"My child, my sister, dream

How sweet all things would seem

Were we in that kind land to live together,

And there love slow and long,

There love and die among

Those scenes that image you, that sumptuous weather."

Charles Baudelaire

Based on the novel by Elizabeth Von Arnim, "Enachanted April" can be described in one sentence – it takes place in the early 1920s when four London women, four strangers decide to rent a castle in Italy for the month of April. It is the correct description but it will not prepare you for the fact that "Enchanted April" - an ultimate "feel good" movie is perfection of its genre. Lovely and sunny, tender and peaceful, kind and magical, it is like a ray of sun on your face during springtime when you want to close your eyes and smile and stop this moment of serene happiness and cherish it forever. This is the movie that actually affected my life. I watched it during the difficult times when I was lost, unhappy and very lonely, when I had to deal with the sad and tragic events and to come to terms with some unflattering truth about myself. It helped me to regain my optimism and hope that anything could be changed and anything is possible. I had promised to myself then that no matter what, I would pull myself out of misery and self-pity and I would appreciate every minute of life - with its joy and its sadness...I promised myself that I would go to Italy and later that year I did and I was not alone.

Charming, enchanting, and heartwarming, "Enchanted April" is one of the best movies ever made and my eternal love. This little film is a diamond of highest quality.

This is the kind of movie England can do in its sleep, and that's meaning it as a compliment. Because of the success of very British comedies of manners situated at the end or beginning of the Twentieth Century, most notably adaptations of E. M. Forster novels, this very Merchant-Ivory like production was received in the light it brought when it was released in 1992. It was an exceptional year for actress Miranda Richardson, having appeared as the wife of Jeremy Irons who discovers her husband has been having an affair in the worst possible way in DAMAGE, and as the IRA terrorist who eventually dons a wig and gets a nasty comeuppance in THE CRYING GAME. Here, she plays a quiet, serene type of woman in Rose Arbuthnot, one who with Josie Lawrence who plays Lottie Wilkins, embarks on a trip that is filled with self-discovery. They are joined by an unlikely pair of ladies: one Caroline Dester, played by the enigmatic Polly Walker who resembles a very vamp Louise Brooks (and not just in the style of hair she wears),and Mrs. Fisher (Joan Plowright). This foursome will eventually merge together into becoming deep friends only because the story is so filled with spring and an overwhelming, dreamy sweetness it almost preordains it, but this is fine; it's the movie it wants to be. Alfred Molina and Jim Broadbent (then relatively new to American audiences) fill out the cast as the husbands of the two main characters, and all in all, Mike Newell makes with his movie a living thing of near-magical elements, full of quiet moments and wonder.

This is a slight but charming film, an adaptation of the book by Elizabeth von Arnim. It tells the story of four disparate ladies in 1920s England who go to holiday in Italy to a coastal castle.

Mrs Arbuthnot and Mrs Wilkins are both in unhappy marriages. They belong to the same club and become acquainted after reading a newspaper advertisement for a 'small medieval Italian castle' during the month April.

To help with finances they take on two other ladies, the older Mrs Fisher and aloof Lady Dester.

The climate and the castle eventually start to have an effect on the four women. It leads to rejuvenation on the enchanted beauty of their surroundings and their perceptions of love is rediscovered.

The four actresses are fantastic with Polly Walker being the stand out, she looks enchanting.