This first film from Paul Thomas Anderson shows the promise he would later fulfill with BOOGIE NIGHTS. The writing here is as sharp as it was in the later film, but it must be said as a director, he sometimes lets scenes go on too long (ironic that BOOGIE NIGHTS, which is a longer film, is also a tighter one). The main connection between both films is Anderson's obvious affection for his characters. Also the relationship between Sydney and John doesn't turn out the way you'd expect. And Anderson is to be commended for avoiding melodrama.

Philip Baker Hall is one of those actors who you may not know by name, but when you see him you instinctively feel he's right for the part, no matter how small. This is one of his rare leading roles, and he's perfect, showing the character's success and also his loneliness, without sentimentalizing it. John C. Reilly is properly eager and naive as John. Samuel L. Jackson is dependable here, and Gwyneth Paltrow proves she doesn't need a British accent to give a good performance. She and Jackson should also be commended for backing Anderson when he had problems with the studio.

Paul Thomas Anderson's first notable movie has the feeling of a Coen Brothers film. Anderson regular Philip Baker Hall plays an elderly man who helps a young man (John C. Reilly, also an Anderson regular) pay for his mother's funeral by teaching him how to get by in Las Vegas, only to have to get involved later due to an unpleasant situation. "Hard Eight" isn't any masterpiece, but definitely has a realistic feeling, with dialog that really strikes me. Despite its weaknesses, the movie also has the same strengths that Anderson later brought to "Boogie Nights", "Magnolia", and "There Will Be Blood". Worth seeing.

Also starring Gwyneth Paltrow, Samuel L. Jackson, Phillip Seymour Hoffman, Robert Ridgely, and Melora Walters (the last three are also Anderson regulars).

'Hard Eight' may not be one of Paul Thomas Anderson's best, his later films being more complex and more refined, but even when Anderson was not at his best he was much better than most directors in that position.

For a feature film debut, 'Hard Eight' is still very promising. It does have moments of lethargic moments, the odd clunkiness and the ending is somewhat anti-climactic, but the potential seen throughout the film is enormous and from the start it is obvious that 'Hard Eight' knows its own strengths and makes the most out of them.

It looks impeccable, even when not very experienced in directing at this particular point Anderson's distinctive style is evident here with the long takes and tracking shots that suggest a Martin Scorsese influence. It's a beautifully shot film, and even if not as refined as his later films Anderson shows great promise as a director, showing a knack for visual style and excellent direction of actors. The music is suitably atmospheric, sometimes quirky, sometimes ominous and sometimes elegant.

Much of the script is very naturalistic and remarkably feels like the characters are talking like real people. It's tautly structured and thought-provoking too. 'Hard Eight' is a film quite light on plot, but rich in characterisation, not a bad thing considering that it is essentially a character study. The storytelling is still quite nicely done though, and while the characters are not the easiest to like there is a compelling realism about them and they're interesting.

Phillip Baker-Hall is magnetic in the lead role, in a performance of towering sincerity, while John C. Reilly matches him very well with an appealing gawky charm, Gwyneth Paltrow is charming and moving and Samuel L. Jackson brings plenty of flesh and succeeds in making the character too much of a retread of previous characters. Philip Seymour Hoffmann makes a very entertaining if somewhat too brief appearance.

Overall, very promising debut from Anderson though he went on to even better things with meatier material and an even more refined style. As is evident from the superb 'Boogie Nights'. 8/10 Bethany Cox