I was a regular Ian Dury record buyer in my late teens but wouldn't say I was in his thrall. Nevertheless, I was intrigued enough to go and see this biopic featuring Andy Serkis (Golum in Lord of The Rings) as the great man himself.
His performance is top drawer and does make you feel you are in the room with the chief Blockhead himself. But this is more than a music homage. This is a reasonably complex life story told with more than a smattering of real film skills. It opens a bit frenetically with a hotch-potch of animation, flashbacks, montage and "stuff" that the director's (Mat Whitecross - not one I know) using to try to tell the back story quick as a flash. Whilst it works in story-telling terms it feels like it's trying too hard and it takes 20 minutes for the film to find its feet as Dury metamorphosises from Kilburn and The High Roads into Ian Dury and The Blockheads.
Thereafter, the film is far more assured, but strangely unmoving on the whole, despite the fact that there are a lot of episodes that could have jerked a tear or two. Little is made of his chart success. other than the typical excesses that stardom inevitably brings in its wake; rather, the film is much more interested in his complicated love life and (abysmal) family life which lays true the aphorism that what goes around comes around. Actually, it's better for that.
In particular the relationship with Dury and his son, Baxter (played brilliantly by Son of Rambow star Bill Milner) is the main thread of the movie. Initially reticent, Baxter becomes increasingly influenced by his rebellious father and follows suit. Again, like Dad, in response to the bullying and humiliation he faced at school.
The finale is really good and pulls together a lot of strands including the Spartacus references that cropped up earlier in the action. I won't spoil it by telling you how though.
actually,the movie tries a little too hard; it's a touch too stylised for my liking, but it zips along quickly despite its fairly lengthy 115 minute running time.
Overall, I'd recommend it; if for no other reason than to wonder at Andy Serkis.
7 out of 10.
Sex & Drugs & Rock & Roll
2010
Action / Biography / Drama / Music
Plot summary
Flamboyant entertainer Ian Dury, backed by the Blockheads, takes to the stage, explaining to his audience how, as a child, he contracted polio from a swimming pool and attended a special needs school where he was bullied, particularly by orderly Hargreaves, a fact which shaped his tough and frequently iconoclastic approach to life, culminating in his controversial contribution to the Year of the Disabled. From his early days with Kilburn and the High Roads, playing seedy pubs with no dressing rooms Ian moves onto chart success with the Blockheads, collaborating with musician Chaz Jankel. His private life is complicated as, separated from the tolerant Betty with whom he remains friends but refuses to divorce for many years, he lives with the much younger Denise along with his adored son Baxter, who will himself become a performer. Ian dies in 2000, having packed an enormous amount of living into a comparatively short life.
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Andy Serkis makes for a pretty good experience overall
Brilliant Andy Serkis. Film Isn't Otherwise Bad
In the states, Ian Dury is mostly unknown, especially now. He was a UK rocker who came out of the pub circuit. He was the most unlikely of rock stars, stricken with polio and possessed of a less than tuneful voice. Still, the music is well crafted and other than the film title some may remember the clever "Hit Me With Your Rhythm Stick". Andy Serkis does an amazing job as Dury, he catches his ugliness, his drive, his indifference and his fury. They don't make musicians like Dury anymore, and thats a pity. He was an original. The film gets a bit confusing jumping from the present to the past, but stay with it. If you've never heard of Dury, read up & listen before you watch this. Otherwise, I think this is a faithful film about a difficult person but one who contributed well to popular culture. R.I.P. Ian.
Entertaining enough if you know the fuller picture
The Ian Dury story was definitely too strange for fiction. A disabled pop star - in the modern video age - who created a mix of musical hall, punk and pub rock that topped Euro charts and still gets a whirl now and then on nostalgia radio.
But is this is the real story? For a start he had one of the great backing bands (and to be frank they were more musical than him!) and, besides that, he was both an art teacher and born and brought up well outside of London. Making him Mockney No.1.
Like most bio-pics, facts that don't fit the overall picture are thrown over the wall. Also chronology is not guaranteed either. Never mind the interesting bits that the micro-budget couldn't touch.
Serkiss is simply great as Dury. Indeed hard to see anyone doing any better with the material. Such as it is. Why did women go for this unconventional man who clearly had a great deal of trouble thinking beyond himself and his own creature comforts?
("Don't know" says the movie very honestly. Although he may have been quite nice on the days he wasn't acting a prick. There was a brain and a conscience up there.)
Like many artists you are glad for their art because it shows they had hidden depths that their appearance and behaviour didn't always indicate. Later he left music ("writers block") to try and be an actor. I don't mean play at being an actor, but become a real one. Work at it. Character roles a speciality. He did OK actually. Another fact that could have been a good 20 minutes rather than ending up over the aforementioned wall.
The whole production team has worked hard to get some energy and oomph in the film and not to make it limp like the man himself, but despite that it is really only a time passer. As I have already said, the film doesn't have the budget to get involved in his era (which made him really) and while it is nice to know he had a country house and a swimming pool the real action is clearly elsewhere most of the time.