The filmmaker Philippe Haim obviously likes Ridley and Tony Scott and with Secret Defense he delivers a nice try. The problem: he keeps too much to the surface.

Secret Defense has the pace of a Tony Scott production but lacks the depth of character of other movies in the genre like f.e. Syriana. Recruiting a prostitute/student and turning her into a top agent in a matter of (movie) minutes takes some skills. Vahina Giocante sure is pretty (and she was perfect in Lila Dit Ca) but she never gets the chance to deliver a convincing personality (nor do most of the other actors). Half an hour more would have helped the story a lot. The question of course remains: would Haim have been able to fill it accordingly?

But its not just that. The story is too flat, has too many clichés chasing each other and most characters are mainly one dimensional.

Which doesn't mean Secret Defense doesn't deliver. If you like your spy stories to be more like action movies you're in for a treat. A touch of Bourne and Bruce Willis, a bomb here, a sexy agent there. Not bad at all. Just nothing like the real thing.

This is a very bleak and very well acted movie. It's about the war on terror, but has quite a few other elements to it. You will have more "fun" with the movie, if you read as little as possible about the story of the movie.

Just be aware that the movie is a thriller and has a woman as a central character. It's morally moving on a thin ground, but this is what makes this movie really great. It kept me on my toes guessing, what will happen next. The performances are great and even if you dislike some characters, they are still very engaging and the movie might have some points, you might over think your views.

What is bluntly visible in this French film is the American look. Actually it is not only the look - the whole approach taken by the film starting with its story and I dare say with its ideology, going through the rapid pace and crisp editing style and ending with the style of acting is borrowed from the American 'war on terror' movies. We even have some kind of a French equivalent of the CIA headquarters in this film. The most amazing things is however that the combination works. Philippe Haim is a talented director and his 'Secret Defense' is a good American thriller even if it is acted in French.

Recruiting a young and sexy woman who finds herself in some kind of distress and turning her into a spy is a theme that we have already met in the classical Nikita, and original French film turned into an American movie and than successful TV series. The world of Secret Defense is however today's France and Middle East, and a parallel thread develops the background of an abused criminal who falls of dark side of the war on terror. The paths of the two characters are to meet inexorably, and we know it from almost from the beginning. The smart and unfortunately true idea of the script is that both the good girl and the bad guy are victims, paws, foot soldiers in war machines that confront each other and eventually crush everybody who falls under their wheels.

The story has logic and the development of the main character played by Vahina Giocante is credible and does not lack an unexpected dose of sensitivity. There is one moment only when the accumulation of coincidences seemed to me to be hard to believe, but otherwise the story line and the excellent acting, the exact rendering of the various environments and the pace of action built upon interleaved threads contribute all to the good quality of a film that has an American look, and this time I am writing this appreciation on its positive meaning.