Just back from the New York Film Festival Screening of Satoshi Kon's Paprika.

Kon's new film is not the dark mind warps of Perfect Blue or Paranoia Agent, this is closer to blending of real and unreal of Millennium Actress and Tokyo Godfathers light and airy touches. Its got its darkness but its mostly a light thriller.

(I'm not going to go into a discussion of specifics concerning the plot, since I was told things by reviews I read prior to seeing the film which, while they didn't reveal a great deal, spoiled just enough to take the wonder off some of the story and images) The plot concerns a device called a DC Mini which allows people to enter other peoples dreams. It also allows your dreams to be recorded for play back. Three of the revolutionary devices are stolen before they could be encoded with a software that will prevent total access to anyone at anytime, which means that anyone with the devices can not only enter anyone's dreams at anytime, but also enter there mind and put them into a dream of their choosing. Unfortunately the head of the project suddenly begins spouting nonsense (the result of being dropped in the dream of a mental patient) and before anyone can stop him he leaps from a high window. The race is on, with our heroes getting the help of a mysterious girl named Paprika, who seems to be able to move with in dreams in ways that are completely unnatural.

I liked this movie. It takes a while to get going but once it does its really good (it has a gangbusters last third). Kon blends the real and the dream in ways that can only be done through animation (see his earlier films for how good he is at it). Its wonderfully done, so much so that you can never be sure whats real and whats not, as one character says late in the film, "is this real or is it a dream?" In the end you can not tell, especially as the worlds begin to overlap. I know for some, myself included, the plot line may seem a bit of been there and done that (ie Dreamscape) but Kon's visual sense pushes the film from a run of the mill retread into something worth going out and seeing.(As I said I'm not going to go into some of the wild things that Kon has cooked up for his dream world since somethings should remain a surprise.) For those looking for some of the darkness of Kon's Perfect Blue or Paranoia Agent, its not really here, actually the movie is frequently very funny. Certainly some of the dream imagery can be frightening and disturbing in a not normal (dream)) sort of way, but other than one moment where a villain shows how he can control anything in the dream world, there isn't anything thats mind twistingly scary. (Though that one moment is sure to send shivers up and down most peoples backs) This is just a good little fantastical thriller.

At this point I have to make a confession. This movie reduced to tears a couple of times. There are a couple of moments when this movie is like a shot of pure joy. The title sequence with its J-Pop ear worm of a song had the tears rolling down my face. Later when Paprika dives into a dream and rides a cloud the marriage of music and image, however fleeting had me blissed out. Best of all the films exploration of who we are underneath it all will make everyone grin from ear to ear.

See this movie. Its a good little thriller. Its not the best thing that director Satoshi Kon has done, but its a good time in the movies (which it celebrates).

"Paprika" is a film that must have played better and seemed more unique back when it debuted back in 2006. This is because since then, a live-action film, "Inception", has come out and it's obviously strongly inspired by this Japanese anime.

It's a film from the late Japanese director, Satoshi Kon, the same guy who brought us "Perfect Blue", "Tokyo Godfathers" and "Millennium Actress". And, like these other films, the plot is pretty weird and clearly not an anime that is intended for kids. "Paprika" has nudity, a weird plot and some violence that make it well worth seeing...for an older audience.

The now familiar plot is about a stolen experimental device, the DC Mini. It's designed to allow psychotherapists to enter folks' dreams but a crazy guy is instead using it for ill. So, it's up to one of the therapists, Paprika, to enter folks dreams in order to stop the maniac.

The animation is what you'd expect and the film quite good...albeit a bit confusing and very strange. It's really hard to describe and the best way to know more is just to watch this one.

I do love anime thanks to the Studio Ghibli movies and Akira, Ninja Scroll and Ghost in the Shell. Paprika is up there with one of the anime greats. Of Satoshi Kon's movies, it was Paprika that impressed me the most though Perfect Blue and Tokyo Godfathers are very impressive films too. Paprika is not going to please everybody at first hand though, it is quite a complex movie and perhaps more adult-oriented despite the "kid movie" stereotype that animation is often associated with. That doesn't bother me though, because as I've said before a few times already I consider Paprika a fantastic film. Of the animes I've seen, Paprika is one of the most visually beautiful of them. Surreal yet very imaginative, the vibrant yet atmospheric colours and detailed backgrounds are a real feast for the eyes. The score is a wonder to behold as well and fits perfectly within the movie, epic and truly memorable, it serves well also listening to it on its own. The script is quite complex in tone, but is incredibly thought-provoking and is written in a very literate and intelligent way. The story is always involving and clever, and it is easy to understand once you know the film's intentions. The themes interwoven into Paprika are very strong and interesting ones and never dealt in a heavy-handed way. The characters are engaging and easy to relate to, complete with a nicely diverse range of personalities. The voice acting is very dynamic. All in all, a terrific film, unique and a feast from the visual and musical front. 10/10 Bethany Cox