I was excited to see this as I loved Back to the Future, which is the movie of the 80s, and I was hoping to even see Crispin Glover reveal all. But it was mainly DeLorean, DeLorean, and DeLorean. Yes, it played a significant role in the trilogy,and in many ways the center piece. But I really was hoping more in-depth interviews in this documentary.

I would have given the documentary 9 if it was more balanced, but not to be.

I would have loved to see the myth about the Super Bowl prediction debunked here, but not to be. Anyway, maybe there can be sequel to Back in Time to resolve this.

Greetings again from the darkness. Thirty years is an eternity in the filmmaking world. Only a few dozen movies even get a cable run in year two. So, it's worth noting, and maybe even magical, when a movie is beloved and worshiped by a rabid fan base some three decades after release. Such is the case with Back to the Future, the story of Marty McFly and Dr. Emmett Brown and their time-traveling escapades. First time director Jason Aron offers up a look at the BTTF community of fans, and some behind-the-scenes scoop from those involved.

Talking heads abound in the first part of the movie, as we see and hear from the masterminds of the classic: Robert Zemekis and Bob Gale, as well as Michael J Fox, Lea Thompson, Steven Spielberg, Huey Lewis, Christopher Lloyd, Claudia Wells, Alan Silvestri, Dean Cundey, Dan Harmon, Frank Price and others. Very little new information is served up, and in fact Mr. Zemekis doesn't seem especially excited to be involved, whereas Mr. Gale seems quite pleased and comfortable with his role in film history. The best "making of" anecdotes come from Michael J Fox, though it is interesting to note just how difficult it was for the film to get studio backing – "time travel" movies didn't have a successful box office track record.

The middle third of the movie is dedicated to the iconic Delorean car, and all that entails. This sequence would have been effective were it completed in 10 minutes, but instead it brings the film's flow to a dead stop. Sure, it's amazing that this many have a hobby related to this obscure car and its role in a classic film, but enough already!

Fan-based clubs and the accuracy of the film's "future" predictions for 2015 make up the final third of the run time, as we get a glimpse of how close we are to real hover boards and flying cars. The question that seems unanswered is just who is this film aimed at? Most of the insight has been long ago discussed in DVD "bonus" coverage or previous interviews with the key players. The fan communities are certainly of interest if one is part of it, but the vast majority of those who have held the film close to their heart for 30 years care little for the obsessive fringes, and only for the emotions and imagination delivered by the film that needs no roads.

Cast, crew, and fans explore the classic time-travel trilogy's resonance throughout our culture 30 years after Marty went Back in Time.

This is a hit and miss documentary, though it is a lot more hit than miss. Some of it, like the fan segments, are not that great. Do we care about a man proposing to his girlfriend or a miniature golf course? Not really. But the background information on how no studio wanted the film, and hearing from just about everyone involved, this is great and this film should be included on all future releases of the trilogy.

And that is what strikes me as the most impressive -- that the series was never intended to be a trilogy, but only a single film. The way the three weave in and out of each other, it seems brilliantly intentional, but perhaps it is even more brilliant because of the way it looks natural. Maybe Dan Harmon thinks the sequels stink, but the general population loves them.