A woman (Lotte Verbeek) has suffered some sort of loss. She's playing with her ring. Strangers are grabbing her belongings left outside her apartment. She goes hitching into the Irish countryside. She stops at a farm where Martin (Stephen Rea) offers food for work. They collect seaweed from the coast to fertilize the land. She refuses to give him any personal information including her name. They find solace in each other's damaged lives.

These two damaged characters are played by compelling big-time actors. It's a quiet movie filmed by first-time Polish-Dutch director Urszula Antoniak. It's all about the quiet which sometimes generates powerful moments. Mostly, it's just quiet. It's an interesting debut.

This film directed by Urszula Antoniak is what I would call non-gimmicky non-formulaic independent film. It's basically a two person film with terrific laid back performances from Stephen Rea, a wonderful Irish actor, and Lotte Verbeek, a Dutch actress.

Verbeek is mysterious drifter who comes upon Rea's isolated home on the Irish coast. At first, she is hostile to any interactions with him. However, over time in slow and subtle ways they begin to bond. It all leads to what I thought was a touching and appropriate ending.

I found this to be a surprisingly quiet wonderful film. For those with no patience probably not the film for you.

A very promising cinema debut. Though most of it is set on the Irish West coast, the whole film has an Eastern European feel to it: sparse dialog, little music, beautiful still shots of landscape and interiors and relentlessly grim weather. I don't find the choice of location at all artificial. If you want to get away from one of the most densely populated countries in the world on a budget, the West of Ireland doesn't seem such a bad choice.

This is a film not so much about loneliness, but about being alone. While the female lead clearly had a very negative experience before the story begins (loss of a loved one or traumatic end of a relationship?),one senses that her being alone in this remote corner of Europe is something she deliberately chose and eventually prefers. It seems male viewers have problems with her arrogance and rudeness, while women (including yours truly) find her strong and full of character. Stephen Rea provides a perfect match for her impulsive behaviour and injects a gentle sense of humour. Fortunately their developing 'relationship' avoids romantic clichés.

I like films that leave you guessing about the characters' inner thoughts, motives and actions. Combined with the powerful imagery, it makes this one linger in the mind long after the house lights have switched on. Although I found the last scene puzzling and out of place and while the storyline might have been tightened up here and there, I am certainly keen to see what Urszula Antoniak comes up with in her next project.