Dead Tone

2007

Action / Horror / Thriller

Plot summary


Uploaded by: FREEMAN

Director

Top cast

Denyce Lawton Photo
Denyce Lawton as Anna
Aimee Garcia Photo
Aimee Garcia as Jody
Rutger Hauer Photo
Rutger Hauer as Detective John Criton
Antwon Tanner Photo
Antwon Tanner as Kareem
720p.BLU 1080p.BLU
838.24 MB
1280*534
English 2.0
R
23.976 fps
1 hr 40 min
P/S ...
1.57 GB
1920*800
English 2.0
R
23.976 fps
1 hr 40 min
P/S ...

Movie Reviews

Reviewed by jdollak4 / 10

Standard slasher with some odd script elements

Everything about this movie is standard stuff. Except for a few points. First, the killer in the first five minutes doesn't seem to have much motivation. Second, there are some really strange scenes. There are two scenes back to back that seemed to exist to promote condom use. It almost came across like it was product placement, although the idea may have been to insert a moral into the movie. Third, some of the characters are nearly offensive in how stereotypical they are. There's a gay character that exists to talk in a stereotyped fey voice. There are two black guys who talk and behave in a stereotyped "black guy" style.

There's nothing compelling about the movie, but aside from these things, there's also nothing worth looking for.

Reviewed by Coventry6 / 10

The number you dialed has been terminated. Please hang up the phone and try again

I expected the absolute minimal when renting "7eventy 5ive" and, even though the opening sequences seemed to confirm I was about to see yet another abysmal and irritating modern slasher flick, the whole thing eventually turned out to be an entertaining and moderately surprising movie. Sometimes the opening credits alone are enough to betray the quality-level of the entire film, and in the case of "7eventy 5ive" this already was a pretty bad omen. Luckily the movie got a whole lot better after that. The story idea (of the intro as well as of the whole movie) isn't too bad, but the execution is terrible, with the hopelessly unclear editing of gory murders interlarded with the most amateurishly accomplished credit you've ever seen. During some kind of party event, the kids of several couples are in the bedroom making prank calls to random people. The night ends in a complete bloodbath when the parents receive a visit from an axe-wielding maniac. The title of the movie refers to a prank call game where the player has to try and keep the other person on the line for at least 75 seconds. Ten years after the massacre, some of the survivors are still playing this game with their new college friends, but once again the prank backfires on them when another (or the same?) killer answers the phone and decides to make a house call after. "7eventy 5ive" is a pretty standard and unmemorable slasher movie containing all the basic screenplay ingredients (dumb bimbo girls, macho guys, transparent red herrings, …) but also a handful of mildly imaginative elements (like a neat attempt to a surprise end-twist, some okay humor and a even a little bit of suspense). The murders are, in good old 80's tradition, engrossing and plentiful. The hooded killer swings around an impressive axe, so you may prepare to see various brutal beheadings, limb amputation and more similarly repulsive stuff. The soundtrack somewhat annoyed me, but maybe that's because I'm not much of a hip-hop fan. The youthful cast isn't as bad and untalented as all the other reviewers claim they are (except for the main blond chick) and it was very nice to see Rutger Hauer in the brief supportive role of veteran police officer. I assumed his character would be the typically sarcastic and witty copper, but it actually was a serious role. If you choose to watch "7eventy 5ive" today, you'll probably won't remember much about it tomorrow, but at least it offered some fun and thrills while it lasted. Personally, I appreciate modest and small-scaled productions like this over boisterous and pretentious films that claim to save the genre, like, oh I don't know, "Hatchet"?

Reviewed by Scarecrow-883 / 10

Dead Tone

"We are all going to fu&$%ng die!"

Prank calling leads to a massacre. Yep, that is pretty much the motive for a psychopath wearing a winter coat (the kind of coat a participant in the Iditarod would wear),wielding a steel ax (I admit, the ax is cool-looking),is on the pursuit of college kids attending a party held at an impressive mansion. The festivities include drinking and hook-ups, along with non-stop swearing. The opening has kids playing "75", a prank calling game requiring those participating to keep the victim on the opposite line on the phone for 75 seconds. They prank the wrong fellow and he proceeds to interrupt their parents' party, butchering all the adults in attendance before the police arrive. Ten years later, the children, now young adults, are next to be selected as ax victims, having witnessed the bloody onslaught to their parents. At the party of the film, 75 is played once again and like before the killer is contacted, torturing some poor soul for the stunned, rowdy college crowd, soon learning of their location, intruding upon them with ax in tow. You know the rest. Formulaic, generic, familiar slasher—the content and characters are as obnoxious and annoying as you'd expect. My user reviews for these movies sound repetitive like a broken record recycled over and over because what I am watching is repetitive like a broken record recycled over and over. The slasher genre as a whole fails to produce imaginative story-telling and I don't expect much when I watch a movie featuring young people butchered by psychos, but there's always a desire to be surprised. It doesn't happen often, but occasionally a slasher movie comes along that challenges the status quo regarding a not so depressingly ordinary plot delivering interesting characters instead of the usual dimbulb dunderheads. Presented by Flavor Flav's Nine Tails, which should tell you all you need to know about how this film will likely turn out from the get-go. Of course, there's a twist regarding the mastermind behind the newer murders and the ending, as detectives (including veteran cop Rutger Hauer, positively wasted and almost forgotten as the final rampage takes up the final twenty minutes) try to find the remaining kids, scattered about after adoptions sent them to different locations, actually aid the psycho, will likely be sure to infuriate many viewers (obviously designed to do so). Yes, there's the typical barricade of group in bedroom, bickering that leads to punches and shouting matches, and the stupid decision to split up which leads to members being picked off one at a time (most of the deaths occur off-screen, with a couple of decent beheadings the main attractions for an otherwise tiresome slasher that offers nothing fresh or innovative). "Dead Tone" is just another slasher destined for burial into obscurity, Hauer's presence in the movie, no matter how muted, the draw for many viewers in the future.

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