Madadayo

1993 [JAPANESE]

Action / Drama

Plot summary


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1.2 GB
1280*688
Japanese 2.0
NR
23.976 fps
2 hr 14 min
P/S 0 / 1
2.24 GB
1904*1024
Japanese 2.0
NR
23.976 fps
2 hr 14 min
P/S 1 / 7

Movie Reviews

Reviewed by MartinHafer10 / 10

An absolutely perfect end to a great director's career

"Madadayo" is roughly translated into "I'm not ready yet". This was the repeated comment made by the elderly character in this movie. Yes, he had long since retired but he was holding on to life with everything he had and wasn't about to give up! A perfect metaphor for the aging Akira Kurasawa as he directed his last film.

The story begins in the 1930s with a celebration for the retiring professor--adoring students are all gathered 'round and there is great festivity in the air. Later, despite the ravages of WW2, the professor endures. Still later, after he loses he beloved pet cat, he endures. And as the years pass, it seems like he will never die! Even when in the end of the movie he is incredibly old and bedridden, he once again tells those around him "Madadayo"--I'm not ready yet.

You just have to see it to appreciate all its beauty and scope. Though not Kurasawa's best, it's darn close and a delight to watch.

Reviewed by TheLittleSongbird8 / 10

So much better than I remembered!

The first time I saw Madadayo(Kurasawa's final film),staying with a German pen pal(who was into Kurasawa and considered Madadayo one of her favourites) on a music course, I was largely unfamiliar with Akira Kurasawa's style and found myself underwhelmed. Bear in mind, this was five years ago, and having seen more of his films over the years I thought let's give Madadayo a second chance. And I am glad I did after purchasing the DVD. While nowhere near his best film(I can think of at least seven or eight movies of his that deserve that distinction),Madadayo was much better than I remembered, now I consider it one of his underrated and one of his better films of the post-Ran period. The missing cat sequence does go on for too long, and the film drags in spots. However, it has all the Kurasawa trademarks, especially the delicate direction, superb camera work and beautiful scenery. The music score gives a both reflective and dignified touch to the film, the story does resonate with the audience especially the ending and the characters particularly the professor do interest even if they are not as complex or as dimensional as some of Kurasawa's other work. The acting is naturalistic and engaging at least, with the professor beautifully played. Overall, I'm glad I gave Madadayo a chance because while it is never going to be one of my favourite films there is still much to admire. 8/10 Bethany Cox

Reviewed by claudio_carvalho9 / 10

Sensitive Low-Paced Worship of Knowledge, Friendship and Life

In a pre-WWII Tokyo, the professor of German Hyakken Uchida (Tatsuo Matsumura) decides to retire after thirty years of professorship, and dedicate to the career of writer. His students, some of them from different generations, love him and keep a close touch with the professor and his wife (Kyôko Kagawa) along his life. In 1943, the house of the professor is bombed, he loses all his possessions and moves to a simple gardener cottage. After the war, his former students build a new small house with a lake around, and every year along seventeen years, in the professor's birthday, they have a reunion with a funny ceremony, based on children's hide and seek and referring if the professor is ready to die. They ask the professor: "-Mahda-kai?" ("Are you ready?"),and the professor responds "-Madadayo!" ("Not yet?") and drinks a large glass of beer.

"Madadayo" is the last direction of Master Akira Kurosawa, and is a sensitive low-paced worship of knowledge, friendship and life. I found this movie very beautiful, and I would like to highlight some points. First of all, the character of the professor Hyakken Uchida, capable of be adored by his students of different generations, very connected to a cat, living with his beloved wife but without kids. There is no explanation, but it seems quite contradictory a man of such profile not having son or daughter. Another interesting point is the changing of behavior of Japanese society with women (and family) along time. In the sixty-first anniversary of the professor (First Madadayo),there are only men in the meeting room, in spite of war finished a few years ago. Seventeen years later, the room is crowded of men, women and children. The conclusion of the story, showing that life goes on, is awesome! Last but not the least, the music score is magnificent. My vote is nine.

Title (Brazil): "Madadayo"

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