David Basner (Tom Hanks) is a lovable cocky successful Chicago ad exec who just got promoted returning from vacation. He wants his boss Charlie Gargas (Hector Elizondo) to make him partner. Then his mother (Eva Marie Saint) leaves his father (Jackie Gleason). He must shuttle between his stubborn crass father, and his mother who is happy with her new found freedom. Donna Mildred Martin (Bess Armstrong) is his best friend and high school sweethearts. He is trying to land a big airline account and uses his charm on the owner Andrew Woolridge (Barry Corbin). He sleeps with the media director Cheryl Ann Wayne (Sela Ward) who turns out to be Woolridge's daughter. His father does nothing but complains and is struggling. Then he gets fired from his salesman job.

This movie tries too hard to be jokey. Director Garry Marshall is allowing Hanks to clown around a little too much. The broad comedy doesn't quite fit seeing how he's suppose to be a professional sweet talking the client. He is playing strictly as a wild creative ad exec who jokes around. The broad jokes don't fit either when the movie tries to move into more serious territories. The serious stuff has a bit more heft and that's due to genius of Jackie Gleason. He and Hanks have pretty good chemistry. I also have a minor problem with the over-use of montages to drive the story forward. It's lazy writing.

...and I don't think that I needed to. What I saw went nowhere. If "Nothing in Common" was supposed to be a jab at the corporate world, then it didn't work. If it was supposed to be a look at relationships, then it didn't work. If I had seen this when it first came out, then I would have thought it unfathomable that Tom Hanks would ever win even one Oscar, much less back-to-back Oscars. How could Garry Marshall, having created something so great with "Happy Days", create something so idiotic with "Nothing in Common"? As for Jackie Gleason, I heard that "The Honeymooners" was actually a rather cruel show, so it's not really any surprise that his role here is a piece of drudgery. And how could a magnificent actress like Eva Marie Saint get herself mixed up in this crap? The only reason that I stopped short of giving this movie just one star was the presence of Tom Hanks and Eva Marie Saint (plus Hector Elizondo),who can make almost any movie seem really good. But even here they have trouble doing that.

Oh, and in case Eva Marie Saint is reading this: Happy Birthday, Eva! You were one of my grandfather's favorite customers in Superdrugs down in Los Angeles!

I think this is the sort of film that's quality sneaks up on you.

Gary Marshall's film starts out as just another early Tom Hanks comedy, but then broadens into something quite dramatic and heartfelt.

If you haven't seen this early Hanks film, it's well worth seeking out.