The director want to say too much, but he don't want the audience to understand. There's too much drama on the roof and it doesn't make any sense. Some of the first passages are quite good, but the latter is pure self-liberation. Audience? It does not exist.

A real man never boasts, but speaks from the heart. 100 years ago a young man, Li, who follows this advice, narrowly escapes being shot, a burning home and certain death. Unfortunately his relations are not so lucky. Adopted by an American father and raised to be a fighter and spy, Li relishes the chance to return to China and avenge the murders. It is the 1930s and the situation is made more complicated by the Japanese occupation. While Li speaks from his heart and is a good man, it is not certain - even to him - where his loyalty lies; to mission, vendetta or, upon meeting beautiful women, love.

Hidden Man is fast paced, funny, creative, playful, romantic and sexy in addition to being an martial arts action film. The stunts and twists in the plot are varied and unexpected. The creative, refreshing and ingenious film makers employ decoys, historical touchstones, competing interests, biking on rooftops, prominent roles for women, grenades and other surprise weapons, medical references, throwbacks to classic action films and more. Despite showing marks of censorship (hardly showing any skin, for example) and proceeding too fast at times, Hidden Man is thrilling and fun to watch. It is the final film of a trilogy. Seen at the Toronto international film festival.

Jiang Wen, one of best directors in East Asia, doing his best in this new flick, slow paces but all in all fulfilled at last. Music memes Stanley Kubrick, action memes his own previous works, he now becomes some kinds of master "meme-ist". Combining comedy, r*pe and revenge stereotype, this is a great plate, but not for everyone.