Though the whole living ghost was a bit confusing, the film "Her Blue Sky" had a touching story. The art was okay, but the background looked artificial and not in the same wave as the rest of the animation. The voice acting was good too. As for the story, the relationship between the two sisters was sweet and that helped with the ending. However, the rest of the story was so so. The romance thing was just okay, but did not develop well. The rest of the characters were just there to support the action.

From the trailer, Her Blue Sky looked decent enough. A well-produced and animated coming of age story with aspiring musicians that was helmed by key members behind Anohana, a solid, rather melodramatic, tearjerker. Instead of rising to the level of the aforementioned series, Her Blue Sky instead imitates the mediocrity of the team's other work, Anthem of the Heart.

One thing all three productions have in common is a fantasy element. While I didn't have an issue with this in the other two titles, it felt unneeded here, exploring feelings of the past that would have been better relegated to subtext. In fact, Japanese films and anime have a rather tiresome penchant for injecting rote fantasy elements into an otherwise ordinary story as of late. It often amounts to adding boatloads of spice to a bland dish.

The film is a typical slice of life about following your dreams (or not) and growing up. Shinno(suke) is part of a band wanting to make it big. Akane is his girlfriend, and Aoi, her younger sister, has a crush on Shinno and wants to become a bassist. The parents of the two sisters die, forcing Akane to take care of Aoi and stay in their small town, while Shinno, disappointed to go alone, heads to Tokyo to attend university.

Somewhere along the way, the hopeful, young Shinno becomes literally separated from Shinnosuke, a 30-something, gruff, and unfulfilled musician. He's not creating his own music like he'd hoped, but he's playing in an enka band that none of the characters seem to enjoy.

So the fantasy element is that while Shinnosuke grew up, the young Shinno is dredged up as a ghost who interacts with Aoi and her friend (to prove that Aoi isn't a loon, obviously). Aoi's crush on Shinno comes back fast and strong, just as Shinnosuke and Akane slowly reconnect.

As I said before, the fantasy element was unnecessary and all of it could have been embedded in the subtext. As it is, it's no more than a distraction. A layer of sugary icing over a bland cake.

The other reviewer who said they spent all their time rehearsing the music is correct in stating that this buildup never went anywhere, leaving an empty feeling. The problem is that the enka music was presented as lame in the film and seemingly wouldn't have been satisfying as a conclusion or a pivotal scene, since it seemed to be a part of Shinnosuke having given up on his dreams (and the vocalist is awful). With the ridiculous flying sequence at the end and all the Shinno nonsense, there wasn't enough time for any of this.

It really feels like if they cut out all the fantasy fat, then maybe Aoi and Shinnosuke, after finally settling their differences, could have gotten a band together alongside the enka music practice, having the film conclude with one of their very own songs they put all of their passion into.

Not to say this isn't a cliche ending, for I've seen this in other movies and series, but this is just typical payoff for a movie about a band. Even if they decided this didn't work and wanted to go in a different direction, as they did, it's surprising that a movie so focused on music actually has very little GOOD music. I've never seen a film about a band that was so musically boring.

Some of the character interaction is decent or quite good, but much of it felt rushed and underdeveloped. Aoi spends so much time talking to the old Shinno, resulting in her never really getting to know the real Shinnosuke. Although I think Aoi's female friend was probably a good and needed inclusion, she never really has much to do in the short running length of the film, and I question if she also should have been excised or given a few extra scenes.

In conclusion, this is an okay slice of life drama with an unneeded fantasy element. It's watchable, but Anohana or Ghibli films like Only Yesterday would probably be a better choice.

Iam not familiar with previous works of the director but I still decided to give this a go. It starts of well with likable characters and somewhat interesting animation (the blending of real places and animation was great sometimes and really off other times).After the first act the story did look interesting and real but in the end it looked really cheesy. We get to see the story mostly from the perspective of Aioi and want to see her development but story moves on to another love story and she was like us, an audience in the third act. The love between Aioi and shinno didn't look real. They could have made Shinno improve her bass playing skills through which they could bond much more and create a romance, instead it was blunt. And the present time Shinno(suke),I guess was supposed to look like a failure and lost but it was too much. Bcos most of the time he was acting with the same personality. They didn't give much space for him to grow. I wasn't really into the flying part.But pretty much it was OK to watch on. There are no boring moments. It's just they could have tried giving more depth to the story. Maybe it was bcos it was a movie and not a series