The concept of this movie, which is that a young man has to do all in his power to stop his mother who is recovering from a heart attack learning of what's happened to Germany while she was in a coma, is absolutely delicious, but it's a premise that could easily go wrong. However, I'm pleased to report that it certainly didn't go wrong, and through interesting characterisation, a great script and some thought-provoking ideas; Good Bye, Lenin! is a winner all the way! An excellent ensemble gives way to a story that has a lot of heart, and one that makes it's points - both politically and otherwise - without the use of a sledgehammer. Good Bye, Lenin! is one of those films that is what you make of it; on the one hand, it's a touching and entertaining story of a boy's journey into adulthood and his love for his mother, but on the other hand; it's a biting political satire that intertwines themes of how our perception of certain truths can impact our lives.

Daniel Brühl, a young Spanish talent, takes the lead role as 'Alex', the young man at the centre of the tale. Through his subtle acting, Daniel is able to capture the determination and adoration that epitomise his character wonderfully. He is joined by the beautiful Chulpan Khamatova, Maria Simon and Alexander Beyer, who lend support to Brühl, as his girlfriend, sister and sister's boyfriend respectively, along with Kathrin Sass, who takes the central role of the mother recovering from a heart attack. I can't pick a single fault with any one of them. The setting of the fall of the Berlin Wall serves as a great place to set this story, as it allows the film to give a commentary on the changes of Germany's political landscape at the same time as allowing us to take in themes of family, love and the perception of truth that are abundantly clear. There aren't many bad things that I can say about it, and the only one really is that it can be a bit over sentimental at times. On the whole, however, Good Bye, Lenin! is an absolute treat and most certainly one of the better movies to have been released so far this decade.

"Goodbye Lenin" begins about a decade before the fall of the Berlin Wall. A family of four lives in East Germany. When the father goes on a business trip, he doesn't return--he's defected to the West. The mother, in reaction to this, becomes a super-communist--devoting all her energy in working with kids and indoctrinating them about the wonders of East Germany. She is so devoted, that she is even given a major award--she's a hero of the nation.

A decade passes. Just before the Wall falls, the lady has a heart attack and is in a coma for eight months. During this time, HUGE social upheaval occurs when the Wall falls. No longer communist, East Germans clamor to keep up with the changes. And then, the mother awakens. But, her family (in particular her son) is afraid to tell her about the changes, as they've been told she is on borrowed time and will probably soon die--and a scare could easily kill her. So, they decide to hide the fall of their nation from her and pretend it's all the same old East Germany when she awakens. But how long can they keep up this crazy pretense?!

I won't tell you what's next, but I will say that this film is exceptional BUT is also hard to really categorize. While parts of funny, it really isn't a comedy (particularly when the mother divulges a HUGE secret). It can be funny at times but also quite sad as well. It's unusual to say the least--but not in a bad way. See this film, as I really think we should encourage and embrace films that have plots that aren't just derivative or mindless. This film is highly creative, complex and well made throughout. See this film.

My only complaint, and it's a minor one, is that I think the film is a bit over-long. It's hard to maintain its momentum and the film loses a tiny bit of its punch because of this. But, as I said this is a VERY small complaint.

"Good Bye Lenin!" is a German film from 12 years ago that runs pretty much exactly 2 hours and features some of Germany's most known actors back then and today: Daniel Brühl, Katrin Saß, Maria Simon, Florian Lukas, Christine Schorn, Michael Gwisdek and Burghart Klaußner. A lot of these also received quite some awards recognition for their work here and this movie in general is among the most famous German films abroad as well, especially looking at movies made in the 21st century. I would say that only "Lives of Others" and "Downfall" are more famous from recent German films. So "Good Bye Lenin!" also scored a Golden Globe nomination and BAFTA nomination as well as tons of wins at the European Film Awards, German Film Awards and other ceremonies all around the globe.

The story is a bit absurd, but as a whole they made it work I guess. A woman (devoted socialist) is in a coma and misses the Fall of the Berlin Wall and the German Reunification. When she wakes up, her children are instructed from the doctor that they have to keep any drama and tension away from her, so what is their plan? They act as if nothing happened and re-enact the GDR for her. When she leaves the apartment one day, they just make it look as if it was all the other way around: People from the FRG fleeing into the GDR so that she does not start to have doubts in her political ideals. And in the end, the fall of the Berlin Wall upside down as well. I think this is a good movie and the script is certainly the biggest strength. Well-written and as no less than 5 people worked on the script, this is finally not a case of too many cooks. Besides writer and director Wolfgang Becker, the most crucial one may be Bernd Lichtenberg and I am really surprised to see that he did not make any other scripts for movies in the last 12 years.

Anyway, there are moments in terms of comedy and drama in this film that did not entirely convince me, but I don't think it was bad enough to leave a sour note on the film overall. All in all, I guess Becker found the right mixture between these 2 genres. Still I must say that I didn't feel that the acting was as outstanding in here that it would have justified all these awards. Then again, I am far from being a great Daniel Brühl fan. Still, I like some of his works, for example "Das Weiße Rauschen" or "Rush", which almost got him Oscar-nominated. My favorite scene was probably the one with him at his father's party. Great fan of Burghart Klaußner here and he was brilliant in this couple minutes. The ending with the mother's death and what they showed her finally was very good too. The film could maybe have been a bit more essential if they had done without some of the insignificant scenes. As a summary, I would say that it's a good movie, not a great one, but very much worth watching for everybody with an interest in German history. Recommended.

However, I have to finish this review on a negative note. Becker and Brühl reunited recently for a new film and I read about an interview where Brühl compares their longtime collaboration with the one between Herzog and Kinski. All I can say about this is that Herzog has made brilliant films for decades and I cannot see anything in Becker's filmography that comes close to the genius if Herzog's finest works. And Brühl to Kinski is goldfish to whale. No need to further elaborate on that. Looks like his awards recognition really cost Brühl his sanity. Shame, he shows glimpses of talent in some of his works.