First of all, it is a Christmas movie. Ok, that is out of the way. I wouldn't change anything in this movie. The storytelling, the music, the villains, the complaints about California through the eyes of a NYC cop, the camera work, the cast.. I love it all. This movie has been dissected by many of why it works, and all I can say is that it's a must watch.

I'm back in 1988, when Die Hard came out and I'm reliving that year in memory.

A superb action movie that's a standard by itself with great everything, being its screenplay, acting, development, flow and ending.

It isn't the first of the genre and surely won't be the last, but is the only one directed by the very talented director John McTiernan that combines suspense, thrill and magic.

Loved the stellar cast, loved the magical score and loved the broken glasses, falling and sparkling before my eyes.

I still see Hans Gruber, extending his hand, desperately trying to reach a long lost chimera... RIP Alan Rickman

• Screenplay/story: 9.5
• Development: 9.5
• Realism: 9.5
• Entertainment: 10
• Acting: 9
• Photography/filming: 9.5
• Visuals/special effects: 9.5
• Music/score: 9.5
• Depth: 9
• Logic: 9
• Flow: 10
• Thrill/drama: 10
• Ending: 9.

This original action classic has been hugely influential over the years - and it's no surprise, as it's one of the best action thrillers ever made. New meaning is brought to the word "action" as here it is exhilarating, furious and nothing less than exciting. The premise is simple: one location, one good guy and twelve bad guys. Cue lots of explosions, fist fights, blood, violence, and plenty of shooting too. The thrills come from the suspense of Willis using his wits as well as his brawn to fight the bad guys and save the hostages.

When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.

The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.

As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.