After the success of the ITV Cilla Black drama that so memorably starred Sheridan Smith, it's no surprise that the BBC have tried to repeat the trick with this drama focusing on the life of another British icon, Barbara Windsor.
With a good writer in Tony Jordan penning the script this should have been great. And yet it's not.
Jamie Winstone seems miscast, and the constant chipping and changing in terms of time and who is playing Babs makes us feel like we're trapped in a sci-fi film rather than a biopic. The only highlight is Samantha Spiro as the older Barbara Normally the BBC do this sort of thing so well. Not this time.
Plot summary
In 1993 middle-aged actress Barbara Windsor sits on a stage, conversing with John Deeks, the dead father who recognized her talent as a child but disappeared from her life after her parents divorced, her mother giving her her stage name. From stage school Barbara starts singing at Ronnie Scott's club, where she meets the charming but crooked Ronnie Knight, ending up a pregnant prisoner's wife, in need of an abortion. Things look up when she joins Joan Littlewood's Theatre Workshop group and gets a part in Lionel Bart's 'Fings Ain't Wot They Used to Be'. Film and television parts slowly come in, notably the 'Carry On' franchise, and despite Joan's warning that Barbara may be type-cast as the perpetual dumb blonde Barbara is smart enough to exploit the persona, acquiring a handsome young husband and becoming a national treasure.
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Apart from Samantha Spiro this is a flop
Carry on Babs
Barbara Windsor may had a complex relationship with her father but I am sure it was not like it was presented in this biographical drama.
Tony Jordan, a long time writer for Eastenders wrote this biopic which unlike Miss Windsor's chest felt a bit flat.
The framing device of an older Babs (Samantha Spiro) talking to her father about various aspects of her life is not new. It just did not work for me and made the drama episodic as we jumped around various stages of her life.
We see the child Barbara starting out on the stage with the help of her mother who disappears later on. The younger Babs (Jaime Winstone) realizes she has the assets to turn men's heads. We see her having a relationship with the crooked Ronnie Knight, both had affairs, she also had abortions. Barbara tries to break into serious acting with the Joan Littlewood theatre workshop. For a time she enjoyed success in the New York stage and even attracted the attention of Warren Beatty.
The Carry On years were quickly glossed over and we see an older Barbara Windsor still trying to understand her relationship with her father. Now with a toyboy and doing stage work for a pittance, she does not know it yet, but there is a juicy role in Eastenders just round the corner which will brighten her career and fortunes.
At one point even the real Barbara Windsor turns up which confuses matter further. I think this film just needed a straightforward narrative that was bubbly as the subject in her various happier times.
Could have been so much better
This was not a bad drama in some ways but for me it was spoiled by the over use of the older Babs and her Fathers constant conversations, it all seemed a bit arty for me which detracted rather than added to the story. Not sure if it was the fault of Dominic Leclerc's direction or Tony Jordan's dire script.
The young Babs played by Honor Kneafsey was just brilliant and stole every scene she was in. Her scenes were also the most emotional.
The more up to date version played by Samantha Spiro was also realistic but Jaime Winstone as the Babs we all know from the films was totally wrong, you can't fault her acting but she looked nothing like Barbara Windsor, she was too tall and heavy set to pull off the tiny and bubbly Babs we all know so well.
Too much of her life was glossed over or not shown at all. The carry on years were only briefly touched upon, although Robin Sebastian did a good Kenneth Williams. Where was Sid James who she had a controversial affair with? With a better script and direction this could have been great but sadly it wasn't. Compared to the excellent TV drama Eric and Ernie about the late Morcambe and Wise which was directed excellently by Jonny Campbell and written by Peter Bowker and the late Victoria Wood 'Babs' paled into insignificance.