Back in the Sixties when I was a mere teenager I read some of the stories about the Beatles and the background they came from. I knew of Stuart Sutcliffe and his story only months before the Beatles came into the consciousness of America.

But until I saw Backbeat I did not KNOW Stuart Sutcliffe and the curious triangular relationship with John Lennon and German photographer Astrid Kirschner. Seeing Backbeat I do feel I was transported back to Liverpool and Hamburg of the early sixties and the origins of what became the Beatles.

Sutcliffe was a good friend of John Lennon who was part of the group he and Paul McCartney put together back in the days when they were searching for an image and a sound. Sutcliffe had his own ambitions however, he was a talented artist. He also had an irreversible brain tumor and a guaranteed limited time on earth.

I think that Stephen Dorff's background from a musical family no doubt helped in portraying Stuart Sutcliffe. I had seen Dorff previously in The Power of One and was amazed at his uncanny ability to get an Afrikanse accent right in a South African story. He does similarly here with not a British accent, but a Liverpudlian one. He certainly got no complaints from white South Africans or Liverpudlians for either film. He's got the best ear for speech patterns this side of Robert Mitchum.

Sheryl Lee is a fetching Astrid Kirschner, beloved of Sutcliffe and possibly of Lennon also. Ian Hart plays John Lennon, not the poet of Give Peace a Chance, but an angry working class kid from Liverpool who wants to succeed in the music business. It's like looking in young Lennon's soul.

The other Beatles are there, Paul McCartney, George Harrison, and Peter Best and there's a brief appearance by Ringo Starr who was drumming for another band and would be the piece that completed the revolutionary quartet eventually. But that's after this story finished.

And the story is really about John Lennon and his good friends Astrid and Stu. For as long as the Beatles performed and as long as he performed there was a bit of Stuart Sutcliffe in their music, Lennon saw to that.

It's 1960 Liverpool. Stuart Sutcliffe (Stephen Dorff) is a painter and John Lennon (Ian Hart) is his best friend. Stuart joins the early Beatles on the bass going to Hamburg, Germany on their first oversea trip along with Paul McCartney, George Harrison and Pete Best. German photographer Astrid Kirchherr (Sheryl Lee) introduces Sutcliffe to her avant-garde circle. Her influence and his poor playing cause friction within the band and his relationship with Lennon.

This is a Beatles movie without the cooperation of some of main players. Lennon is the leader. McCartney is a bit of wet blanket which probably annoyed the real Paul. I love the performances of Dorff and Hart. Also I love the two men's deep friendship. This is a deep bromance movie.

This is a film above all about the triangular relationship between John Lennon, Stuart Sutcliffe, and Astrid Kirchherr (four-sided if you include Astrid's boyfriend Klaus Voormann, five-sided if you include the band John and Stu were members of: the Beatles) -- a film about real events, about love and life and tragedy -- played out to a backdrop of the Beatles' visits to Hamburg and their performances there.

Based primarily on interviews with Stuart's mother and sister and with Astrid Kirchherr, it's been often criticised as a 'crude caricature', for its factual inaccuracies about the Beatles' time in Hamburg, about the musical performances portrayed, for the one-dimensional portrayal of the "minor" characters, including Paul, George, Pete and John's girlfriend Cynthia, and even for the fact that the actors aren't exact doppelgangers for the characters they portray (they're pretty good likenesses, though).

I can accept all these criticisms, but somewhat to my surprise they didn't spoil the film at all for me. If you want detailed accuracy about the Beatles, this is not for you. Read the books. But if you want to see a film which tells a good story well, and which will give you a real feel for the vibes of the time and for the characters it claims to portray, and an insight into one important aspect of the early history of the Beatles, I think you will enjoy this. I thought I wouldn't, but I did. And I will watch it again. And, did I say? it's about the Beatles.

This is not a biopic, nor does it pretend to be, but it does claim to tell the story of Stu and Astrid, and I thought it did that very well. I don't object at all to the use of some artistic licence, such as Astrid's excellent English. Contrary to some other reviewers, I found the portrayal of the quiet, enigmatic Stu by Stephen Dorff quite excellent, a perfect foil to the bitter, sometimes thoughtful, and wholly charismatic John Lennon, portrayed just as well by Ian Hart.

I first heard the Beatles just before their first British record "Love Me Do" became a minor hit in Autumn 1962. This film portrays events mostly more than a year before then, and even longer before their last stint in Hamburg, at the Star-Club in December 1962, the subject of a famous amateur recording. Apart from the Polydor recordings by Bert Kampfaert, we have little to judge objectively what the band sounded like in 1960-61, but judging from the 1962 live recordings, and the comments of those who heard them before they were famous, I'm quite prepared to believe the Beatles sounded then very much like the band used for the soundtrack to this film. OK, the band aren't the Beatles, and some of the details are a bit askew, but the rock-and-roll standards portrayed were all part of the Beatles' act, and are performed much as they performed them. Everyone tells how Stu Sutcliffe often played turning away from the audience, as often seen in the film. It's hardly a realistic portrayal of the Hamburg clubs on the Reeperbahn in the early 1960s, but I've seen worse, and if you have little idea what life was like for the band before 1962, this will not be a bad introduction.

Comparisons with "A Hard Day's Night" are ingenuous: that was a film made by the Beatles early in 1964 after they were famous (in Britain at least); this is a film about the band when they were teenagers, before pretty much anyone knew them outside Liverpool and Hamburg. Not the same at all. And of course, they didn't sound back then like the Beatles' later recordings, or even like they did on their tours of the US and elsewhere. Perhaps the only recording you can really compare is their first album "Please Please Me" (and the live Star-Club recording, if you have it).

It's a film, for goodness' sake. I enjoyed it as one, and I hope you do too. The characters rang true, especially Ian Hart as John Lennon, and the story is well worth telling, and well worth watching. And, did I say? it's about the Beatles.