What a clever idea. Donald, fed up with his nephew's lack of anything but reading comic books, decides to teach them a lesson. When he come upon a fountain that was mistaken for the fountain of youth. He convinces the boys that he is getting younger and younger, until he is an egg (which he steals from a female alligator). But eventually the alligator wants to get into the act. From here on it gets to be the same old chase thing.

I have always been a big fan of Donald Duck, and while not quite one of his best, Don's Fountain of Youth is one of my favourites regardless. The animation is very impressive, all the characters are beautifully drawn and the background art is very colourful. The music is jaunty and full of character also, and while the story is routine in a way it is crisply paced and with never a dull moment. Donald is as wonderful as you'd expect, charming and genuinely caring for his nephews while showing his trademark temperament. Huey, Duey and Louie are cute and rascally and have good rapport with Donald including when Donald rips up the comic book pages because he feels that they are enjoying that rather than enjoying the sights.(I also like the "Uncle Donald's a spoiled brat" line) And the gator is a great foil, interacting well with both the nephews and especially Donald. I especially love the parts where she whacks Donald anyway even when he tells her to be quiet and when she quacks in order to tell her babies who she is, the latter is very cute. The voice work from Clarence Nash is impeccable. 10/10 Bethany Cox

A Walt Disney DONALD DUCK Cartoon.

Donald tricks his Nephews into believing he's been magically reverted into an infant after discovering DON'S FOUNTAIN OF YOUTH.

The always enjoyable Duck gives a humorous performance in an otherwise routine film. Clarence "Ducky" Nash provides Donald's unique voice.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928),a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.