So some of it's definitely disappointing. I watched the first two Qatsi films back in 2013, and despite liking both a lot, seeing that Naqoyqatsi was less well-received made me apprehensive about watching it.

Finally watching it now, some eight to nine years later, some of that apprehension was reasonable, but some not so much.

The digital effects sometimes work and sometimes don't. To have computer-generated images of falling coins pop up multiple times in a montage that also shows stock market traders yelling, people gambling, and wealthy celebrities is pointless. You're already getting your point across just fine!

The computer-generated images are inconsistent, too, as are the filters used. Sometimes it's striking, like some night-vision type footage of warfare scenes. Sometimes, it looks pretty bad (there's a great time lapse shot of the White House that's preceded by an awful looking CGI-ish shot of the Hollywood sign, for example).

But y'know what? For all its flaws, it does do a decent job at capturing what the first decade of the 21st century sort of felt like. It's the only Qatsi film made during my lifetime, so that's something I could appreciate more so here than with the other ones. And the other thing done well here is the score: even if Godfrey Reggio might occasionally let you down with the visuals, Philip Glass brings his A-game when it comes to the music.

Things have changed so much since 2002 that I'd honestly like to see another film in this series that tries to capture either the 2010s or (god forbid) the mess that has so far been the 2020s. Even though both Reggio and Glass are still alive, I'm not holding my breath that they'll collaborate again to put out something similar, but you never know...

(EDIT: Looks like they did do another documentary called Visitors in 2013, so might have to check that out)

"Naqoyqatsi" is an experience different of what many viewers might seen it in the past 20 years. Remember the 30 last minutes of "2001: A Space Odyssey" when there was only visual effects images and the frightening music in the background and no words, no quotes were heard? Now, imagine almost 90 minutes of only that, the only exercise you have to do is sit, watch and think about why those images appeared and their meaning. This is "Naqoyqatsi".

In this documentary director Godfrey Reggio, music composer Philip Glass (from "The Hours") and animated director Jon Kane created a enormous montage about many aspects of life on Earth. But his approach is to show how our society become violent and that progress is a important part of that cause. The first image that appears is the Babel Tower and after that technology appears in its several forms in buildings, computers, science, medicine, our human body capable of doing miraculous things, the relation between the man and the sports, and the decadence of the mankind in violent acts. All this achievement was possible because of technology.

One important thing showed here is the difference between what humans can do and what technology can imitate too. For instance, the adoration that we have with famous people. In a take celebrities generated by computer walks by and the people are crazy about them, waving to them, taking photos. In the next scene we seen real artists walking in the red carpet; Marlon Brando, Julia Louis-Dreyfus and Elton John and we seen the difference between them and the digital celebrities. It might seem the same thing but it's not. We are really interested in the real people and not in some CGI creation.

Here comes the difficult part of this film: the discussion and what do we learn with "Naqoyqatsi". There's criticism and there isn't, it seems plausible in one moment and totally useless and pointless in the other. In the whole film there's no critic but after the credits roll in the end and the meaning of the word Naqoyqatsi is shown there's a critic, there's the point of view of the director, and by that I mean that it might be too late for people get the idea of what this movie is about. Naqoyqatsi is a word of a tribe that means: societies that lives by killing each other, people living of war. This is a statement towards our society that gave 10 steps forward and walked backwards in 30 steps. Our material evolution led to our physical destruction and led to our possible extinction. Atomic bombs, protests, dictatorships, dictators and their ideologies, weapons of mass destruction, all the math used by Einstein and Oppenheimer for good reasons used in the bad and dangerous ones. Since there's no quotes, captions and that sort of things many people will walk out of this documentary without understand what the director meant to say with it.

This is a patient, wordless, and mind blowing experience where only the visual and the real images are important. Many of the images are shown in slow-motion, giving the viewer time to think, formulate a thought about what he's seeing at the moment. And of course Philip Glass's music, in it's quiet and slow language. Very mental and hypnotic.

I recommend you to watch if possible a similar documentary called "Nós Que Aqui Estamos Por Vós Esperamos" (translated by "Here We Are Waiting for You") a Brazilian documentary that follows almost the same path of "Naqoyqatsi" but it has more messages, more substantial meaning and captions that explain things. In this documentary director Marcelo Masagão collected several images of the 20th Century and created a fictional story for this images stating the different aspects of the human mortality. It's terrific. 10/10 for both projects!

Welcome to the digital age, a world of speed, cultural hybridity, multi media, and perceptual overload, all of which are expressed beautifully in Godfrey Reggio's third entry Naqoyquatsi.

This one is vastly different from the previous two. Wheras Koyaanisqatsi and Powaquatsi were done in the real world, much of Naqoyqatsi is done on the computer. Using just about every computer graphic available at the time, Naqoyqatsi feels more like a piece of art than the other two. After deciding that Powaqatsi was a dud, I was pleased to see that Godfrey Reggio made a recovery. Naqoyqatsi is almost on par with it's fore father Koyanisquatsi, although depending on which on you see first, you may prefer this one. This one strikes me as less epic than Koyanis, in part because it's faster editing allows for much more advanced montages which are so overwhelming at times that they occasionally provoke headache.

The message behind this film is the way humanity is a competitive species. I think Alfred Adler would adore this movie. One of Freud's students, he believed that the human condition is based on seeking superiority. Naqoyqatsi shows us two forms of competition. One is sporting events, and the other is physical war and fighting.

Phillip Glass once again, works his musical magic, although it seems like some of the score was borrowed from Koyaanisqatsi. Together, Reggio and Glass have provided a trilogy of sights and sounds that defy all the conventions of cinema, to favour aesthetics.