Buck and the Preacher was the first movie I ever saw about the black experience after the civil war that was centered on their migration west. I've seen this movie three times since it was originally shown, and have enjoyed it as much each time, while Buck, a no-nonsense Wagon Master played by Sidney Poitier takes his responsibilities very seriously. Naive ex-slaves are putting their very lives and fortunes in his hands in their attempt to find the American Dream after slavery. A subtly that many non-blacks do not understand about the relationship of blacks with each other is the historical mistrust and scheming that happens within the culture and still goes on today. That is what makes the meeting of Buck with the Preacher, played by Harry Belafonte Jr. so poignant. They are at opposite ends of the cultural trust scale, but they are forced to team up against a common enemy to secure their individual survival.
The Preacher, shiftless and scheming, and the only stereotypical character in the movie, is very well known to blacks, and not really as funny to blacks as non-blacks may sometimes think.
Buck and the Preacher was one of the first modern movies about black people to provide any depth to the characters, and also to present characters and subject matter that are not normally associated with the black experience. I found it entertaining as well as informative. A well-done move about an often ignored subject.
Buck and the Preacher
1972
Adventure / Drama / Western
Buck and the Preacher
1972
Adventure / Drama / Western
Keywords: con manpreacherwagon master
Plot summary
After the American Civil War, many freed slaves head out West in search of free land and a better life. Former slave and Union Army sergeant Buck becomes a self-employed wagon master to wagon trains of freed slaves heading West. Buck knows the region well and he charges fair wages from the wagon trains employing him. He also has a working relationship with the local Indian tribes that charge trespassing fees from the wagon trains heading West across Indian lands. In return, they allow the settlers to move across Indian territory unhindered and to hunt a few buffalo needed to feed the wagon train settlers. However, not everyone in the region is friendly toward the black settlers traveling West. Owners of Southern plantations, dismayed by the loss of slave manpower that previously worked the plantations for free, hire band of white rogues and outlaws to prevent former black slaves from going West. In order to achieve this aim, the hired bands of rogues attack wagon trains and destroy the wagons, the supplies and the food resources of the former slaves. They threaten the black settlers with harm and they tell them to return to the Southern states where they came from and work the plantations. Wagon master Buck encourages the freed slaves to continue their trek westward and to not give up their dream of settling in the West. Knowing this, the band of rogues led by DeShay plans to capture and kill Buck. The DeShay gang sets up ambushes and traps but Buck always manages to avoid capture. The gang resides in the town of Copper Springs where the sheriff, an honest man, doesn't agree with the gang's ruthless tactics against wagon trains of freed slaves. Chased by the DeShay bunch, wagon master Buck and his tired horse arrive at a river where a black preacher, Reverend Willis Oakes Rutherford, is bathing. A desperate Buck switches horses with the preacher, against the man's will, and rides off to meet his wagon train. The preacher heads to Copper Springs where he bumps into DeShay's gang. Recognising Buck's horse, the gang interrogates the preacher about Buck's whereabouts. DeShay promises a 500 dollar reward to the preacher if the preacher finds Buck and captures or kills him. DeShay also instructs the preacher to convince all black settlers to turn back east toward the Southern plantations and abandon their trek Westward. The preacher agrees with DeShay and leaves town. Outside town he meets a wagon train formed of freed slaves and led by none other than Buck. After an angry exchange between the preacher and Buck, the preacher joins the wagon train. During the following days of travel, the preacher notices that all the money of the wagon train is kept in a money belt carried by one of the women around her waist. A few days later, a distrustful Buck orders the preacher to leave the wagon train and he himself rides away to scout the area and to pay in cash a right of passage to the local Indian tribe in behalf of the trespassing wagon train. The preacher follows Buck and he witnesses the payment made by Buck to the Indian chief for safe passage of the settlers. When Buck, followed by the preacher, returns to the wagon train, a gruesome scene awaits. DeShay's gang attacked the wagon train, stole the settlers' money, destroyed their food and supplies and even killed a few settlers. Heartbroken, the surviving settlers want to turn back but Buck encourages them to go on. Angry at the devastation, Buck and the preacher decide to ride to the town of Copper Springs and exact revenge on DeShay's gang and also try to retrieve the money DeShay stole from the black settlers. There only are two against many but Buck and the preacher are determined to do it.
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A well-done movie about an often ignored subject.
the anti-blaxploitation
Sidney Poitier made his directorial debut with "Buck and the Preacher", in which he played a wagon-master leading freed slaves across the Old West. The whole time, they have to battle night-riders trying to return them to slavery in Louisiana. But then, Poitier joins up with Harry Belafonte, a reformed thief spreading the Gospel across the Old West, and they figure out a way to protect the freed slaves.
Probably the most important aspect of this movie was that it came out around a time when Hollywood was releasing many blaxploitation movies portraying African-Americans as kick-ass brothers and sisters with hearts of gold. This one focused seriously on a part of black history in the United States, and did a very good job at it. I certainly recommend this movie. Also starring Ruby Dee and Denny Miller (a character actor who appeared twice on "Gilligan's Island").
This ain't Louisiana. Now you walk soft in my town.
Buck and the Preacher is directed by, and stars, Sidney Poitier. It's written by Ernest Kinoy and Drake Walker and joining Poitier in the cast are Harry Belafonte, Ruby Dee and Cameron Miller. Music is by Benny Carter, with notable contributions from Sonny Terry and Brownie McGhee, and cinematography is by Alex Phillips Jr.
The Civil War was over and by law the slaves were freed. But when the promise of land and freedom was not honoured, many ex-slaves journeyed out of the land of bondage in search of new frontiers where they could be free at last.
They placed their hopes in the hands of the few wagon masters that knew the territories of the West.
None of this came easy, for not only did they have to overcome a hostile wilderness, but night-riders and bounty hunters were hired by "persons unknown" to hunt them down and turn them back to to the fields.
This picture is dedicated to those men, women and children who lie in graves as unmarked as their place in history.
Quite an opening statement that, a real attention grabber, then the throat grabbing ups still further as we land in a camp of African Americans, freed from slavery, ready to travel West for a better life. This harmony is shattered by the arrival of a night-rider gang led by DeShay (Miller),who promptly murder anyone who moves, not even the swine and poultry are spared. As the camp burns and the distaste in the throat refuses to leave, we feel we are in for something special with Poitier's directing debut, a peek at a part of history rarely shown in the movies.
Sadly the film never hits these heights again....
In some ways it feels like kicking a man when he is down, for Buck and the Preacher is well directed, very well acted, expertly photographed by Phillips (Durango, Mexico and Kenya standing in for Kansas Territory) and features a very untraditional, but pleasing, score by jazz man Carter and blues men Terry & McGhee. But Kinoy (Roots) and Walker have failed Poitier in the writing, badly trying to blend off beat comedy with serious racial thematics, while what little action takes place after that barn storming opening, starts to feel off kilter with the slow pace of the picture.
Such a shame, I mean who better to direct and star in such a thematically potent piece than the graceful Poitier? With Belafonte providing great chemistry as well, whilst gleefully stealing the film from his more illustrious acting brother, there's still much for the Western fan to feast on here. There's the unusual but much appreciated sight of the Indians painted as saviours, a dignified and intelligent race riding in cavalry style, the chief (Enrique Lucero) negotiating with Buck (Poitier) like a royal master of his creed. But this ultimately ends up as not being all that it should be.
I'd urge Western fans to see it, but I can't guarantee you wont be frustrated come the end credits. 6/10