A History of Violence is quite another kind of story altogether! A unique combination of action, drama, suspense, and crime coupled with a suspenseful, intriguing, most interesting, and, at times, even a highly original and touching story. Personally. I think Viggo Mortensen does a spectacular job here in the lead role of Tom Stall, a man who would just as soon have everyone forget completely his dark and violent past! Mortensen (Eastern Promises) is one of the most highly underrated actors working today. More Details and Opinions in just a bit...........

Worth mentioning that I have a personal motive for taking a special interest in his career Here is something I'll bet quite a few of you don't know about King Aragorn.... He is one actor of an extremely select group, who was born into the English language and whose native language is English, but who has managed to acquire a very near-native ability in a second language, Spanish, so much so that he has played convincingly a Native speaker of Spanish in a handful of Spanish language films! Check out his acting filmography here on IMDb!

Just how does this involve me? Well, although I don't appear in films, in any language, I did not speak Spanish until I was 16...and now, after living in Colombia for over a quarter of a century, I usually pass for a native speaker!

VIOLENCE has a lot of other worthwhile things working in its favor. Excellent story and screenplay, plenty of suspense, and mostly outstanding performances turned in by other members of the cast... Especially William Hurt's award winning role. From me...VIOLENCE gets 9 well-deserved Stars!

9*********.... ENJOY! / DISFRUTELA!

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Tom Stall (Viggo Mortensen) leads a very normal life. He lives in the Midwest with his wife and kids and works at a local restaurant. By all appearances, he's nothing special. However, one day two murderous sociopaths enter his restaurant and are intent not only on robbing the place but killing everyone, as this is their m.o.. Almost automatically, Tom becomes Rambo...and despite being unarmed, he manages to kill both the killers! Immediately, he's seen as a hero in the community and he makes the news. This should mean nothing bad, right? Well, perhaps not...as soon a disfigured mobster (Ed Harris) arrives in town with his 'friends', and it seems he has unfinished business with Tom....saying Tom's really someone else...an ex-mobster! Of course Tom denies it....and you aren't sure whether or not they are mistaken or if Tom has created an all new life for himself.

While it probably goes without saying, this is a very violent and taut film....and not one to show small kids, your mother or Father O'Malley if he comes over for a visit. Now I am NOT saying it's a bad film or even that it's that gratuitous (though there is a LOT of blood and gore)...but I think it's important I stress to you about the violence so you know what you're getting into when you see the movie.

So is it any good? Yes. It's exciting, tense and intelligently written.

David Cronenberg fascinates me, and his directing style and films are quite unique. Unique in how they really get under one's skin, explore complex and difficult themes not explored an awful lot by other directors without any sugar-coating or excessiveness and how many of them disturb and makes one feel uncomfortable. Films of his have shown some dark wit and have found myself connecting emotionally to others, primary examples being my favourites of his 'The Fly' and 'Dead Ringers'. His films are much more than horror.

As is evident with 2005's 'A History of Violence', which is as long away from horror as one can get. Instead a mix of thriller and drama, which for Cronenberg back then was pretty much completely different. As were the themes, those of violence and identity, explored again two years later in 'Eastern Promises' (which there is a marginal preference for). Although the audience reaction is evidently polarising, understandably too, 'A History of Violence' was critically acclaimed at the time and in my mind while it is not perfect rightly so. It is by some way one of Cronenberg's better and more interesting later films and towards the better half of his overall filmography. Do agree with those who say that it is one of his more accessible and mature films.

Not a perfect film, again from personal opinion. The first portion or so is on the slow side and doesn't draw one in straight away. Not everything felt necessary either, in particular could have done without the gratuitous staircase "hate sex" scene and the high school scenes which had very little tension or surprises and would have been more in place in a teenage comedy drama.

Heidi Hayes is very wooden and expressionless as Sarah. Some have slammed Ashton Holmes, personally thought he fared much better as there was more intensity and emotion from him and Jack was an infinitely more interesting character, at least the film actually tried to develop him whereas Sarah was more the stereotypical young daughter that contributes little to the story.

On the other hand, 'A History of Violence' as usual for Cronenberg looks great. The locations create a sense of foreboding as does the very atmospheric lighting and tight editing. In this regard though, the star is Cronenberg regular Peter Suschitzky's cinematography, which has the right amount of grimy grit and audaciousness. While there is a preference for more characters-of-their-own scores 'The Fly', 'Dead Ringers' and 'Eastern Promises' of his collaborations with Cronenberg, Howard Shore's score is still suitably dramatic and hauntingly ominous with no questionable placements. Cronenberg provides some of the most ambitious and tightest directing of all his later films, doing a great job pulling no punches and keeping the tension going, keeping it remarkably and uncharacteristically straight.

Some have criticised the script, personally found it thought-provoking, taut when needed, darkly satiric in places and subversively witty in others, failing only in the high school scenes. The story on the most part did grip me with its teasing tension and suspense in the atmosphere, loved the tension between Viggo Mortensen and Maria Bello, the unflinching and pretty frightening violence that really doesn't hold back and the unforgettable climax. Mortensen gives one of his best performances in one of his meatier roles and Bello brings a lot of heart to hers. Ed Harris chills the bone and to me he was more deserving of the Best Supporting Actor nomination than the still very good William Hurt who really livens proceedings up in his ruthlessly ripe turn.

In summary, a very good film. 8/10