Mel Gibson's return to the big screen in front of the camera recent years seems to be getting back on track. He's taken a large knock for various well publicized and controversial allegations and abuses, but those seem to have taken a back seat like how the lacklustre Edge of Darkness has been largely forgotten for more memorable fare and smaller films like The Beaver, and Get the Gringo, also known as How I Spend My Summer Vacation here. Count yourselves lucky all you Mel Gibson fans who are still out there, we're one of the few countries getting this in the cinemas as the USA had opted for a video-on-demand release instead.
Gibson does what Gibson does best as a character here, being the strong, silent type who relies on his brains, brawn and resourcefulness to get out of sticky situations. Innate abilities and a huge dose of luck also play their part in having his nameless Driver attempting to outwit, outlast and outsmart his way past Mexican and American gangsters, crooked cops, and ambiguous agents, in order to regain his freedom after being locked up in a Mexican penitentiary that is a mini-town in its own right, complete with the folks from both sides of the law making strange bedfellows. It's a glimpse into the murky world of corruption where criminals run rampant within the walls that are supposed to restrict their freedom, but instead turning the premises into fiefs of operations.
Based on a story written by Mel Gibson, Stacy Perskie and Adrian Grunberg, with the latter making his debut directorial feature after deputizing for numerous films, it has all the ingredients necessary to stand tall amongst this season of summer blockbusters, with a tale that keeps you guessing of the Driver's backgrounds and motivations, which soon dissolve into the basic theme of friendship developed with a nine year old Kid (Kevin Hernandez) who holds a certain secret that keeps him alive within a notorious place, and who may just be Driver's ticket out if the cards get played right. Needless to say the villains here were unfortunately relegated to single function caricatures, but thankfully the plot picks up the pace when we get to witness how Driver and the Kid work their way through the system, with subplots bubbling under the surface ready to explode in frantic rush to the finale.
There are some moments that sag though, as Grunberg just cannot lift the film's early act from droning rather repetitively on how tough and gritty the entire corrupt environment is through Driver's voiceovers. We get the point, and it's time to move on, only to find more scenes seemingly adamant in wanting to showcase just how miserable life can get in a corrupt prison system. It took a while to have elements set up and put in place, although you'd get to appreciate the efforts it took to gel all character relationships together, with Grunberg adopting a style especially in the beginning with its quick edits cutting very close to how Tony Scott would have stylistically done it if the latter was at the helm.
For all the action that the trailer promises, what truly stood out was a mid section, free for all shoot-em-up complete with its graphical depiction of bullet wounds flying all around, entering and exiting various points of the body, and the requisite slow motion to keep things watchable, not forgetting having the Driver break his cover on his background having to save the Kid and his mother (Dolores Heredia) from gunfire coming at all sides. While conveniently set up, how the Driver wiped his enemies from existence thanks to a little bit of play acting and impersonation became my favourite scenes in the entire film, with Gibson at his element flexing some comedic abilities that just sat through really well and dare I say lifted this film from being just average. Recommended!
Get the Gringo
2012
Action / Crime / Drama / Thriller
Get the Gringo
2012
Action / Crime / Drama / Thriller
Keywords: prisonmexicovacationprison escape
Plot summary
On his way the dusty Mexican border with a loot of over $2 million hidden in the boot of his car, a getaway driver ends up in the infamous "El Pueblito" prison. As the only American inmate in the dangerous village of convicts, the driver quickly gets the nickname "The Gringo", and finds out firsthand how rough it is to be a stranger in a world of criminals. To stay alive in this pit where everyone knows about the grand prize, the Gringo will have to form a reluctant pact with an unlikely ally: a streetwise ten-year-old kid with a peculiar immunity in this mad place. Now, with a huge target on his head and knowing that his time is short, will the Gringo manage to save himself, and get the money?
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A Nutshell Review: Get the Gringo
Lively prison flick with a solid Gibson
HOW I SPENT MY SUMMER VACATION is a more entertaining film than it has a right to be. It sees Mel Gibson playing another half-crazed criminal type who winds up in a sprawling Mexican prison that looks more like a shanty town than the usual hellhole. This is a prison where kids and women live in peace alongside the convicts and where all manner of backstabbing (literal and metaphorical) goes on on a regular basis.
The plot is lightweight and packed with humour, most of it deriving from Gibson's undeniable grizzled charm. Basically it's a film where he starts with nothing and has to rise to the top by outwitting all the various factions and villains pitted against him. The film's heart is the relationship between Gibson's character and a streetwise kid, played by the very good Kevin Hernandez. This central relationship helps to ground and humanise what would otherwise have been a very superficial and rather unappealing movie.
Still, this is well made and fast-paced, although it's not quite the action movie they'd have you believe. Gibson is excellent, as is always the case, and the inventive narrative barely gives you time to draw breath before skipping to another situation. It's goofy but has undeniable charm at the same time.
Mel Gibson is back
Mel Gibson is career criminal Driver. He is nabbed by Mexican authorities and placed in a tough prison where he learns to survive with the help of a young boy.
The first half has this amazing 'Prison Break' motif. The reason for his incarceration is revealed and all hell breaks loose. This leads to a second half that's way too complicated, and action that's too convoluted.
The style and tension is great. And Mel Gibson gives the perfect intensity to his character. This is truly a great return to fighting form for Mel.