One thing about John Wayne movies are the great first names he always had in them. Singin Sandy, Spig, Taw, John Henry, Cord, Rockwell, Rooster, Wedge. This ones no exception "Chance" Chance Buckman played by Wayne is the CEO of a company that fights fires. Oil well fires that is. Along with a number of character actors in supporting roles who teamed with the Duke in many of his films. The action is plenty and the story entertaining. The women in this movie are there as the faithful ladies whose husbands battle the flaming liquid from the bowels of the earth.

No film had been made about oil well fire fighters so this made it an original. This is one of those movies that would excite a person to the point of saying "That's the life for me. Good pay, travel, good-looking women all the time. A job of never ending excitement'! Don't miss this John Wayne classic. Also don't miss an A&E documentary about the real exploits of Oil Well Fire Fighters.

This COULD have been an exceptional John Wayne film, as the plot was so unusual and was based loosely on the exploits of oil fire expert Red Adair. The idea of him working as a man who travels the world to put out oil fires is pretty cool! This was a very nice change of pace for The Duke and the film had some wonderful moments. However, while the script SOMETIMES offered a lot of new and interesting moments, at other times it was very clichéd and formulaic--cheapening the exploits of Adair AND making it just another mediocre late 60s/early 70s John Wayne film. Now understand that I really like John Wayne films, but I must admit that aside from THE SHOOTIST, all his films after THE MAN WHO SHOT LIBERTY VALANCE were mediocre and formulaic--so much so that they offer nothing particularly new (even TRUE GRIT which garnered Wayne an Oscar even though he'd made many better films). Even one of his films I really liked from this era, ROOSTER COGBURN, is essentially THE African QUEEN set in the old West. And what formulaic elements do these films have in common? Well, how about a way too old Duke Wayne getting in a fist fight in all these films (and he was into his 60s),macho arguments among the manly actors about who is going to do the "selfless" act (whatever that might be),an occasional over-reliance on comedy and John walking through the film as if he's in slow-motion (which, at his age, he was). No, Wayne didn't age very well in these films and his fans watched them because they loved the actor--not because they were outstanding films. That's exactly why I watched them.

HELLFIGHTERS offers an aged John Wayne a chance to hang up his cowboy boots for a while in favour of a pair of thick fireman's boots in this fictionalised story of the exploits of famous fire fighter Red Adair, a man who made his name putting out burning oil rigs. It's notable for featuring numerous and very well photographed 'real' oil fires which our stars interact with, and these have a ring of authenticity about them which comes from Adair's presence as a technical advisor. Elsewhere, the rest follows a western template, with Bruce Cabot as comic relief, Katharine Ross and Jim Hutton as young lovers, Vera Miles back as Wayne's love interest once more, and the usual bar-room brawls and fun action.