one time where you want to see the men behind bars outwit the men guarding them.