Ex-convict Tom Yately snags himself a job driving for haulage company Hawletts. The drivers are paid per trip, something that spurs the men on to drive faster and be more reckless than your average employee. Making few friends at Hawletts, Tom uncovers shifty dealings between brutal foreman, Red, and Hawletts manager, Cartley. Something that ups the stakes considerably more as Tom and Red clash on and off the road.

A true British hard boiler is Hell Drivers, a pic that is chocked full of machismo. Who would have thought that a film about lorry drivers transporting gravel could be so exciting? Directed by Cy Endfield (Zulu),Hell Drivers has something of the quintessential working class about it, which is good to see and is no bad thing at all. Gritty in texture, piece, although a crime film in essence, has good character substance. Tom, played by the criminally undervalued Stanley Baker, is a guy trying to move on with his life, his past misdemeanours hang heavy with him, courtesy of a nice family thread that exists within the picture. But here he is trying to earn a hard days pay, only to find that crime, through no fault of his own, wont leave him be. There's also a crucial thread of bullying, essayed by the hulking and fabulous Patrick McGoohan. And of course there's the women caught up in this macho world, observers to daily recklessness, coming to terms with affairs of the heart as much as the daily grind.

Set to a back drop of cafés, boarding houses, village dances, disused quarries and tight winding roads, Endfield and his crew have the working class atmosphere spot on. For sure it's the roaring trucks that bring the excitement, but it's the working class everyman (and woman) heart that drives Hell Drivers along. Be that as it may mind, it's the trucks, and the men behind the wheels, that Hell Drivers is most remembered for. Endfield shoots the road beasts from front and rear, which really puts us out on the road with them. That we are involved with the characters and their surroundings, for better or worse, really aids the experience, such is the authentic feel that Endfield has crafted.

A roll call of Great British talent lines up alongside McGoohan, who may have been born in America, but was an honorary Brit due to his work on TV show The Prisoner. Into the Baker led beef stew comes Sean Connery, Sid James, William Hartnel, Alfie Bass, Wilfrid Lawson, David McCallum and Gordon Jackson. With Herbert Lom adding a continental aspect as the crucial, and emotionally driven Gino Rossi. The girls are played by Peggy Cummins, Jill Ireland and Marjorie Rhodes, with Cummins particularly standing out in amongst this hairy knuckled world.

On release the film garnered mixed reviews, but with each passing decade Hell Drivers has broken free of its cult only status. To which it now stands tall as a true British classic, one that thankfully got a DVD treatment in 2007 to finally do it justice. 9/10

Stanley Baker heads a remarkable cast of high quality British based actors in a rattleing good yarn of corruption and grim macho rivalry. The towering Welsh actor looks and acts every inch the quiet spoken smouldering tough guy character(Tom Yately),a role that he was seemingly born to play, a combination of working class hard-man, reluctant/accidental criminal and passionate lover. A role too that he played in slightly differing forms in several other classic British crime flicks of the 1950's such as ONLY THE GOD DIE YOUNG but in HELL DRIVERS he has distilled the persona to perfection. Tom Yately an itinerant ex con, taking the only job he can find with his dubious background. This leads him to a trucking firm who deliver ballast (gravel/stone)and insist on their drivers (all apparently similar, down at heel ex cons and drifters) running insane risks at illegal speeds in order to earn enough bonus pay to survive and with the promise that if any of them can deliver more loads in a day than the obnoxious foreman, Red, the prize is a solid silver cigarette case worth a small fortune. Tom lands a room in a rough boarding house where most of his workmates also live and so work and it's pressures and rivalries are with him constantly.The landlady is a tough old bird and well capable of dishing out whatever is required to keep order.And she needs to! The other drivers are prone to constant fighting and low-brow practical jokes, one of which lands Tom in a classic confrontation with Red (played by Patrick "The Prisoner" McGoohan)which gives the film one of it's truly great moments of cinematic fury. As the story developes Tom ducks out of a dance hall brawl rather than risk his parole and becomes ostracized by the other drivers who have all been involved and who resent him for his apparent cowardice. Only his the rather more reasonable Italian ex POW, Gino (Herbert"Pink Panther" Lom) remains loyal. There is however the complication of Gino's "girl" (Peggy Cummings)who works at the truck yard. Unlike Gino,she sees herself as a free agent and makes a pitch for Baker.I won't spoil the plot which does have some good twists and turns but I will say that it all ends in rather dramatic, satisfying, if not unexpected violence. McGoohan, as Red, gives a superb performances , one of psychotic, cigar chewing , glowering animal menace. He makes Red the kind of foreman from hell that No-one would argue with. His acid-spitting delivery of lines, boxer-like stance and unkempt appearance simply ooze evil. Its a raw edged version of the rather more sophisticated "No.6" he later made famous in "The Prisoner" . Red could easily be "No.6"s mentally unstable cousin!

Gino is played with warmth and sensitivity by Lom, who's truly a class act, so much more so than his most famous Role of Inspector Dreyfuss in the PINK PANTHER films would have us believe. Peggy Cummings as Lucy, his girlfriend, is also superb; bright, quick, sassy and very attractive. Something of a teaser and everything of a femme fatale full of barely suppressed passion. Her love scenes with Tom are unusually sparky for a 50's British film.

Of the others, where do you start? Sean Connery is there in his pre-007 days. He's good but not yet great, but he looks the part, as in fact do every one of the cast, who were all chosen with great success. Carry-On star Sid James clowns about in some scenes but has a raw edge that reminds us what a damn good straight actor he could be when given the role while Gordon Jackson puts in a similarly gritty performance long before his lasting TV fame of THE PROFESSIONALS. The yard boss, played by the original DR WHO, William Hartnell is another fine piece of casting in what must rank as one of the best British films of the 50's. The story is unusual, a change from the whodunnit's, kitchen sink dramas and Ealing Comedies that were standard fare at the time. The script isn't too peppered with cliches and fairly crackles with tension at times. The action scenes both with the actors and with the trucks are sharply directed (aside from the old trick of speeding up the film at times which was common pactice untill quite recently and always, always looks false!)and every scene is well photographed to portray a grim, earthy working-class world. The characters are real and the performances are superb. It's a fine ensemble piece with a strong but not overpowering star role. Baker is in command but the others do not wither in his shadow and it can't have been by accident that the same star and director later worked together with major international success on ZULU.

Stanley Baker, the United Kingdom's premier post war cinema tough guy stars and shines in Hell Drivers about an ex-convict trying to go straight, but as in American films no one wants to hire a man with a prison record.

William Hartnell another cinema tough guy from the UK gives him a job as a driver even though as an ex-convict Baker isn't legally allowed to drive yet. Speed is essential in this firm which specializes in hauling gravel out to construction sites. Road foreman and top driver Patrick McGoohan a real nasty sort continually posts a record run. Baker runs afoul of him and McGoohan sets the other drivers against Baker. And because of his ex-con status, Baker has to take it; up to a point.

As it turns out both Hartnell and McGoohan have a wonderful payroll padding scheme with McGoohan making phantom runs and Hartnell putting phantom drivers who the front office pays and Hartnell and McGoohan pocket the salary money. It's why they're not choosy about the drivers they hire which are of course non-union.

A whole lot of familiar faces populate this film, Alfie Bass and Sid James who are best known as the extra help hired by Alec Guinness for The Lavendar Hill Mob are drivers as is Gordon Jackson and a young Sean Connery. Herbert Lom plays an Italian immigrant and the only friend Baker makes among the drivers. Jill Ireland plays a young girl who likes Baker, but he prefers Peggy Cummins the payroll manager at the trucking firm whom Lom likes also. Finally David McCallum plays Baker's younger brother.

The whole conflict between Baker and McGoohan reminded me a lot of John Wayne and Victor McLaglen in The Quiet Man, but in a far more serious vein.

Hell Drivers still packs quite a punch and the climax with Baker and McGoohan trying to kill each other with their big rigs is still very exciting.