If you are expecting a brainless slasher movie then this isn't it.

The dynamics between the two main characters are a brilliant example of Folie à deux.

It is well written and the acting is superb, but it does take a bit of understanding at a deeper level than a slasher movie. It is more of a psychological tease of your brain, wondering just how the story will turn out.

Well worth a watch if you like something interesting where you are sucked into the story and the lives of the characters.

Shae (Danielle Panabaker) is a college student/part-time bartender. She is having an affair with a married man. He tries to break it off and reveals that he has a daughter. She is shocked and decides to go partying. After a night out, she gets raped. She then befriends a co-worker Lulu (Nicole LaLiberte) who turns out to be a psycho and helps her get revenge.

This is Death Wish for girls. At least that's the goal. The concept is fine. Filmmaker Austin Chick is definitely trying to inject some feminist anti-male theories into the start of the film. It forms the justification for Nicole to seek revenge on all men. Nicole's character is so obviously crazy right from the start. Any justification is meaningless. Danielle Panabaker's acting is very wooden. She's trying for a stun look after the rape and then the murders. But she's not Charles Bronson. It just comes off as stiff acting. If anything, this movie is an indictment of female empowerment. Instead of rooting for the death of a rapist, we're thrown as to who to truly root for.... The Rapist or The Murderers. This is a flawed film but the anti-male bent seems to have riled up the critics.

Shae (Danielle Panabaker) is a student who studies male fantasies and how they view women as objects. She is hurt by an older male boyfriend who patches things up with his separated wife for the sake of his three year old daughter. Distraught, Shae is taken under the wing of a somewhat psychotic Lulu or Lu (Nicole LaLiberte) a woman straight out of a Billy Joel song..."She can carelessly cut you and laugh while you're bleeding."

On the rebound, she goes out with Lu and gets involved in a situation where "No" doesn't carry any meaning. With the aid of Lulu, they go on a killing spree, after which you wonder where this movie will go. Unlike so many films in this genre, it smartly brings it home.

The film brought to mind "Shame" and "Compliance" two recent films sold as being "disturbing and thought provoking" which are nothing more than perv films. This one is the opposite. It is sold as a perv film, but is really more thought provoking as it looks into psyche of sexes and the way they view each other and what women would do if they could get away with it.

This film ignores plot continuity points such as body disposal, clean up, or the police investigating the homicides. This is a theme driven film, not plot driven.

Most people won't like it. I enjoyed the small clever aspects of this film. The slow motion scene of the smoke leaving the gun, or the young girl riding by with vampire teeth as a way to say, "what roles are we subconsciously teaching our children." The policeman with the straw irritatingly sipping from a cup. Lu speaking at the Tarantino restaurant "explaining" the film theme. At the end there is a small insert of Lulu smoking a cigarette that brought the film home. Bravo Austin Chick for making a feminist slasher film into a subliminal art work. I appreciate what you did.

Parental Guide: F-bomb, off screen rape, sexual scenes, nudity (Nicole LaLiberte)