Gary Oldman ... you couldn't find a better lead for this I reckon. And of course Lena Olin ... I mean ... just wow! The very first scene where she takes control over Oldman is just mesmerizing. So much so, that I almost didn't mind the cigarette smoking going on in it! Which of course is supposed to be seductive as well, but I think was not even needed, because she did it all herself.

Talking about doing it themselves (no not like that!),the physicality of the characters is just incredible. There is one scene in a car ... hinted at right from the start, but actually happening very late in the movie ... that is dedication! I applaud the actors, the stunt team and everyone involved! It really sucks you in - there is some noir, there is some modern day craziness and there is the femme fatale ... and there are a lot of twists! There are also some cliches and convenientthings happening - one killing for example where the timing, the motivation and many other things have to go right - and still you may question it! But this is one of many moments that makes clear, you have to suspend your disbelief! This is like a crime novel that comes to life ... a bit overstylized, a bit over the top and a bit out of this world! So like Lena Olins character ... not exactly like her, she's that times a thousand ;)

Romeo Is Bleeding is directed by Peter Medak and written by Hilary Henkin. It stars Gary Oldman, Lena Olin, Annabella Sciorra, Juliette Lewis and Roy Scheider. Music is by Mark Isham and Gary Alper and cinematography by Dariusz Wolski.

Oldman plays corrupt cop Jack Grimaldi who does favours for The Mob in exchange for considerable payments. He has a loving wife and a mistress, but even that can't satiate his lust leanings. So when he is assigned to babysit Russian hit-woman Mona Demarkov (Olin),he is soon up to his neck in sexual yearnings. Something which spells trouble for everyone...

A box office flop and savaged by some pro critics, Romeo Is Bleeding is clearly not a film for everyone! Yet for those who like their neo-noir sprinkled with satire and Grindhouse flavours, it's definitely the film for you. It's possible that some folk just didn't get it, that it has its tongue firmly in its bloody cheek? While some of the charges of misogyny and it being a macho fantasy are kind of moot given it's written by a woman! Undeniably it is guilty of going too far over the top, where as it cheekily laughs at itself it forgets to rein itself in, a problem since the finale is surprisingly touching but difficult to accept given the carnage previously.

The trajectory of story is classic noir. Hapless corrupt copper Jack Grimaldi loves his wife but finds it easy to cheat with other women. Once the incredibly sexy Mona Demarkov slinks into his view, he's in big trouble. Add in The Mob after him due to not carrying out a "hit" and you get a noir protagonist spinning towards misery. Grimaldi narrates in snatches to keep the mood simmering on desperation, while visual smarts like a triplicate mirror image - or a scene at a amusement park - further enhance the noir atmosphere. While Olin's Demarko has to rank as one of the most potent femme fatales to steam up the screen.

Superbly performed by the principal actors and backed up with solid support, film doesn't lack for quality in that department. And with Wolski's photography and Isham's music also leaving indelible marks on the sleaze and greed mood, tech credits are impressive. If only Medak had not tried to take too bigger a slice of cake then this would be talked about as a neo-noir classic. As it is, as appendages are lost and the pulses raised, this still plays out as a disgustingly sexy, weirdly off-kilter and bloody fun piece of film. 7.5/10

Revisiting Romeo is Bleeding after a number of years, I was struck by what still works, what doesn't, and how wonderful endings allow us to overlook any number of faults that lead up to them.

Gary Oldman is Jack, a corrupt DS well-loved by his men looking to build an ill-gotten nest egg towards early retirement. And on one level it is all going so well, except enough is never enough, and he just can't leave the ladies alone.

Enter Mona (Lena Olin),a femme fatale who manages to inhabit both the femme and the fatale completely. The cop in Jack knows to cuff her, lock her up, and throw away the key, but the Jack in Jack has another agenda.

Romeo is Bleeding is every frame a modern noir thriller, made great by Hilary Henkin's script exhibiting detailed reverence for the genre, and some unparalleled performances by the actors. Oldman is breath-taking, cynical and world-weary delivering his Marlowe-style quips, raw and vulnerable reaching crescendo when he puts a gun barrel in his mouth. It would be too much to ask his co-stars to outshine him, but they certainly keep up. Olin produces a nightmarish laugh at the most inappropriate times, and Juliette Lewis's cocktail waitress (what else?) Sheri's innocence is perfectly ignorant, far too ignorant to survive in this brutal arena. Annabella Sciorra as Natalie completes the trio of Jack's women, his not-so-unaware wife. She is not as cold-hearted towards Jack as Mona, not as infatuated as Sheri, but her flawed love contains a bit of both. She points a gun at him, and we know she knows. Sitting on the porch they have one of those oblique conversations only old married couples know, where every utterance is sub-text, and restraint and feigned ignorance are the name of the game. Jack never quite gets to grips with her, and that is to be his ultimate tragedy.

There are hints of Chandler here (the letter to Jack from The Boys),and Chinatown, too, most noticeably in the bloodied, deformed demeanor of the protagonist in the final third, but Romeo is Bleeding is a stylish noir piece that acknowledges its antecedents without racking up debts.

And then there is the ending, of such heartbreaking, poignant beauty, Oldman and Sciorra pitch-perfect, deftly shot and edited, a wave you ride and crash on shore with. Startling, stunning, and yet how could this tale have ended otherwise? "Sometimes, she stays a little longer. And then she's gone." Not a perfect film, but a perfect ending, and I'll take that every time.