This movie, although only 40 minutes long, sends Saw and Cube back to kindergarten, making it look stupid, shallow and pointless. Once again Shinya Tsukamoto proves that he is one of the most challenging, thought-provoking and original directors of today, absolutely not afraid of pushing boundaries in terms of what might be shown on celluloid. And he knows pretty well what scares us, oh yes. It's like your worst, fever-induced nightmares come surprisingly alive, and I'm not talking about waking up in a completely darkened, concrete maze. It might be a parallel for war, genocide or just totally painful, desperate loneliness... or just a statement that, after all, we are nothing more than a piece of meat which happened to have a tiny spark of life inside... This movie raises so many questions... and even if most of them remain unanswered, it is worth to feel really uncomfortable for this 40 minutes. Some people will probably start having nightmares like this, but for me it was more like a relief that Tsukamoto and his protagonist lived it for me...

A surreal, grotesque trip, mixing elements of Saw and Cube together. The movie got some good ideas but even the short running time of 50 minutes felt too long for me. Not much is happening, you just get some scenes of torture and gore (some well shot and made). Not bad, but nothing really good. I do not know if Haze is meant to be an allegory or for whatever theology or philosophy the story/movie stands, but to be honest, I don't care. Only recommended to hardcore fans of the two mentioned movies that need something new on the plate. Trippy it is yes, good, not so much.

It's so basic a premise that it hardly seems like a feature that could hold our attention, let alone meet the needs of the genre it would be described as. Yet Shinya Tsukamoto here proves an ingenuity of film-making and storytelling that defies outward simplicity. One recognizes hallmarks of his other films in 'Haze' that keep us on our toes, accentuate characters' states of mind, and or lend atmosphere - industrial music; pointedly shaky and often tightly focused camerawork; inserted or overlaid visuals and visual effects; sharp editing that cuts rapidly through sequences of additional imagery. Here these all further serve to emphasize the deeply claustrophobic setting.

Confined and bare though the space is, we're treated to careful, grim set decoration to cement the scenario. Strong attention to outstanding sound design agitates our anxieties as it highlights specific trials of the protagonist, or portends a greater danger of the place he finds himself in. All due commendations to composer Chu Ishikawa for a fantastic score that does much to build the mood at all points. And hats off to Tsukamoto - fulfilling all but a few functions of the film's construction all by himself, while also starring alongside Kaori Fujii. Both actors embrace tired, determined physicality in performances of range and nuance that once again exceed the bounds of such a distinctly small movie. Moreover, themes are broached of the unknown risk of moving forward, but also the great peril of stagnation, and the importance of connection in even the most dire of circumstances. The protagonist and supporting character both convey thoughts as to a broader narrative, a Why and How for the What, but 'Haze' declines to truly explore or explain - the picture considers itself complete as it is. I appreciate that punchiness.

In under 50 minutes, Tsukamoto crafts a more compelling, thrilling, sometimes visceral cinematic experience than some features can achieve over far greater a length. It's honest, unembellished, and surprisingly absorbing. Recognizing a content warning for blood and gore - if you're a fan of the filmmaker's work, this is especially worth checking out, but even for horror fans at large, 'Haze' is an odd and truncated but satisfying movie that's worth watching if you have the chance.