This bittersweet comedy about love is in line with great recent French movies such as Amelie or L'Auberge Espagnole, But Jeux d'Enfants is not trying to copy any of the previous. In fact, it is one of the most original movies I've seen lately.

Directed in a superb way by the inventive Yann Samuell, this film can make you laugh out loud in a minute and shed some tears on the next due to the extreme complexity of the feelings the director and the actors share with you. Nothing in this film seems exaggerated; it's a fairy tale of our time with a great dose of realism.

The chemistry between Guillaume Canet and Marion Cotillard is simply perfect.

Whether you like it or not, it's difficult to be indifferent to this movie and this is one of the best compliments a director can receive.

The first feature from French director Yann Samuell is an "expressionistic" allegory about love, disguised as a romantic fantasy. It is about how in our relationships we never outgrow childhood games or fully recover from the insecurities caused by deep childhood wounds. It is about how people in love constantly test each other. Each dare is a renewed demand for the other person to prove their love, no matter what the sacrifice.

"Love Me If You Dare" is a gimmick translation of "Jeux d'enfants", a better translation would be "Games of Children". But given the general confusion about this film by English speaking viewers and critics the inaccurate title is probably appropriate. Film Theory 101 would include a discussion of the two basic film extremes, realism and expressionism. Generally the closer a film comes to reproducing reality, the less room there is for the filmmaker to express his artistry. Which is not to say that realism is necessarily less manipulative than expressionism, both aim to effect their viewing audience, expressionism is just less constrained.

When you are used to a steady diet of Hollywood realism, it is difficult to switch gears and watch a film like "Jeux d'enfants" without attempting to force it into the realism mold. The temptation is to gloss over the surreal elements and to take everything you see literally. But Samuell has a background as an illustrator and designer. Note the inventive visuals that employ a multitude of cardboard cutouts and idyllic fantasy settings. This is expressionism. Note the accelerated action segments and strange transitions. This is expressionism. Note the interesting time passage montages and flashbacks.

While you sometimes see similar stuff incorporated into a realistic film, it is explained away as a dream, hallucination, or memory. Here it is a tip-off that this is a surreal allegory like Bunuel's "The Discreet Charm of the Bourgeoisie". If you avoid taking "Jeux d'enfants" too literally, stop being judgmental about the actions and motivations of its characters, and focus instead on picking up its allegorical elements you will probably understand it better and enjoy it more.

Then again, what do I know? I'm only a child.

To understand "Love Me If You Dare", one must harken back to childhood when fondness translated to teasing. So it is with Julien and Sophie, the central characters of this film, who in childhood become fast friends because of a game they share (or visa versa) which involves one challenging the other to do something outrageous while passing a gayly decorated candy canister to them. Upon completion of the dare, the canisters is passed back and the dared person announces "Game!". And so it goes, back and forth, as the children grow to adolescents and then to adults with the brinksmanship and friendship becoming increasingly substantial and the ubiquitous canister the ever present reminder of their unspoken bond. Finely crafted though sometimes disjointed, this creative work is full of life and energy and passion and its ever escalating story is maddeningly captivating and unsatisfying as it waxes toward its inevitable and somewhat clumsy conclusion. A love it or hate it audience dividing flick, "Love Me..." can be appreciated on as many levels as it can be condemned. The only way you'll know if you like it is to watch it. (A-)