"Deep in My Heart" is a 1954 MGM musical starring Jose Ferrer. It purports to tell the story of Sigmund Romberg, and while much I'm sure is left out, the film is filled with not only great music, but great singing.

Well directed by Stanley Donen, the movie shows us Romberg trying to fit in with the musical comedy style, but really having a talent with a more classical, operetta-like bend.

Not only is the music beautiful, but it is exquisitely sung by some of the best singers of that era. My favorite song, "Softly, as in a Morning Sunrise" from "New Moon" is initially sung by the great Wagnerian opera star, Helen Traubel. And be still my heart, my second favorite song, "Lover Come Back to Me" is sung by Tony Martin and Joan Weldon. Martin was for me the best tenor of that time, better than Allan Jones, James Melton - absolutely phenomenal. MGM pulled out all the stops, with Cyd Charisse and Ann Miller taking part in "One Alone" and "It" respectively; Vic Damone is on hand for a well-sung "The Road to Paradise," and he's joined by Jane Powell for "Will You Remember" from "Maytime," which in the beginning of the film is the operetta Romberg keeps insisting he wants to do.

Gene Kelly and his brother Fred Kelly sing and dance to "I Love to Go Swimmin' with Wimmin" - you an see from the titles that Romberg had a versatility. Howard Keel a strong "Your Land and My Land." The song "Mr. and Mrs." is performed by real-life Mr. and Mrs. Jose Ferrer and Rosemary Clooney. One number after another, a fine film for a music lover.

The cast is interesting - Merle Oberon as Romberg's writing partner Dorothy Donnelly, Walter Pidgeon is Shubert, Paul Henried is Flo Ziegfeld, and Dorothy Avedon, who died some months ago, is Romberg's beloved wife Lillian.

All in all, a feast for the ears and eyes, with Ferrer doing a beautiful, energetic job as Romberg, even at one point performing an entire musical at full speed by himself. Very impressive.

A gem from MGM.

This MGM little gem, evidently, has been forgotten. I don't recall having seen it before, so it was a complete surprise when TCM showed it recently. MGM certainly was the studio where musicals were done right because of its power and its resources.

The choice of Stanley Donen as director was the right one. Mr. Donen's distinguished career in this genre, as well as his contribution to musicals, enhances this a winning film. We don't watch musicals looking for high brow entertainment, but when we find one that has a story line, the numbers are brilliantly staged with beautiful costumes, then we have a winner, as it's the case with "Deep in my Heart".

Siegmund Romberg was one of the most beloved composers working on the Broadway stages at the beginning of the last century. His collaboration with Dorothy Donnelly produced a string of winning musicals that helped establish his reputation as one of the best musicians working in America.

Of course, this is a film that, by today's standards, would be considered politically incorrect. At no time do we learn that Mr. Romberg was Jewish, or that he had come to America after having suffered discrimination in Europe. Like the great American composers of the early 20th century, Mr. Romberg drew upon his European roots and the popular culture of the times he encountered in his adopted country.

One of the best cinema actors of the time, Jose Ferrer, plays the title role. Mr. Ferrer gives an excellent portrait of the composer during his life. He makes Mr. Romberg a joy to watch. Having known this great actor personally, and having admired him for his work in films and the theater, brought back happy memories.

The rest of the cast is equally interesting. Merle Oberon makes a beautiful Dorothy Donnelly, the woman who was the other half of the composing team. We see in smaller roles Walter Pigeon, Paul Henried, Paul Stewart, Jim Backus, Helen Traubel. Doe Avedon is Lillian, the woman who stole Romberg's heart.

One of the benefits of having made the movie at MGM is the added bonus of seeing stars of the magnitude of Gene and Fred Kelly, Ann Miller, Rosemary Clooney, Cyd Charise, Tony Martin, Jane Powell, Howard Keel, Russ Tamblyn, Vic Damone interpreting the best Romberg's songs as part of whatever musical he was working at the time.

A movie to treasure.

In fact, for me, a close second best to 1950's 'Three Little Words', which just gets the edge for having a little more energy pace-wise and never giving the impression that it should have been shorter.

Despite pretty much all of them being heavily fictionalised, with some like 'Till the Clouds Roll By' and 'Words and Music' really coming to life in the musical numbers and losing interest pretty significantly in the biographical sections, all of the 1940s-1950s composer musical biopics (titles being 'Till the Clouds Roll By', 'Rhapsody in Blue', 'Night and Day', 'Words and Music', 'Three Little Words' and this) are worth watching at least once.

Based on the life of operetta composer Sigmund Romberg, whose magnificent tunes often paired with librettos that could be silly and thin but with enough elegance and charm, 'Deep in My Heart' is very loose biographically but as a piece of entertainment in its own right it does excel. It is let down only really by the story dragging pretty badly in the middle section where there's less emphasis on song and more on biography, with the biographical sections despite being nicely written and excellently played lacking the momentum shown when the music/dancing takes centre stage. At over 2 hours, with parts dragging, it does feel like a long haul at times and did feel like it could have been 15-20 minutes shorter.

However, 'Deep in My Heart' is a beautiful-looking film, photographed with elegance and lavishly designed. Can't get enough of Jane Powell and Cyd Charisse's dresses either. The music is magnificent (more on the highlights later),with none of the singers and dancers not doing justice to it, while the script has some cute, witty and sometimes sophisticated humour and also some emotional moments like the very moving Carnegie Hall finale.

Jose Ferrer gives a bravura performance in the title role, essential for being the one holding everything together. He is very well supported by a lovely Merle Oberon and a fine Walter Pidgeon. Stanley Donen directs beautifully in the first and last thirds, if plodding a little in the middle act. The choreography in "It" and "One Alone" is on the same level as the music, electrifying in "It" and erotic in "One Alone".

There are many musical/performing highlights here. A big standout is the Cyd Charisse/James Mitchell dancing in "One Alone", sensuous doesn't describe it, while Ann Miller electrifies in "It" and Jane Powell and Vic Damone make hearts swoon in "Will You Remember". Helen Traubel also sounds great, and 'Deep in My Heart' offers rare and delightful chances of seeing Ferrer and real life wife Rosemary Clooney together in "Mr and Mrs" and brothers Fred and Gene (yes that Gene) Kelly in "I Love to Go Swimmin with Wimmen". Tony Martin sounds glorious in "Lover Come Back to Me" as does Howard Keel in "Your Land and My Land".

In conclusion, flawed but with so many wonderful things. 8/10 Bethany Cox