I saw this film back in 1978 when it first came out and I liked it immediately. Now, 32 years later, I think it's a MASTERPIECE. The music was composed by Elliot Goldenthal, who received the Oscar a few years back and has become one of Hollywood;s top composers. Ed Lachmann, who is actually not credited, did the camera work. It's sublime. Carole Bouquet, who was a virtual unknown when this movie was made, has risen to super stardom. And the punk rock music is awesome. The main locale is Manhattan's CBGB's which no longer exists, but used to be the venue for the Ramones and Blondie.Andy Warhol is in is an hilarious, he also produced this film for Ulli Lommel (it's Lommel's first US film BTW). It's a cool and engaging love story and looks like it was made yesterday. If ever there was a cult masterpiece, THIS IS IT!!!!!

Yeah, this is it! The ultimate pop-punk-Warhol experience. A wild love triangle, that was shot many years prior to SEX, LIES AND VIDEO TAPE and is much cooler and deeper. Carole Bouquet in the role of NADA LUMIERE is so sexy and cool, Richard Hell as BILLY is riveting, ULLI LOMMEL as Hoffritz is very funny and Andy Warhol as himself is the best! There is so much cool punk rock music in the film, the entire Blank Generation album, it's a real treat, yeah. All the locations show Manhattan, especially SOHO and the Lower Eastside as they were rocking in the late 70s, and even the World Trade Center is in it in a very cool shot from the Staten Island Ferry. I had to order this DVD from Japan, where the movie is a big hit - those Japanese obviously know what's good and cool, I was unable to score a new DVD here in the States, why is that? The producers should do a US release on this one, it's obligatory, because there must be a zillion punk rock, 70s pop fans out there.

I was glad when it was over. It went surprisingly quickly for a dull film. Gives you scenes of a lovey-dovey/i'm leaving you romance between a new wave musician and his French TV documentary interviewer/filmer in New York. It has the atmosphere of the dreary New York streets. No particularly interesting characters save for the two leads, and another filmmaker girl. I personally like the music of Richard Hell and the Voidoids which is the band performing a few songs, staged right in the CBGB's club. Overall it's a dreary, blase' show; the lead character doesn't seem to really care about anything. The real-life character was a heroin user, but no mention of drugs is made. The last surprise at the end was the high-point.