In Hong Kong, Aunt Mei (Ling Bai) is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. The former TV star Mrs. Li (Miriam Yeoung Chin Wah) visits Mei aiming her dumplings to recover her youth and become attractive again to her wolf husband Mr. Li (Tony Leung Ka Fai). Along the sessions, Mei tells Mrs. Li that she was a gynecologist in China with more than 30,000 abortions along ten years. When Mrs. Li requests an acceleration of the process, the opportunity comes when a fifteen years old teenager with a five months incestuous pregnancy comes with her mother and asks Mei to make an abortion.
The bizarre "Gaau Ji" is a low budget Asian movie that Hollywood will never remake. The disturbing and gruesome story depicts an unpleasant theme, certainly a taboo for the American industry, and has excellent performances highlighting Ling Bai making the story totally believable. The Brazilian DVD prudently advises that this film contains strong scenes and is not recommended to pregnant women and sensitive persons, and I totally agree. However, it is highly recommended to audiences that expect to see the break of a taboo in Hollywoodian productions. My vote is eight.
Title (Brazil): "Escravas da Vaidade" ("Slaves of the Vanity")
Note: On 28 December 2012 I saw a short version of this film again in an imported DVD ("3 Extremes", segment "Dumplings").
Keywords: beautydeceived wifemasseuseeternal youth
Plot summary
SPOILER: In Hong Kong, Aunt Mei is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. The former TV star Mrs. Li visits Mei aiming her dumplings to recover her youth and become attractive again to her wolf husband Mr. Li. Along the sessions, Mei tells Mrs. Li that she was a gynecologist in China with more than 30,000 abortions along ten years. When Mrs. Li requests an acceleration of the process, the opportunity comes when a fifteen years old teenager with a five months incestuous pregnancy comes with her mother and asks Mei to make an abortion.—Claudio Carvalho, Rio de Janeiro, Brazil
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An Asian Movie That Hollywood Will Never Remake
An exquisite exercise in bad taste
Not exactly a horror film, but definitely not for the squeamish. Dumplings follows the tale of a Hong Kong dumpling maker and a TV actress who feels past her prime (her husband is having an affair with a younger woman). Dumpling maker Aunt Mei has a secret formula that can restore youth and extend life. The audience is gradually let in on the secret ingredient and the details grow more and more gruesomely explicit as Aunt Mei maintains her cheerfully glamorous housewife demeanour. When you know this is a really sick movie, the director piles it on thicker and thicker, casually filtering in lurid details amid a beautiful montage. OK, you've been warned. The description above should tell you whether you want to stay away or make a beeline for the next showing.
The exquisite cinematography (and much of the resulting elegant and sophisticated look of the film) can be attributed to Christopher Doyle, whose work includes such visually stunning gems as 2046, Infernal Affairs, The Quiet American, and In the Mood for Love. Dumplings might be in poor taste, but it is served up with delicacy and finesse, and with much of its 'horror' deriving from the believability of the basic plot.
As you come out of the cinema, other members of the audience may look at you as if you are the most depraved person in the world for sitting through 90 minutes of such stuff, so just remember they did too . . .
Effective - at being extremely disturbing
Despite not containing a single second of on-screen violence, DUMPLINGS is one of the sickest movies I've ever seen. I feel nauseous just thinking about it and ever watching it again is out of the question. Whether you view it as a modern-day parable of the age-old quest for eternal youth, as a gross-out comedy, a satire of anti-ageing products, or as a bleak horror film about cannibalism in China, you're guaranteed to have a reaction to what has to be one of the bravest films I can recall watching.
It's a well-made movie. Fruit Chan is proficient at the technical aspects and he also elicits a couple of fine performances from his two leading ladies. Bai Ling dominates proceedings with her ultra-sensual turn as Aunt Mei, but the story really belongs to Miriam Yeung, whose quest for youth and jealousy of her husband's infidelity leads her to some very dark places. The film was originally conceived as part of a trilogy of short films under the THREE EXTREMES banner and later expanded to full length, and it does have the feel of a short – this is a mood piece rather than a focused narrative, and there's little in the way of action.
Still – it's no secret that the story is about dumplings that contain human foetuses that help restore youth. The whole idea is completely disgusting and watching people eating said dumplings is utterly repulsive. There are graphic abortions here too, along with some horrible egg things that people enjoy eating, so I'd advise viewers to eat NOTHING before watching as you're liable to bring up your lunch with this one. DUMPLINGS is a disturbing little movie that's all too effective.