All About Nina is a dark nihilistic comedy from writer and director Eva Vives.

Nina (Mary Elizabeth Winstead) is a brash potty mouthed comedian who talks about sex and one night stands. Her sex life does consist of casual one night stands although she is in an abusive relationship with a married cop who hits her.

As Nina tours Los Angeles, she is on the verge of getting a part in a television comedy show. Nina also starts an affair with a normal guy Rafe (Common) who remains calm despite her volatility which worsens when she is drunk.

The film could had been more about female comedians in the misogynistic world of stand up and trying to break through. A tired final act trots out all the cliches of an abusive childhood. Nina is not nice because other people were not nice to her.

In the end, the film had nothing substantial to offer with characters you do not care about and material that is not funny.

Ever since Sky High I knew there was something special about Mary Elizabeth Winstead. And correct me if I'm wrong, but this seems like the first movie she has been the true and only "star" and focus. Even in 10 Cloverfield Lane, she shares a lot of screen time with John Goodman and John Gallagher Jr. However, with All About Nina she gets a full 90 minutes to flex every hit of her acting talent and it is quite something to watch. She does everything from very good impressions, to hilarious sets on stage, to then an incredibly heartfelt and deeply emotional set on a stage in the 3rd act. I kept asking myself whether I was supposed to laugh or feel bad for Nina as she would rip through a set and move onto the bar and drink away her sorrows. But in reality, you're supposed to feel both. The film takes you through the entire emotional spectrum as Nina learns to love herself so that she can eventually find an openness to someone else loving her again, an arc that Winstead very well could have been nominated for.

9.0/10

The title says it all: Mary Elizabeth Winstead is excellent in this role. The movie itself, however, is not good. The characters are not developed. The flow is not organic. The structured reveals that lead to the movie's denouement are so forced that authentic emotional truth reduces to cliche. I am less forgiving of movies like this because they (attempt to) manipulate the audience. A better movie would illicit compassion and empathy through the identification with the character, perhaps. All About Nina, rather, vomits telegraphed "depth" (which is, in truth, shallow) all over the screen in an effort to bypass development, story, character arc, and narrative and get to the "point". The truth is that few people are going to climax if their lover doesn't pay attention. Here, the "lover" is the screenwriter/director who doesn't pay attention to any of the needs of the viewer, In an attempt to "move" the viewer, we're manipulated at every turn. The big moment of the movie, however, fell on its face. There was nothing true about it for the story; there was nothing true about it in the development; there was nothing true about it for the character. It was just meant to shock, and by implication explain the rest of the movie. Without the "foreplay" of good writing and characters, I wasn't turned on, and the big climax didn't give me the pleasure or satisfaction that I would have wanted after spending two hours in bed with this movie.

That said, Mary Elizabeth Winstead is terrific as the sexy, acerbic, wounded comedianne. There is more enjoyment in watching fragments of her routines than there is in the rest of the movie.

Is it worth a watch? It isn't. Do I recommend? I most certainly do not. Would I like to see more Mary Elizabeth Winstead? Without a doubt.