Aiden Quinn stars in this haunting film by director Lewis Gilbert, of a very curious and disturbing string of events. This is not your typical haunted house story. Professor David Ash lost his twin sister when he was a child due to a terrible accident. Years later he has returned to England as an author and professor of Psychology who spends his time trying to prove that there are ghosts, while as a skeptic, uncovering the fraudulent claims of those who deal with the spirit world. But then, in a response to repeated letters from an old woman he is invited to sort out a ghostly problem in an old house in the southeast of England. Kate Beckinsale and Anthony Andrews co-star, with brief appearances by the immortal Sir John Gielgud. Also there is a short scene with a gypsy woman, played by Liz Smith who has made a career out of playing quirky and particularly Dickinsonian characters. A modest little film that deserves a look see, especially if you like things that go bump in the night.

Professor David Ash is invited to Edbrook to calm the fears of the elderly nanny of the Mariell family. Nanny Tess is seeing things, and Ash's book debunking such phenomenon makes him a good choice to set her mind at ease and convince her she is just tired and stressed.

Lewis Gilbert had directed films since the 1940s, including some entries in the James Bond series, and this was towards the end of his career. The movie is not his best work, and received mixed reviews. It does deserve credit for the casting, as Kate Beckinsale had not really taken off yet. The film has added appeal in retrospect because of this.

I think the mixed reviews are warranted, as the movie never seems fully... something. I don't even know the word. It comes across as a middling made-for-TV film in many respects, rather than a full-blown theatrical attraction.

A fine attempt to recreate the old-fashioned chills and thrills of a horror movie in the style of THE WOMAN IN BLACK, this adaptation of the James Herbert novel (which I haven't read, incidentally) is a cut above the norm as far as genre horror movies go. The film is slow-burning but always effective, and strong acting from the leads keeps your eyes riveted on the screen. I recently enjoyed THE OTHERS as an example of a fresh and original ghost story, but after watching HAUNTED I'm not so sure THE OTHERS was that original after all.

HAUNTED certainly isn't for all tastes. It's a film which prefers to drag you into the world and mind of the lead character before all of the supernatural stuff starts happening, so we get some good build-up like the fake séance which Quinn is only too happy to expose. As David Ash, Quinn is a revelation; he gives a very strong performance of a man gradually becoming more and more disturbed by the seemingly inexplicable events surrounding him. In fact, I've never seen him better, and I would say that his is one of the best genre performances in the past ten years (and I'm beginning to wonder if he and Rutger Hauer share the same set of eyes - they're so alike it's creepy).

As the film gradually progresses, the isolated setting of the country estate grows on the viewer and fine use is made of the English countryside. As well as the horror, a charming romance begins to blossom between Quinn and the female lead, Kate Beckinsale. Beckinsale, an actress I've never much cared for, is brilliant in the film, creating a vulnerable but sexy woman with her own dark secrets - as witnessed in the hints of incest that the film points at occasionally. The actual supernatural events involve a door being held shut although nobody is on the other side; then Quinn is mysteriously pushed into the local lake and nearly drowned; finally, weird, spontaneous fires begin to break out and disappear again at a moment's notice. It comes as no surprise that the mansion begins reliving its past, but HAUNTED puts a fresh and interesting spin on the ghost story tale. The special effects are limited and kept to a thankful minimum, but there are some effective touches like faces in the flames and, my personal favourite; an exceedingly frightening ghost made of dust or some such material.

The movie is bolstered by a scene-setting score and good performances from the supporting characters as well as the leads. Anthony Andrews is adept at creating a gentlemanly character with a hint of depravity about him, and it's good to see John Gielgud back on screen as the family doctor. Anna Massey is also fine as the lonely, frightened old woman in the family. The film has one of those fantastic twist endings we're so familiar with in recent years, and the final feeling is one of poignancy rather than horror. Yet rarely do I watch a film and finish with a smile on my face after really enjoying getting caught up in the lives and loves of the fictional characters - old-fashioned horror fans, seek this one out.