Do the ends truly justify the means? That's an age-old question that has been asked countless times in countless contexts, but what's the answer? That's a decision left open for viewers to ponder in this taut ecothriller about a group of zealous environmental activists who plan to blow up a west Texas pipeline in an effort to draw attention to such issues as global climate change and public health considerations. Writer-director Daniel Goldhaber's second feature skillfully combines elements of various cinematic genres, including Westerns, heist films, political thrillers and ecological dramas like "The East" (2013),but it does so in some highly unexpected ways. In particular, this well-constructed, smartly produced offering is heavily character-driven, presenting genuinely compelling back stories about its crew of protagonists told through a series of strategically placed flashbacks. What's more, the picture's gorgeous cinematography, superb editing, fine performances and intense original score all lend themselves to a splendidly crafted package, certainly much more than what one would typically expect out of a low-budget indie. Of course, these strengths aside, this still leaves open the question about the impact of this story. What kind of message does it send? Is it appropriate to make and release a picture that depicts such a subversive venture such as this? Can the kind of collateral damage at stake here be justified, be it even theoretically told through a work of fiction? But, then, can society continue to willfully ignore the kinds of environmental damage that are being allowed to unfold without taking any meaningful action? And what of the law enforcement questions involved in a scenario like this? "Pipeline" gives viewers ample food for thought while simultaneously reminding us that the clock is ticking on these issues - and that we had better start making some serious decisions soon.

It's a tense movie with some good moments, interesting cinematography, and an even better score. However, it didn't live up to the high expectations.

Even I, who agree with the main message, found it to be too one-sided. Other perspectives are not heard, there are no arguments, no pros and cons (when there are - and only about the method - a conclusion is quickly reached). I like movies that make me reflect and not movies that feed me the message with a spoon, forcing me to accept that. The structure is interesting, although cutting the tension doesn't always have the desired effect (which I believe is the same as a cliffhanger on tv shows). Lastly, the characters are too linear, too victimized. We know almost nothing about what sets them apart, we are only left with their motivations - all with direct causes - to do what they want to do. Ok, but didn't make me care a lot about them.

It's an ok, flawed, somewhat interesting little thriller with an important message, but that's all it is.

How To Blow Up A Pipeline is sold as a crackling environmental thriller with a message. The fact that it presents the message it has with a hammer doesn't hide the fact that as a film it is just shallow. It is exactly what the title says. It's about a group of climate change activists that plan and carry out the disabling of an oil pipeline in Texas. The problem is that the characters are paper thin. They are just a collection of grievances and slogans, not three dimensional people. I have watched many films like this where I may not agree with the cause or politics of the characters but at least in better movies of this kind I can relate or at least empathize with at least one or some of them. Even though this film uses flashbacks to set up the characters you don't get to know any of them. Those scenes are used to set up and justify their actions which we know is the blowing up of the pipeline. There is no suspense because I didn't care for characters. They are just stereotypes as opposed to fleshed out characters. This film wants the audience to think about how deep the message is but fails to create a compelling story to support the ambitions of their message.

The film is well made but is content with not really delving into the subject it wants to represent. The filmmakers sabotage their own message by being so shallow.

Grade: C-