Apart from JET PILOT and THE CONQUERER, this is my choice for worst John Wayne film once he became a bona fide star. Sure, some of his very early B-movies were rough and silly, but considering he was young and had little star power, I wouldn't count these films. Plus, despite their shortcomings, the B-westerns were fun. CIRCUS WORLD, on the other hand just isn't any fun. Imagine, someone making a movie about circuses and there being no fun at all in the film...as well as some of the worst writing I've seen in an A-movie...ever.
The movie already starts out with a major handicap with the casting. While Claudia Cardinale is a lovely woman, she was 102% wrong for the film. She is supposed the to be the daughter of an American and an Italian who was raised since a very early age by John Wayne in the United States. So, why does she have this French accent?!?! She sounds NOTHING like Wayne (who raised her) or her mother (Rita Hayworth--who abandoned her) or her long-dead Italian father. What gives?!
Apart from that, the writing was the single worst problem with the film. Much of the dialog was clichéd, unbelievable and silly. Frankly, considering the considerable clout Wayne had at the time, it's amazing he'd have allowed such a terribly written script. If you read the trivia on IMDb, director Frank Capra left over changes in the script by Wayne--perhaps it WAS a good script until he "fixed it" but we'll never know for sure. The problems extend from scene to scene, where some characters (especially the emotionally labile Miss Cardinale) jump from one emotion or motivation to another. There simply is no consistency. For example, late in the film, Cardinale goes nuts and tells Wayne and Hayworth that she hates them. Then, 30 seconds later, she is clinging to them and all is well. This is the sort of emotional "flexibility" that you'd expect...in a mental patient! Also, many times, plots are simply lost in the shuffle. For a 2-1/4 hour movie, you'd think there'd be time to work out these dangling plot elements!! For example, the identity of who painted over the posters and how the fire began all seem to be forgotten by the time the movie ends...as well as exactly who hates Wayne and Hayworth so much...as well as why there was the affair many years ago (Wayne keeps saying that he'll have to explain it all to her...and never does). So, the writing is very broad, unbelievable and sloppy--like chunks of the film must have been missing it was that bad.
Otherwise, I guess I should say something about what I liked. Some of the animals were cute and some of the big spectacle scenes are not completely horrible (though unnecessary). And,...well,...that's it.
A bad film, even if John Wayne lovers would disagree. I love most of his films, but I'm calling it like I see it--a big, bloated, overblown mess. And, by the way, Wayne is completely miscast as well--what is this great western star doing running a circus that goes on tour to Europe?!?
By the way, my wife adds that SOMEONE must have had some incriminating pictures of Wayne to get him to make this film. My guess (and she does NOT agree) is that maybe he was kissing a Communist or burning an American flag...it had to have been THAT bad to merit making this film.
Circus World
1964
Action / Drama / Western
Circus World
1964
Action / Drama / Western
Keywords: wild west showtrapeze
Plot summary
In the early years of the 20th century, Matt Masters takes his rambling Wild West Show to Europe. His decision is prompted by his desire to find Lili Alfredo, who disappeared fourteen years earlier following the death of her husband, The Flying Alfredo. At the time it was believed that Alfredo dived to his death deliberately when he realized his wife loved Matt and not him. Toni, a beautiful trapeze performer, raised by Matt is actually Lili's daughter, and she is in love with Steve McCabe, one of the stars on Matt's show. Doing their first show in Barcelona, aboard a ship, the ship keels over and Matt loses his show. Now broke, he leaves for Paris with Toni, Steve and his long-time friend, Cap Carson, to seek a job with Colonel Purdy's Wild West Show. But a year later, Matt has rebuilt his own show. First to be signed is a remarkable 12-year-old wire-walker named Giovana, and her guardian, Tojo the Clown, whose real named is Aldo Alfredo, formerly of the Flying Alfredos. Continuing his search for Lili, Matt's show plays Brussels, Vienna, Prague, Copenhagen, Rome, Milan, and finally Madrid, where Lili is part of the audience.
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Bilge.
An Extravagant Elegy
"Circus World" (1964),a grandiose Cinerama film directed by a Hollywood veteran Henry Hathaway, is a paradoxical case. The film was a big production, it had great stars, an acclaimed director, a highly appreciated screenwriter (Ben Hecht),and an even more celebrated writer behind the story (director Nicholas Ray),but yet the film has been, for the most part, forgotten. This is arguably justified since many do not feel that the film has the quality one might hope for. To my mind, the film's peculiarity is mainly due to its strange nature where the elegiac longing is combined with an extravagant approach. The story is very simple (an untold past tragedy casts its shadow on the present as a circus director, played by John Wayne, tries to create a successful show in Europe where he is reunited by his former lover, played by Rita Hayworth),but there's more than that to the film.
By this I do not mean that Hathaway had elaborated a subtle subtext to the film in question or anything like that. I am merely talking about the art of history. First of all, "Circus World" is a film directed, written, and starred by old Hollywood legends. It was also made half a decade after the old studio system started to crumble. Many contemporary critics have later felt that films such as "The Searchers" (1958),"Rio Bravo" (1959),and "North by Northwest" (1959) were the last ones of a kind. "Circus World", on the other hand, is as though a posthumous legacy, in a somewhat similar sense as "The Man Who Shot Liberty Valance" (1961). Moreover, the film takes place in the early 20th century and dives into the nostalgic world of the circus which often represents a carefree existence of play and work (closely studied in the film of Federico Fellini, for one). While the historical setting seems to echo the film's own production time in this sense (reminiscing about the good old days before the world wars, semi-analogous to the good old days of Hollywood),the film's melancholic tone is further enhanced by the fates of its leading stars. It is well-known that "Circus World" was not only the last film John Wayne made before his lung cancer operation but also the first film where Hayworth's alleged Alzheimer's disease started acting up, causing numerous problems with production. It is as if everyone involved had been through their best days, inevitably casting an impact on the quality of the film in question as well, but still came together to perform in the wild circus world.
This is why, in my opinion, the film's slow pace, effortlessly simple style, and naive story seem appropriate. It all seems to speak to the spectator on another level, so to speak. The film begins with emptiness and ends with fullness. "Circus World" is a film where an old world is softly breathing with modesty and ambition combined.
Slow moving and overlong film upon circus world with the great John Wayne
The movie talks about a circus employer (a proprietor beset by problems called Matt Masters well played by John Wayne who was suffering from the early stages of lung cancer) who decides to take his show on a European tour along with his fostered daughter (a gorgeous Claudia Cardinale) and her lover (John Smith) . Meanwhile , the Circus owner searches for the mother of his adopted daughter , who disappeared years before , she is a trapeze artiste (a veteran Rita Hayworth) who bears a dark secret that originates the drama .
In the picture there is a love story , circus show , melodrama in which protagonists are caught in emotional conflicts , but it isn't fast movement and that's why it is a little boring and dreary . Furthermore , film runtime is overlong : two hours and some , 135 minutes approx. , and there happens a few events . ¨The greatest show of the earth¨ by Cecil B. Mille with Charlton Heston resulted to be much better and obtained several Oscars , while ¨Circus world¨ , a typical John Wayne film , was a real flop and failed in the box office and didn't achieve success at nowhere . In spite of the numerous and famous screenwriters : Ben Hetch's last film , Philip Jordan Nicholas Ray and James Edward Grant (who John Wayne insisted to be brought to rewrite it) , the plot is confusing and embarrassing . The picture finished to sink the Samuel Bronston's empire along with ¨The fall of the Roman Empire¨ because of both movies didn't make money . However, the circus spectacles are breathtaking : the racehorses , stagecoach pursuits with Indians riders, the clown shows , the trapeze artistes are spellbound . Support cast is frankly good , such as : Rita Hayworth , John Smith , Richard Conte , Jose Maria Caffarel , Milles Malleson and Lloyd Nolan replaced David Niven who was originally cast as Cap Carson .
The movie was regularly directed by Henry Hathaway , though Frank Capra began this project but he turned it down due to he wanted to use his own script . Hathaway was a skillful craftsman with a long career . Big John Wayne played for Hathaway various films as ¨The sons of Katie Elder (65),¨Circus World (64) ¨ certainly not one of his memorable movies , ¨How the west was won (62) ¨, ¨ North to Alaska (60)¨ , but his greatest hit smash was ¨True grit (69)¨ in which Wayne won his only Academy Award . Although Hathaway was a highly successful and reliable director film-making within the Hollywood studio system , his work has received little consideration from reviewers . The motion picture will appeal to John Wayne and circus fans . Rating : Average. Score : 4,30/10