A coffee salesman takes a rambling tour of 1970's Britain.

There comes a time when you think you know something about movies: What is good, what is bad, how things should go, how things should work, etc., etc. Thank goodness a movie comes along now and again that says "no you don't - you know nothing!" Oh Lucky Man! is like Pulp Fiction and High Hopes - it is a smarter film than you are a film watcher.

After a build up like that you might expect for me to say that this is a perfect film or that everything works. But it doesn't. The story rambles and pauses, moves left and right and tries to keep the audience on its toes. The humour is mostly black, but very true to life. People are often selfish and acting for themselves - while Travis (our hero - if we can call him that) is quite kind and thoughtful. Like an Adam that has been put in to the modern world rather than the garden of Eden.

I have seen this film twice. Like many films, once when I was too young to understand it. It is quite sexual graphic at times and that stuck in my memory for a long time. In one scene a black man plays out a scene at a sex club - and to this day I am puzzled as to what this represents. That the entirely white audience see the black as an entertainer to laughed at or cheered. That this is his only place?

Most anything-goes films are comedies, and while this has plenty of black comedy, I see it as social comment. Life has moved on from the 1970's, people have escaped their own class more, women have more of a role to play, people get away with things less. But no one can say - even viewing today - that it doesn't tell plenty of home truths about the UK.

(People that live outside the UK and never visit must be puzzled by what goes on here. I bet you would have to answer hundreds of questions if you watched it beside, say, an American.)

Lindsey Anderson sees all authority as being violent, ugly and corrupt. This is the kick in the balls society that existed before CCTV in police stations and human rights acts. Where people were fitted up for crimes that the police knew they couldn't have committed. I never wanted to walk down a time tunnel to 1970's Britain and this film is probably the last tie I have to that ugly and desperate decade.

Oh Lucky Man! is one of the best films ever made. It has something that few films ever have - instant cult appeal. You could watch this over and over again and not get bored with it, see something different and learn something new. They should bring it back as a musical or a stage play. While not every scene works and not every tune pleases, it is cinema from another world that we never quite had - but might have had if only the money men of Hollywood hadn't made their ugly mark on the world.

If you think film is about anything more than simple entertainment Oh Lucky Man! is a must-see...

Lindsay Anderson + Malcolm McDowell + Alan Price = O, Lucky Me!

What films do we include in our top lists? The ones that affected us in some very personal way or changed something – not, maybe our lives but the way we watch movies.

"O Lucky Man!" (1973),directed by Lindsay Anderson (with Ralph Richardson, Malcolm McDowell and Helen Mirren) is a constant source of joy when I watch it again and again. Off I go with Mick Travis (McDowell) in his crazy surreal journey up and down, back and forth, "around the world in circles" along with the Alan Price's band that provide the music commentaries in the traditions of a Greek Chorus or Brecht's Theater (whichever you prefer). And in the end we find themselves in…. Well, can't tell you. You have to find out for yourself.

I saw it again yesterday, and it still stands as one of my favorite films. This time, though, I noticed that it was much darker than I remember. The good things and the bad things happen to our hero, Mick Travis, and I think that he really changed - he started to think more and smile less. The look on his face in the end of the move after asked to smile was not that charming, winning smile that he had in the beginning. It was pain, confusion, and anger.

Wonderful film - I am never tired of it. Even though, I know all the turns on the Mick's way to the top and back, it is still so interesting to watch him. I believe it was best McDowell's performance. I know that his most famous one was in Kubrick's Clockwork Orange but my favorite is the everyman Mick Travis who just wanted to succeed.

Young Helen Mirren was lovely as Patricia who traveled in her own crazy circles; the rest of the cast did great job, each of them playing more than one character.

Alan Price - I love his songs to the film very much. Possibly the best use of a rock soundtrack in a film. I am a proud CD owner and I listen to it constantly in my car. It is short, unfortunately.(sigh)

"O Lucky Man!" is one of the best unfairly forgotten films ever.

I remember when I saw it for the first time in the theater, I did not know anything about it – I just liked the title. The girl who was next in line to the box office said to me, "You will like it – it is a very cool movie, I saw it already." Where ever she is today – I want to thank her.

In 1968's "If...", Lindsay Anderson focused on the brutality of the UK's boarding school system. He followed that up with "O Lucky Man!", in which Malcolm McDowell's character Mick Travis enters the labor force. Told that he would be a big success in the corporate world, Travis gets ripped off every step of the way. I should remind you that this movie is a comedy, falling somewhere between slapstick and black comedy.

A trick that the movie uses is casting every person in multiple roles. This trick reminded me of Christian Marquand's "Candy". But some of the most impressive scenes are the musical interludes with Alan Price. And the rest of the cast? Aside from the man known as Alex the Droog, we have Ralph Richardson, Helen Mirren, Philip Stone (Alex's father in "A Clockwork Orange" and Grady in "The Shining"),Rachel Roberts (the headmistress in "Picnic at Hanging Rock"),Warren Clarke (Dim in "A Clockwork Orange"),Vivian Pickles (Harold's mother in "Harold & Maude"),Brian Glover (the hostile tavern patron in "An American Werewolf in London") and Jeremy Bulloch (Boba Fett in the "Star Wars" movies*).

But the important thing is that the movie indicts the exploitation inherent in the corporate world. A similar movie that I recommend is "The Magic Christian", starring Peter Sellers and Ringo Starr. You're sure to love it, not least because of the great soundtrack.

*This is the second time that Malcolm McDowell appeared alongside a "Star Wars" cast member. David Prowse (Darth Vader) appeared as Mr. Alexander's caretaker in "A Clockwork Orange".