Brilliant, but ruthless and unscrupulous scientist Dr. Sigmund Walters (nicely underplayed by John Carradine) turns a huge wild ape into a beautiful, yet still deadly mute woman named Paula Dupree (an impressively expressive pantomime performance by the ravishing Acquanetta). Paula gets a job keeping animals tame in a circus. Complications ensue when Paula falls for rugged and dashing animal trainer Fred Mason (a likable portrayal by Milburn Stone) and reverts back to a hirsute bestial state. Director Edward Dmytryk, working from a compact script by Griffin Jay and Henry Sucher, relates the engrossing plot at a steady pace, maintains a serious mood throughout, and stages the thrilling climax involving a fierce thunderstorm and a hulking rampaging gorilla (veteran simian thespian Ray Corrigan in a nifty suit) with considerable rip-snorting aplomb. This movie further benefits from sound acting by a sturdy cast: Carradine keeps his trademark eye-rolling hammy tendencies on a leash for once, Acquanetta's dark exotic beauty adds credibility to her admittedly far-fetched role, plus there are praiseworthy contributions by the fetching Evelyn Ankers as Mason's concerned girlfriend Beth Colman, Lloyd Corrigan as jolly circus owner John Whipple, and Fay Helm as the reluctant Nurse Strand. The scenes involving savage lions and tigers performing various daring feats in a cage are genuinely gripping and exciting. George Robinson's crisp black and white cinematography makes neat use of fades and dissolves. The spirited film library score likewise does the rousing trick. The terse 61 minute running time ensures that this picture never gets dull or overstays its welcome. A huge enjoyable fright feature potboiler.

Dr. Walters (John Carradine) has made great strides in his field of glandular transplants. But as his work progresses, the more unhinged his approach to his science becomes. Stealing a tame gorilla from the local circus, Walters transforms the gorilla into a beautiful woman whom he names Paula Dupree (Acquanetta). Upon taking Paula to the circus it's found that she has hypnotic powers over the lions and tigers and is promptly made part of the taming of the beasts act. But can Paula contain her true animal instincts?.

Sounds bonkers doesn't it? Well it is, but it's not the plot that makes the film so distinctly average. This is after all a low level Universal Pictures movie, we want, in fact demand, bizarre plots and berserker horror episodes. The problems exist with the complete lack of tension in the script, for a film that has a running time of just over an hour, you would think the big "transplant" and creation of "wild woman" would come sooner rather than later. But it doesn't, what we get is 45 minutes of musing about science and continual takes of circus animal training. With the latter containing some truly awful editing. Paula puts in an appearance late in the piece, then bang! it's pretty much the end and one can't help be disappointed after having stayed with it thus far.

Carradine hams it up and enjoys himself one feels, while Evelyn Ankers gives the other performance of note as Beth Colman. The film also serves as an interesting point of reference in the career of director Edward Dmytryk, who in the following few years would deliver some classics in a number of genres. He deserved better material here, hell they all did. But as ever with most of Universal's horror pictures, you end up taking the rough with the smooth and still enjoy yourself. A watchable yet frustrating experience it be. 5/10

The only reason that Captive Wild Woman is remembered today is for being one of the training films of Edward Dmytryk. We all have to start somewhere and stuff like this is where Dmytryk learned his craft. The following year he entered A list directors with Murder My Sweet so it might have been worth it.

As a film subject for one of Svengoolie's horror fests it's perfect. For fans of camp horror films what's better than John Carradine trying to make himself a woman out of a gorilla. The mild mannered Carradine as director of an insane asylum has the perfect cover for his ghoulish experiments where an ordinary ape by planting a few human glands from a female turns into the sultry Acquanetta. Now imagine if Carradine was gay, he'd get a male gorilla and try for Tyrone Power.

Milburn Stone is in the cast as a Clyde Beatty like lion tamer and that's Beatty in long and rear projection shots. Now having seen Beatty in films all I can say is that he was a great lion tamer as an actor. Acquanetta soothes even the savagest beast around him, but she gets jealous when Stone pays more attention to Evelyn Ankers and those gorilla instincts return.

This one is so bad it's one of the biggest hoots out there. My only question is how did Bela Lugosi miss being the mad scientist?