Long time ago I was surprised when I realized that the director of "Bachelor in Paradise", was the same person who made the masterpiece "The Incredible Shrinking Man", and the one behind cult classics as "It Came from Outer Space", "Creature from the Black Lagoon", and "Tarantula"; not to mention fillers as "Monster on the Campus", and hundreds of TV episodes from all kind of series, from "Dr. Kildare" to "The Love Boat". Arnold was not new to comedy: there are indeed comic elements on all the horror movies mentioned above, but moreover, a year before he started shooting this MGM glossy adaptation of a story by Vera Caspary (the same lady who wrote both "Laura", and "Les Girls"),director Jack Arnold --who I guess Andrew Sarris must have classified very low in his Olympus of filmmakers-- had a hit with the British comedy "The Mouse That Roared", with Peter Sellers playing different roles, including the Duchess of Fenwick, the senile ruler of the littlest country in Europe. It is a story of little people and little minds, treated with affection and a kind of humor far from what audiences laugh about today. "Bachelor in Paradise" is somehow in the same vein: it is a funny and affectionate view of how little minds react when confronted with different attitudes about sex, which --up until the days of the reign of the Hays film code-- was treated rather hypocritically in American cinema. Everybody was doing all type of positions and gender combinations, with all kinds of adornments, except "Hollywood creatures". For the early 1960s, though not as radical as it may sound, "Bachelor in Paradise" suggested sex was more fun than accepted in regular films, and this was its main attraction, not Bob Hope, Lana Turner, or the new coupling of Paula Prentiss and Jim Hutton. Even I, who was 10 years old and lived in the city, far away from a suburb like Paradise, found it more daring than the comedies in which Doris Day played a virgin with tired facial tricks, as 1959's "Pillow Talk", which incredibly won the Best Screenplay Academy Award. I had not seen "Bachelor in Paradise" in decades... but when I did again I found it decidedly proto-Altmanesque, the kind of comedy that Robert Altman would have been doing in the early 1960s, probably with a more acerbic approach. Only the music industry had teased us with multiple releases of the music Henry Mancini composed for the movie. Now we can watch "Bachelor in Paradise" again, restored, in wide-screen and the flat color cinematography of those years (with few exceptions, everything was as bright and clear as the images in television sets). However it must be seen with a 1961 frame of mind. If you had not been born yet, do a little research. It does help a lot to appreciate a film about sexual life of the Americans without showing what they were doing in cars, bedrooms, and bushes, when the movie was made.
Bachelor in Paradise
1961
Comedy / Romance
Bachelor in Paradise
1961
Comedy / Romance
Plot summary
A. J. Niles is the author of a series of 'Bachelor Books'. These books describe the romantic life of a bachelor in various cities of the world. But when he runs into trouble with the I.R.S. for back taxes, he needs to write another book fast, to pay them. His publisher decides a book about life in the American suburbs would be a hit, and settles him into Paradise Cove. One bachelor plus lonely housewives equals many angry husbands.
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Paradise in the Suburbs
Just OK as a comedy but a fascinating social document
A bachelor (Bob Hope) moves in a CA community called "Paradise Village" which consists mostly of married couples with children. He also (under a pen name) writes some fairly explicit books about foreign countries and women and plans to do one about this community. He falls in love with a real estate agent (Lana Turner) who wants nothing to do with him. He also starts to teach all the females in the neighborhood how to sexually excite their husbands. Soon, every one thinks he's having affairs with all the women--including their husbands!
Pretty mild sex comedy. It's not really funny (I never laughed out loud once, but I did chuckle a few times) but it's fairly amusing. It's definitely better than some of the truly awful movies Hope did in the late 60s (like "Boy Did I Get A Wrong Number" and "Cancel My Reservation"). Also it has an Oscar-nominated title song by Henry Mancini (he lost to his OTHER Oscar-nominated song 'Moon River' from "Breakfast at Tiffany's") and the movie looks great.
It is great though as a look at American styles and values in the early 1960s. Those "family communities" that existed back then; the way bachelors and unmarried women were treated and viewed; the way the houses themselves are decorated and styled; the "interesting" outfits worn and the values and mores of people back then.
The acting is just so-so. Hope is OK--but he was in his 60s when he did this--and it shows. But Turner is very good and just drop dead gorgeous and Paula Prentiss is hysterical as one of the neighbors. Also, it's interesting to see Agnes Moorehead playing a judge.
Very mild comedy but interesting.
Belvedere In Stepford
Bachelor In Paradise casts Bob Hope as a Mr. Belvedere like author about social mores throughout the world. In residence over in France, he's called back to America by his editor John McGiver because Hope's business manager has paid no income tax for several years and has absconded with all his liquid assets. The next book he writes will be totally dedicated to the IRS.
Needing to write that book real fast before the interest and penalties mount even more, Hope takes residence in a Stepford like community in southern California called Paradise Valley. It's organizer Don Porter, would just love to have the women become Stepford automatons. The presence of a non-conformist bachelor he's afraid will spoil the order of things. He turns out to be right.
Even though the men hate him, the women of Paradise Valley just love the unconventional Hope in their midst. Even though he's traveling incognito, they sense something special. And when you've got a bevy of beauties like Janis Paige, Virginia Grey, and Paula Prentiss hanging on your every word, you'd think he'd have it made.
Still Hope's confirmed playboy bachelor that he writes about has fallen for rental agent Lana Turner. When his cover is blown it all hits the proverbial fan.
Although he might write about the same subject matter as Clifton Webb, Hope certainly doesn't have the acid Webb wit. It's not in his style. Still he gets some pretty good gags in as the free-wheeling bachelor tries to adjust to suburbia.
It's not the best of Hope comedies still his legion of fans will like it. And you can't complain about all the beautiful femininity gathered around the Bachelor In Paradise.