Here is how to make a Dakota Ray film

1. Color the film with one specific over saturated filter. He's most likely going to use red next time since he's already used green, blue, and purple.

2. Have everything divided into chapters so your audience knows kind of what's going on.

3. Have everyone narrate literally everything but have none of the narrations be beneficial to the plot.

4. Invest half of the film's budget on drugs, alcohol, tobacco, and vape cartridges. Once your out of money, scrounge up your buddies and get them high and drunk.

5. Have the main character be an overpowered edgy Gary Sue with an affinity for killing and Satan. Also, make sure Dakota Ray plays the main character.

6. Metal music everywhere, on a loop.

7. Dollar store props!!

8. Nudity, but not so much that it distracts from Dakota Ray because this is his movie, and it's about him. Don't you forget that, because if you do, you will certainly be reminded.

9. Drug dealer serial killer villains who most likely have fetishes. It's option to cast Fred Epstein in this role.

10. A lot of violence, but you must make sure that it's not shown too much because this is a low budget film. If your violence looks realistic, you've spent far too much money on prosthetics and makeup and not enough in drugs and alcohol. Drugs and alcohol first, realism second. Party on.

11. Make sure you hype the s**t out of it like it's nothing Dakota Ray has made before.

12. If you write a review, make sure it's romanticizing the film and thoroughly inflating Dakota's ego. Anything less is slander.

Another entry by director Dakota Ray giving another dark chapter to tell to it's audience. This involves several demons going for the ultimate dark power. The overall tone of the film will keep you feeling unsettled but with curiosity.

Dakota performing the lead role doesn't divert away from the story but become more intracate allowing more of challenge involving several other characters involved. The mood lighting should be taken note giving a vast tone of the feeling of hate. This films adds more in view of subject.

Dakotas films almost feels like a chronology of a divided version of Dakota himself sharing properties such as Greed Hate Temptation Obsession all play a large critical factor in which he does well in telling. Dakota reaches past boundaries from comfort showcasing the sheer true nature of what a human being is capable of let alone feel.

I just want to start by saying that this is probably Dakota Ray's best film as of right now. I could tell that a lot of work was put into it, especially since this was a really epic premise with added visual effects and of course the fact it was filmed during a pandemic. What else was neat was the use of the color scheme when paired with fire. This was also the first film by Ray to make me wince a little bit (the scene involving a man licking a corpse's foot). What made me sad was that it didn't fully live up to the potential it had. If this movie had a budget 1 or 2 million (which is understandably hard to come by),it would've been an instant cult classic. My other complaints were that the film was a little over saturated in the color scheme which made it hard to really get immersed in the production design/gore. I also thought the subtitles for Nazzah weren't very necessary. Finally, it wasn't until I watched this movie that I finally took into consideration what the director said: He's more of an artist than a filmmaker. Once I accepted that, the movie was a lot easier to enjoy. I really don't want Dakota Ray to ever stop making movies because he's honestly onto something.

D-