Japanese animation has become a very popular style of animation in Western culture due to the wide range of genres it employs and its many different approaches to storytelling; two elements that immediately set it apart from the common Western style of cartoons that almost always are made for children only. Satoshi Kon's "Perfect Blue" quickly became a favorite among western fans of anime because it explored themes rarely seen in western animation; themes that had more in common with the horror genre such as obsessions, murders and suspense.
The story revolves around Mima (Junko Iwao),a young singer who is quickly becoming an idol as part of the musical trio "Cham". In order to make her career more marketable her managers make her leave the group and join the cast of a famous TV series. However, her new role is considerable different than the cute image she portrayed in "Cham", as it requires her to do nude scenes including a rape scene. At the same time she tries to adjust to her new job, someone begins to stalk her and to brutally kill those near her artistic career and Mima begins to wonder if she is really doing the right thing.
"Perfect Blue" is often labeled as a classic of Japanese animation because it presents a way different kind of story to those used to family-oriented animation. In is closer to an Italian Giallo than to a normal cartoon both in thematics and in style. The use of animation as a medium allows director Satoshi Kon to create stylish images of high surrealism as well as powerful images of violence. It is not something young children should watch.
Based on a novel by Yoshikazu Takeuchi, the film offers an interesting and harsh criticism to the "idol culture" in Japan, and its exaggerated portrait of an obsessed fan is an extreme, yet hauntingly realist image of insane obsessions. The story has been labeled as "Hitchcocknian", but its lack of subtlety in terms of graphic violence and nudity, as well as its high level of surrealism puts it closer to the stylish Italian sub-genre of Giallo.
By keeping the story around Mima, Satoshi Kon creates haunting atmospheres of paranoia as Mima feels strange in her new career; while it sacrifices character development of the supporting characters, this approach increases the feeling of isolation and adaptation the story has, making a more effective horror/mystery piece. Like any Giallo, the haunting image of the mysterious stalker is always present, and in "Perfect Blue" the mystery and suspense are very well handled making the movie a great work of suspense.
The animation is very good, and not as flashy as casual anime fans would assume. The movie's mixture of realism and surrealism works very well with the style of drawing and the camera-work is brilliant. Still, while the plot at times gets a bit predictable to hardcore horror fans, it still holds up and keeps captivating from start to end. The original Japanese voice work is very good, so I would recommend watching it with subtitles instead of dubbed.
"Perfect Blue" seems flawless as motion pictures can go, and the odd choice of using animation as medium (it was originally meant to be a normal live action movie) makes it different than the rest. This is a blessing as neither anime fans nor horror fans have seen a quality animated horror movie like this before. 8/10
Plot summary
Mima leaves the idol group CHAM, in order to pursue her dream as an actress. Mima climbs up the rocky road to success by performing as rape victims and posing nude for magazines, but is haunted by her reflections of the past.
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A new take to old school horror movies...
To say this is a very dark anime is quite an understatement!
"Perfect Blue" is a very, very dark anime...so don't let your kids watch it thinking it's like "Pokemon" or "Inuyasha"! It's also a confusing mind-bending sort of film...one that certainly is unique.
When the anime begins, Mima is in an up and coming pre-packaged Japanese girl bands. However, her agent convinces her to leave this life and pursue a career in films. But this way to success is very dark and soul-crushing and soon they have her in a film featuring a rape, lots of violence and nudity. All the while, Mima struggles with herself. She hates what she's doing but in the world of female pop stars and starlets, she feels a sense of obligation and won't publicly question the folks looking after her career. Now at this point, the film gets weird...really, really weird. Mima seems to be losing her mind and some murders occur...and soon the viewer is confused and they might be seeing the world through the eyes of a lunatic...or a killer! What's it all mean? See the film and TRY to unravel it all...but don't be surprised if you still are questioning what it all means.
This is a very clever film and its plot is deep and very strange...and I liked that. But be forewarned...the film shows some very sexually explicit and violent scenes...even by Japanese standards (the film features pubic hair...something very taboo in Japanese culture). Well done and worth seeing...but just don't let the kids see it or anyone who have been sexually abused as a few of the scenes just might be too intense.
One fine anime!
I am a fan of anime and of animation, and I was very taken with Perfect Blue. I would have liked it to have lasted longer perhaps, that way more care could have gone into the ending which felt rather weak and rushed. But as a debut of a talented and interesting director, it is a fine anime not just of its genre but overall too.
The animation is very good, while the backgrounds flow well and are wonderfully ethereal, the colours are well shaded and the characters look great without being too generic, it is the clever visual flourishes that really elevate. Another strong asset is the story, it is well paced but also in its tone it is wonderfully surrealistic and its ideas are interestingly presented.
The music is fine too with some moments of beauty and some of it haunted me as well. The dialogue convinces and the pace is well-judged. All the characters are likable and interesting too, and the voice work is stellar. Overall, a fine film. 8/10 Bethany Cox