So many have commented, so I will be brief. From an intriguing plot to wonderful characterizations using drop dead animation, this film works. About ten minutes into it it thought, "This is just a kind of hip hop version of Spiderman." But the main character is suddenly thrust into a world which he must learn quickly to manage. The canon takes a turn here toward incredible creativity. I avoid mainstream animation, but this has restored my faith.

Have you ever sat through a film and you knew that films would never be the same going forward? For example, Terminator 2, Star Wars.. the first Toy Story... Iron Man

Well this is one of those. This is a almost rather perfect film. Let me just say the the stylished animation is just top notch. It as if the comic book leaped off the pages. I've seen practically all super hero films to include the DC animated ones. This feels as if they took comic books and Playstation animation and just came up with this perfect look.

And the story is great.. the pacing is so wonderful. It is able to tell the story.. and an origin without boring us to tears like Zack Snyder has done in the DC universe. The story is quiet touching. And it allows us to have a pretty interesting Spider Man in Miles WITHOUT thrashing or having a Peter Parker like experience.

Plus our the villains are so well done..

But I think we will see a lot more of this type of animation in the future from Sony. I think they announced their presence with authority.. like how Dreamworks did with Shrek.. and how Pixar did.

It's been awhile I seen something so unexpected and so cool.

The worlds of superhero movies and superhero comics are not as similar as they seem on the surface. Currently, film studios are all about the "extended universe", seeing how many different titles and characters they can shove into one franchise (Avengers, X-Men, Justice League),making for an easy way to squeeze a few extra bucks out of their lesser known properties. Comics have this as well, of course. However, they also have something modern movies haven't really tapped into yet: story one-offs, a chance for a storyteller to create a unique tale and not be constrained by the implications on or from the larger universe. Spider-Verse gets to do just that, while playfully taking on the fun (if convoluted) absurdity of extended superhero universes. Listen, I hear you. "How could we possibly need another Spider-Man movie?" Spider-Verse understands that question and has a take on it. Yes, Peter Parker is here. In fact, there are two Peter Parkers. There's also a Spider-Woman, a Noir Spider-Man, an anime Spider-Girl/Robot, and a Spider-Pig. At the center though is Miles Morales, an Afro-Hispanic Brooklyn teen who must help these other Spider-People get back to their own planes of existence. He fights with his cop dad, he adores his shady uncle, hates being simply the smartest kid in the room, and just wants to do something that matters. Being Spider-Man wasn't his idea, but hey, when a radioactive spider gives you powers, what choice do you have? Look, I don't have any sort of hot take on this movie. It looks great, the humor pops with surprises, the voice casting is beyond perfect. It's simply a stylishly exciting and refreshingly unique take on the superhero genre, and sometimes that's more than enough.