I like the Rosalind Russell version a lot(I perhaps prefer it just a tad) and Russell in it, but this Gypsy has a lot to recommend. It is not quite on par with the musical itself(neither film version is) which is a masterpiece of character and music, but it has its spirit, heart and charm. The spirit is droll and sincere and the story has so much heart to it. The music is wonderful and the lyrics positively delight. The production values are kitsch, bright and colourful. While I prefer Malden and Wood in their respective roles in the 1962 film, Peter Reigert(though his singing leaves a lot to be desired) and Cynthia Gibb are truly charming and entertaining, and Christine Ebersole steals all her scenes. If there are any preferences I have at all over the 1962 film, it is the staging and choreography, which is less clunky and moves more effortlessly, and Bette Midler's singing, Russell's was raspy and off-key sometimes whereas Midler's is big and brassy. Midler is just superb as Mama Rose, although Russell was superb also Midler's Mama Rose is truer to what Mama Rose should be like. Overall, a fine Gypsy. 8/10 Bethany Cox

Show queens will be arguing in 2059 when "Gypsy", the Broadway musical, turns 100. In the meantime, there probably will have been umpteen revivals on Broadway (one for next year is already rumored),and maybe even several more movie versions as has recently been announced as well with the legendary, if now too old Barbra Streisand.

I have heard every recording of "Gypsy", from Merman, Lansbury, Tyne, Daly, Bernadette Peters, Patti LuPone, and two movie soundtracks with Rosalind Russell/Lisa Kirk and this version, featuring the phenomenal Bette Midler. When this first aired in 1993, I was working as a v.j. at a gay bar in West Hollywood, and was told to play this in a small portion of the bar, which got instant boo's from the crowd. Needless to say, within five minutes, it was back on in the entire bar.

More than 20 years have gone by, and in comparing this to the 50+ year old Rosalind Russell movie, I have to say that this version outshines it. Bette is much more believable as the mother of youngsters, teenagers and eventually a young lady, and her devotion to her children is more believable than some of the older women who have played this part. Singing wonderfully with the dramatic flair that only Bette can, she truly is coming up Roses.

Supported by a sweet Peter Riegert as the long-suffering Herbie and Cindy Gibbb as the initially shy Louise who ends up becoming the legendary Gypsy Rose Lee. Familiar stage, film and T.V. stars appear in bit parts, giving this T.V. version a friendly appeal. Even without saying a word, Michael Jeter's expressions say it all. Funny lady Andrea Martin adds flair in a bit as a secretary, while Christine Ebersole is a great headliner of the three strippers. All those bits include five Tony wins, not to mention Bette, soon to attack Dolly Levi.

But any version of this classic musical is going to be judged by how the perfect score is performed, and it is without a doubt flawless. Colorful and perfect in period detail, this helped bring the T.V. musical back. Not live like recent entries, it is an amazing feat. Movie musicals have made a slight comeback on the big screen, but it took the step that the producers of this T.V. special did to speed that up. This is one musical that is fine with the gimmick it has. It doesn't need to add to the huge pot of paradise it is.

Outstanding interpretation of Bette Midler as domineering mother Rose Hovick marks this excellent 1993 production.

Surprisingly, Midler won the Golden Globe Award for best actress and it was certainly well-deserved. She is bossy, sincere and forever endearing in the part. She belts out the songs, not exactly in the tradition of Ethel Merman, but with her own style-she reached new heights herself. Her facial contortions are excellent. At times, in her face, I saw her characters in "Hocus Pocus," and when she sings "Everything is coming up roses," at the train station, I thought I was seeing Gloria Swanson of "Sunset Boulevard" memory.

Peter Riegert was most suitable in the role of her manager, the guy she loved dearly, but couldn't marry due to her stubborn belief that the careers of her girls came first.

The woman who played Louise, who is eventually drawn into the burlesque world, reminded me of the late Natalie Wood. Ironically, Wood played her part in the memorable 1962 film with the late Roz Russell.

A marvelous, endearing show with great performances by all concerned.