In Manhattan, Carol (Diane Keaton) and her husband Larry Lipton (Woody Allen) are coming home late night when they meet their next door neighbors Lillian (Lynn Cohen) and Paul House (Jerry Adler) in the elevator. Lillian and Paul invite their neighbors to drink coffee with them in their apartment and Lillian shows her treadmill to Carol and Paul shows his collection of stamps to Larry. While drinking coffee, the elderly couple tells that they have been married for twenty-eight years and they have a twin tomb in the cemetery. Lillian tells that she is in good shape and uses her treadmill everyday.

On the next night, Carol and Larry go to see The Flying Dutchman in the theater and when they come back home, they learn that Lillian has died of heart attack. A couple of days later, Carol and Larry meet Paul on the street and Carol believes he is too perky for a widower that has just lost his beloved wife. When Carol accidentally finds an urn with Lillian's ashes in Paul's kitchen, she suspects that Paul has killed Lillian and comments with her friend Ted (Alan Alda). They decide to investigate her neighbor and Carol steals the keys of Paul's apartment from the super. She finds that Paul will travel to Paris and not to Caribbean as he had told to Larry and she, with a woman called Helen Moss. When Carol sees by chance Lillian alive in a bus, her curiosity increases and she decides to go further in her investigation.

Yesterday I was setting in order and cleaning my films on the shelf, and I decided to see again the VHS "Manhattan Murder Mystery". Last time I saw this film was in the 90's and I did not recall the story in details. Woody Allen is one of my favorite directors and actor, and that is the reason why I do not dare to say that this film is one of his best films because I love practically all his filmography.

"Manhattan Murder Mystery" has mystery, suspense and the refined and witty humor typical from Woody Allen. One of my favorite moments is when Larry compares the need to Carol returning to her shrink with a GM's recall. Another very funny moment is when the clumsy Larry plays the wrong tape during the phone conversation with Paul. If the reader wants to spend 104 minutes laughing, watch "Manhattan Murder Mystery" since this film is funny even for those that are not fans of Woody Allen. My vote is eight.

Title (Brazil):"Um Misterioso Assassinato em Manhattan" ("A Mysterious Murder in Manhattan")

Note: On 23 October 2020, I saw this film again.

As someone who has really liked or loved most of what she's seen of Woody Allen's filmography(15 left to watch as of now)- he has done some disappointments but none to me have been terrible or unwatchable, more uneven than anything else-, Manhattan Murder Mystery is up there with his best, not quite in his top 5 but most definitely in the top 10. As always with Allen it's adroitly directed and beautifully made with a noir-ish feel that adds so much to the atmosphere and mystery. The music is energetic and haunting, adding much to the comedic and mystery aspects of the story. Love the old songs too, they have a very nostalgic quality and easy to recognise. The writing is hilarious and in distinctive Allen fashion- not quite among the best screenplays of all time but some of the lines here are some of the most quotable from any Woody Allen film- while also keeping the suspense to nail-biting effect. Manhattan Murder Mystery works brilliantly both as a comedy and mystery. The comedy never takes a heavy-handed approach- in fact a lot of it is quite light- and always amuses and the mystery aspect is even better, very Hitchcockian(there was a very Rear Window influence here) and intricate and with great atmosphere and suspense. A highlight is the ending with the mirror sequence paying homage to Lady in Shanghai, it really has to be one of the best ever endings of any of Allen's films and is also very visually striking. The characters as with many Woody Allen films are purposefully neurotic but also compelling in their realism and they all serve a point to the story, no superficiality in sight. Allen gets great performances from the cast and his own performance is excellent. He has believable chemistry with Diane Keaton who gives her absolute all to her most neurotic, bat-out-of-hell character yet. Anjelica Huston is strong as usual though she has given better performances in meatier roles and while Alan Alda gives a better performance in Crimes and Misdemeanors (a textbook example of how to play a weasel of a character well, brilliantly in his case) but he doesn't disappoint either. Overall, a brilliant film and one of Allen's best, a minor work this is not. 10/10 Bethany Cox

Larry (Woody Allen) and Carol Lipton (Diane Keaton) are a middle age NYC couple. Their next door neighbors are an elderly couple Paul (Jerry Adler) and Lillian House (Lynn Cohen). When Lillian ends up dead, Carol is suspicious of Paul who is a little too perky. Their divorced friend Ted (Alan Alda) helps out causing a bit of jealousy from Larry. Marcia Fox (Anjelica Huston) is a card playing novelist and editor Larry tries to set her up with Ted.

The gang is back for a little bit of a murder mystery. It has the fun chemistry of an older Woody and Diane pairing. Woody is his neurotic alter-ego. Diane's driven investigation is charming. They are still hilarious together. The pacing is a steady stream of nervous talking and I do wish that Woody breaks it up with something more intense. It does turn into more of a caper in the end. It's a fine movie for Woody fans.