How much one enjoys this film depends greatly on how much of Demi Moore you can stand. If you like long drawn out schmaltzy romances with Demi as the romantic heroine, you will love this film times two. Otherwise, hide any weapons lest you begin attacking your screen.

This film was toasted by the critics, but I didn't think it was that bad. In fact, I liked it. I guess I fall more into the first (sucker for schmaltz) category. The story was criticized as being a contrived version of `Me, Myself and I', where a woman is torn over the choice between life as a professional and the family shtick. That criticism really misses the point. This is a story about a woman's psychological attempt to deal with her traumatic past and has nothing whatever to do with lifestyle choices.

I found this to be an intelligent and complex character study of a woman who seems to be two people living two lives, but really isn't. If that seems cryptic, see the film and it might become clearer. When she goes to sleep from her life with her children in France, she wakes up to her high-powered career in New York and vice versa. She can't determine which is real and which is a fantasy. She has a lover in each life and both seem very real to her. As the story unfolds, she and we try to figure out which is her real life and which is the dream.

The trouble with the presentation is that its real intrigue lies with the psychodrama. Unfortunately, neophyte director Alain Berliner pushed that element to the background and cranked up the schmaltz machine, centering the story on the romances instead. That wouldn't have been so bad if they weren't so interminable. Scene after scene retraced the same romantic theme, until it became frayed.

Other than the misplaced emphasis, the film was well crafted. There were subtle hints throughout about which was the real life, but they were far from obvious tip-offs. However, when we finally discover the truth, it takes forever to wrap up the loose ends. To Berliner's credit, the locations were breathtaking, in both France and New York. It is easy to find beauty in the French countryside, but these were some of the most wonderful film perspectives I have ever seen of New York's skyline and street vistas.

After enjoying a few years as one of the highest paid entertainers on the planet, Demi Moore disappeared for three years. This was probably not the best vehicle for her return. Her performance was strongly emotional but one-dimensional, failing to differentiate the characters sufficiently. She played the high-powered NYC girl to be just as wimpy as the insecure girl in France. To be fair however, she created two very appealing and vulnerable romantic characters and deserved better notices than she received.

William Fichtner was not the greatest choice for her NY love interest. Fichtner is better at abrasive antagonist roles and his attempts at sensitivity came across as far too pathetic. Stellan Skarsgard was much better and made a dashing and attractive romantic figure.

This was a good story that took a sentimental detour under the guidance of an inexperienced director. Still, it was engrossing and even touching at times. I rated it a 7/10. Add a point if you like sentimental pieces and subtract at least two if you aren't a Demi Moore fan.

Demi Moore is a very beautiful woman, and once again she proves that beauty alone cannot carry a movie. I've seen many of her movies, and only one of them really stands out to me as one that's worth watching more than once, and that's "A Few Good Men" - but it's worth watching for Tom Cruise and Jack Nicholson. Demi is basically window-dressing there.

"Passion of Mind" is typical Demi stuff. She has a troubled life as Marie/Marty - troubled because she isn't sure which one she really is; one life is a dream, the other reality. As Marie, she's a mother of two in France, as Marty she's a high powered literary agent in New York. Then in both lives she falls in love: in France with William (Stellan Skarsgård) and in New York with Aaron (William Fichtner.) The movie at times is confusing as she shifts from one life to another (which is all right, because it surely points to the confusion she has herself in trying to sort out reality from fantasy) and although there are hints from the very beginning as to which life is real (I took a guess that turned out to be right almost right away, but it was a guess) it does remain a mystery until the end. The last fifteen minutes or so of the movie add the needed emotional heart-wrencher as she says good-bye to those in her fantasy world and prepares for life in reality.

All fine. The primary problem with the movie is that Demi is living out two lives, neither one of which - quite honestly - are all that interesting, and which, as a result, don't make for particularly interesting viewing. In the end, this is a pretty standard Demi Moore movie. She doesn't offer a particularly energetic performance, but she's OK, and the movie isn't particularly good, but it isn't awful either.

5/10

Demi Moore stars in this romantic psychodrama entitled,"Passion of Mind". She co-stars with Stellan Skarsgård and William Fichtner that tells the story of a woman who is living a double life.

It features Marty,a high-powered literary agent in New York, and Marie,a widow who has 2 children in France. Marty and Marie,who are both portrayed by Moore herself, are aware of the existence of each other and both sees someone -a psychiatrist for Marty and a confidante for Marie - to distinguish which is the illusion and which is the reality. In addition to that,we also get to see both get involved as Marty meets Aaron and becomes lovers while Marie befriends William and enters a relationship. As the movie progresses,we get to the conclusion wherein the viewer gets to realize which among the two is real and clues are left as the stories of both Marty and Marie are told. The shift in their stories happens when either Marty and Marie sleeps.

The movie has an interesting premise.No question about it. Too bad that Moore provides such a one-dimensional that it makes the movie less interesting. Apparently,neither characters portrayed by her are far from complex. Added to that,both Marty and Marie live a life that would neither pique our interest as little things happen as their stories are being told. With these reasons,the movie falters despite having a interesting premise.