Writer director Mike Binder has created one of more sensitive films dealing with racial issues yet to be made. He has produced a story, directed it with such sensitivity with an outstanding cast that it absolutely serves not only every ward the film industry can give but also the recognition of everyone working for equal rights. The script is brilliant, rich in humor and pathos, and very, very intelligent.

The synopsis is too brief but offers the flavor of the film: 'BLACK OR WHITE is the story of a grandfather Elliot (Kevin Costner) who when his wife Carol (Jennifer Ehle) is killed in an automobile accident is suddenly left to care for his beloved granddaughter Eloise (Jillian Estell) – a child born to their daughter impregnated at age 17 by an African American junkie Reggie (André Holland): the daughter dies in childbirth and who died in childbirth. When her paternal grandmother Rowena (Octavia Spencer) seeks custody with the help of her brother Jeremiah (Anthony Mackie),the little girl is torn between two families who love her deeply. With the best intentions at heart, both families fight for what they feel is right and are soon forced to confront their true feelings about race, forgiveness, and understanding. Anchored by an all-star cast and based on real events, the movie is a look at two seemingly different worlds, in which nothing is as simple as black or white.'

In addition to the brilliant cast listed above there are cameos by some rather extraordinary actors – Paula Newsome (a gifted and rising star who plays the judge),Mpho Koaho who plays Eloise's tutor, and Joe Chrest – Elliot's attorney partner and best friend.

The film belongs to Costner, Spencer and Estell – and it could not be in stronger hands. Highly Recommended.

From the title and the way the film was marketed, you'd get the impression that this is a movie about a custody dispute that all boils down to race. Well, this plays only the tiniest part in a film and is instead a film where there are lots of gray areas...and the custody situation is NOT black or white (metaphorically speaking).

When the film begins, Elliot (Kevin Costner) is at the hospital, as his wife just died. It's not just going to effect him, however, as he and his wife was the caretakers for their granddaughter, Eloise. However, although it's always clear that Elliot loves her, he's also got a drinking problem...though it does not appear to impair his ability to care for the child...at least at the present.

Soon, Eloise's Grandmother (Octavia Spencer) has filed for custody of the child. Much of this might have been avoided if Elliot had allowed the other side of the family (the black side) to see the girl. He, however, is angry at them as Eloise's father is a crack- head and the father's family is in denial about his current drug use or ability to care for the child. He's a mess, and clearly he should NOT care for any child...let alone a pet! But, the rest of the family seems to possibly be able to care for Eloise...but they've got to get over the Grandmother's fantasies about her son and his addiction. How does all this work out? See the film.

Overall, I enjoyed this film but must strongly point out that it is NOT strictly a film about race. Instead, it shows how both sides of the family care but are really screwed up...and it's up to the judge to determine what's best. I appreciated this and enjoyed the film. My only reservation is the last 10 minutes or so of the movie...it didn't seem all too realistic in many ways. So, I am recommending it but think it does, in some ways, miss the mark. Well worth seeing.

Elliot Anderson (Kevin Costner) loses his wife Carol in a car accident. He's left along to take care of his bi-racial granddaughter Eloise. He is drinking too much. He hires Duvan Araga as a tutor. There is tension between Eloise's grandmother Rowena Jeffers (Octavia Spencer) and Elliot which explodes when Rowena takes Elliot to court. Her brother Jeremiah Jeffers (Anthony Mackie) is a partner in his law firm. He insists that the case should be based on Elliot hating black people. Elliot's animosity centers on drug-addicted Reggie Jr. who refused to allow Elliot and Carol to come to the birth resulting in Elliot's daughter's death.

I am good with the central court case with racial overtones. However the movie seems intent on making everybody with their own cartoon problems. The constant drinking by Elliot borders on silly. He's drinking in almost every scene where he could stand still or sit down. It's ridiculous. When Fay starts clapping in court, I just about gave up on the movie. Rowena having a stare down with the judge is subtle by comparison. Octavia Spencer does give a terrific performance. When the movie tries to treat the material with sincerity and care, it's actually very touching. The interconnection between Rowena and Elliot is compelling. The Jeffers family drama is also compelling. There is a great opportunity here but there are a lot little moments that come off badly especially the little weak attempts at humor.